<abstract xmlns="http://www.w3.org/1999/xhtml"><p>Arab-American women’s literature has emerged noticeably in the early years of the 21st century. The social and political atmosphere in post-9/11 America encouraged the growth of such literature and brought it to international attention. This diasporic literature functions as a means of discussing the Orientalist discourse that circumscribes Arab American identity and its effects in determining their position in the wider American society. As such, this article investigates the extent to which Edward Said’s discourse of Orientalism is employed by Mohja Kahf in her novel <italic>The Girl in the Tangerine Scarf</italic> (2006) to project the stereotypes and misrepresentations that confine the identity of Arab and Muslim characters in the US society. This article suggests that post-9/11 Arab American fiction serves as a literary reference to such stereotype-based discourse in the contemporary era. The arguments in this article, while employing an analytical and critical approach to the novel, are outlined within postcolonial and Orientalist theoretical frameworks based on arguments of prominent critics and scholars such as Peter Morey, Edward Said, and Jack Shaheen, to name just a few.</p></abstract>

Arab-American women’s literature has emerged noticeably in the early years of the 21st century. The social and political atmosphere in post-9/11 America encouraged the growth of such literature and brought it to international attention. This diasporic literature functions as a means of discussing the Orientalist discourse that circumscribes Arab American identity and its effects in determining their position in the wider American society. As such, this article investigates the extent to which Edward Said’s discourse of Orientalism is employed by Mohja Kahf in her novel The Girl in the Tangerine Scarf (2006) to project the stereotypes and misrepresentations that confine the identity of Arab and Muslim characters in the US society. This article suggests that post-9/11 Arab American fiction serves as a literary reference to such stereotype-based discourse in the contemporary era. The arguments in this article, while employing an analytical and critical approach to the novel, are outlined within postcolonial and Orientalist theoretical frameworks based on arguments of prominent critics and scholars such as Peter Morey, Edward Said, and Jack Shaheen, to name just a few.

Understanding Arab American Identity through Orientalist Stereotypes and Representations in Mohja Kahf’s <italic>The Girl in the Tangerine Scarf</italic> (2006)

East-West Cultural Passage

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Understanding Arab American Identity through Orientalist Stereotypes and Representations in Mohja Kahf’s  (2006)

Arab-American women’s literature has emerged noticeably in the early years of the 21st century. The social and political atmosphere in post-9/11 America...

Understanding Arab American Identity through Orientalist Stereotypes and Representations in Mohja Kahf’s The Girl in the Tangerine Scarf (2006)

Pubblicato online: 29 gen 2021

Pagine: 30 - 52

DOI: https://doi.org/10.2478/ewcp-2020-0002

Parole chiave
Arab American, Edward Said, Mohja Kahf, identity, Orientalism, stereotypes

© 2020 Ishak Berrebbah, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Understanding Arab American Identity through Orientalist Stereotypes and Representations in Mohja Kahf’s The Girl in the Tangerine Scarf (2006)

Pubblicato online: 29 gen 2021

Pagine: 30 - 52

DOI: https://doi.org/10.2478/ewcp-2020-0002

Parole chiaveArab American, Edward Said, Mohja Kahf, identity, Orientalism, stereotypes

© 2020 Ishak Berrebbah, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Parole chiave
Arab American, Edward Said, Mohja Kahf, identity, Orientalism, stereotypes