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Figure 1
Gender differences in participation in each type of art.Source: Author's own elaboration.
Figure 2
Participation in particular arts regarding art types (classical only, both classical and popular, popular only) considering the gender factor.Source: Author's own elaboration.
Figure 3
Gender differences in participation in different arts regarding art types (classical only, both classical and popular, popular only).Source: Author's own elaboration.
Figure 4
Assessment of the quality of the whole aesthetic situation regarding the form of participation in the receiving process of a particular type of art and considering the gender factor.Source: Author's own elaboration.
Figure 5
Gender differences in assessing the quality of the whole aesthetic situation in regard to the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 6
Gender differences in the receiving process in regard to the quality of the whole aesthetic situation of a particular type of art considering the form of participation (in person or digital).Source: Author's own elaboration.
Figure 7
Assessment of men's and women's satisfaction flowing from a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.
Figure 8
Differences between men and women in assessing their satisfaction regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 9
Differences between the forms of participation in the receiving process by men and women regarding their satisfaction flowing from a particular type of art.Source: Author's own elaboration.
Figure 10
Assessment of men's and women's pleasure flowing from a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.
Figure 11
Differences between men and women in assessing their pleasure regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 12
Differences between the forms of participation in the receiving process by men and women regarding their pleasure flowing from a particular type of art.Source: Author's own elaboration.
Figure 13
Assessment of men's and women's engagement flowing from a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.
Figure 14
Differences between men and women in assessing their engagement regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 15
Differences between the forms of participation in the receiving process by men and women regarding their engagement flowing from a particular type of art.Source: Author's own elaboration.
Figure 16
Assessment of men's and women's possibility of experiencing catharsis in a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.
Figure 17
Differences between men and women in assessing the possibility of experiencing catharsis regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 18
Differences between the forms of participation in the receiving process by men and women regarding the possibility of experiencing catharsis through a particular type of art.Source: Author's own elaboration.
Figure 19
Assessment of men's and women's contact with the artwork itself in a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.
Figure 20
Differences between men and women in assessing contact with the artwork itself regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 21
Differences between the forms of participation in the receiving process by men and women regarding contact with the artwork itself flowing from a particular type of art.Source: Author's own elaboration.
Figure 22
Assessment of men's and women's contact with the performer in a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.
Figure 23
Differences between men and women in assessing contact with the performer regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 24
Differences between the forms of participation in the receiving process by men and women regarding contact with the performer in a particular type of art.Source: Author's own elaboration.
Figure 25
Assessment of men's and women's comfort of participation flowing from a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.
Figure 26
Differences between men and women in assessing their comfort of participation regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 27
Differences between the forms of participation in the receiving process by men and women regarding the comfort of participation flowing from a particular type of art.Source: Author's own elaboration.
Figure 28
Assessment of men's and women's possibilities for shaping the aesthetic experience in a particular type of art concerning the form of participation in the receiving process.Source: Author's own elaboration.
Figure 29
Gender differences in assessing the possibilities for shaping the aesthetic experience regarding the participation form in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 30
Differences between the forms of participation in the receiving process by men and women regarding the possibilities of shaping the aesthetic experience for a particular type of art.Source: Author's own elaboration.
Figure 31
Assessment of men's and women's reported motivation to participate in a particular type of art in regard to the form of participation in the receiving process.Source: Author's own elaboration.
Figure 32
Differences between men and women in assessing their motivation to participate regarding the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 33
Differences between the forms of participation in the receiving process by men and women regarding their motivation to participate in a particular type of art.Source: Author's own elaboration.
Figure 34
Assessment of men's and women's ease of participation in a particular type of art in regard to the form of participation in the receiving process.Source: Author's own elaboration.
Figure 35
Differences between men and women in assessing the ease of participation in regard to the form of participation in the receiving process of a particular type of art.Source: Author's own elaboration.
Figure 36
Differences between the forms of participation in the receiving process by men and women regarding the ease of participation in a particular type of art.Source: Author's own elaboration.