[Aristotle (1983). On the Art of Poetry. In T.S. Dorsch (Ed.). Classical Literary Criticism. Penguin Books.]Search in Google Scholar
[Everett, B. (2001). Much Ado About Nothing: The Unsociable Comedy. In M. Wynne-Davies (Ed.). Much Ado About Nothing and The Taming of The Shrew (pp.51-68). Palgrave Macmillan.10.1007/978-1-137-06820-0_4]Search in Google Scholar
[Hartmann, H. (1981). The unhappy marriage of Marxism and Feminism: Towards a more progressive union. In L. Sargent (Ed.). Women and Revolution: A Discussion of the Unhappy Marriage of Marxism and Feminism (pp.1-41). South End Press.10.1177/030981687900800102]Search in Google Scholar
[Hawkes, T. (1992) Meaning By Shakespeare. Routledge.]Search in Google Scholar
[Howard, J. (2001). Antitheatricality Staged: The Workings of Ideology in Shakespeare’s Much Ado About Nothing. In M. Wynne-Davies (Ed.). Much Ado About Nothing and The Taming of The Shrew (pp.103-122). Palgrave Macmillan.10.1007/978-1-137-06820-0_6]Search in Google Scholar
[Jardine, L. (1996). Reading Shakespeare Historically. Routledge.]Search in Google Scholar
[Mulvey, L. (1999). Visual Pleasure and Narrative Cinema. In S. Thornham (Ed.). Feminist Film Theory: A Reader. Edinburgh University Press.10.1515/9781474473224-009]Search in Google Scholar
[Sedgwick, E. (2015). Between Men: English Literature and Male Homosocial Desire. Columbia University Press.]Search in Google Scholar
[Shakespeare, W. (2016). Much Ado About Nothing. C. McEachern (Ed.). Bloomsbury.]Search in Google Scholar
[Sinfield, A. (1992). Faultlines: Cultural Materialism and the Politics of Dissident Reading. Oxford University Press.10.1093/oso/9780198119838.001.0001]Search in Google Scholar
[Thompson, A. (Ed.). (2021). The Cambridge Companion to Shakespeare and Race. Cambridge University Press.10.1017/9781108684750]Search in Google Scholar
[Weimann, R. (1978). Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Johns Hopkins University Press.]Search in Google Scholar