<abstract xmlns="http://www.w3.org/1999/xhtml"><p>After Mustafa Kemal Atatürk founded the new Turkish Republic in 1923, the country went through a swift and radical transformation. The ruling elite made use of all possible tools to impose the ideals of the new Republic. Their main objective was to break the bonds with the Islamic Ottoman past to establish a new secular national identity. The essence of the new Turkish nation was found in pre-Islamic Central Asia. This view was supported with the help of the Turkish History Thesis, which asserted that the Turks are a supreme race, and their origins are from Central Asia. The state tried to propagate this thesis by various means. The most effective tool that could reach the illiterate people during that period was the theatre. Accordingly, the aim of this article is to explore how the state disseminated the Turkish History Thesis and the values of the new Republic through theatre. The emergence of this new narrative coincided with the tenth anniversary of the Turkish Republic. The plays, written in 1933, especially for this occasion, will be analyzed to determine how they support the Turkish History Thesis and the values of the new nation. Two plays, <italic>Akın</italic> (<italic>The Raid</italic>) and its sequel <italic>Özyurt</italic> (<italic>Homeland</italic>), will be explored in detail to give an elaborate account of the ideology behind such plays written during that period.</p></abstract>

After Mustafa Kemal Atatürk founded the new Turkish Republic in 1923, the country went through a swift and radical transformation. The ruling elite made use of all possible tools to impose the ideals of the new Republic. Their main objective was to break the bonds with the Islamic Ottoman past to establish a new secular national identity. The essence of the new Turkish nation was found in pre-Islamic Central Asia. This view was supported with the help of the Turkish History Thesis, which asserted that the Turks are a supreme race, and their origins are from Central Asia. The state tried to propagate this thesis by various means. The most effective tool that could reach the illiterate people during that period was the theatre. Accordingly, the aim of this article is to explore how the state disseminated the Turkish History Thesis and the values of the new Republic through theatre. The emergence of this new narrative coincided with the tenth anniversary of the Turkish Republic. The plays, written in 1933, especially for this occasion, will be analyzed to determine how they support the Turkish History Thesis and the values of the new nation. Two plays, Akın (The Raid) and its sequel Özyurt (Homeland), will be explored in detail to give an elaborate account of the ideology behind such plays written during that period.

From the Ottoman Empire to pre-Islamic Central Asia: Theatre as an Ideological Tool

East-West Cultural Passage

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

After Mustafa Kemal Atatürk founded the new Turkish Republic in 1923, the country went through a swift and radical transformation. The ruling elite made use of...

From the Ottoman Empire to pre-Islamic Central Asia: Theatre as an Ideological Tool

Pubblicato online: 29 gen 2021

Pagine: 7 - 29

DOI: https://doi.org/10.2478/ewcp-2020-0001

Parole chiave
Turkish theatre, political theatre, Turkish History Thesis

© 2020 Elif Baş, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

From the Ottoman Empire to pre-Islamic Central Asia: Theatre as an Ideological Tool

Pubblicato online: 29 gen 2021

Pagine: 7 - 29

DOI: https://doi.org/10.2478/ewcp-2020-0001

Parole chiaveTurkish theatre, political theatre, Turkish History Thesis

© 2020 Elif Baş, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Parole chiave
Turkish theatre, political theatre, Turkish History Thesis