<abstract xmlns="http://www.w3.org/1999/xhtml">
<p>The aim of the text is to analyse contemporary Bolivian decolonial feminism using Cusicanquiʼs model of cultural hybridity. Cusicanqui formulated the concept of chʼixi as an analytical tool for theorizing about the mixing of cultures that maintain distinct aspects but enter a mutual creative dialogue and create new qualities through it. In my analysis, I focus on two streams of Bolivian decolonial feminism, represented by Mujeres Creando and Mujeres Creando Comunidad movements. First, I describe historical roots of Bolivian decolonial feminism with an emphasis on the influence of anarchist ideas both on the formation of the Bolivian workersʼ movement and on strategies and practices of social and indigenous movements at the turn of the millennium. In the following discussion I analyse the ideologies and strategies of Mujeres Creando and Mujeres Creando Comunidad movements using Cusicanquiʼs model of hybridity. I conclude that both movements construct a subversive network of alternative knowledge and practices, within which seemingly contradictory experiences can coexist harmoniously and create a new, non-dichotomous qualities. According to Cusicanqui, these chʼixi spaces are the source of a new, emerging epistemology based on which a radical vision of decolonised modernity can be formulated.</p>
</abstract>

The aim of the text is to analyse contemporary Bolivian decolonial feminism using Cusicanquiʼs model of cultural hybridity. Cusicanqui formulated the concept of chʼixi as an analytical tool for theorizing about the mixing of cultures that maintain distinct aspects but enter a mutual creative dialogue and create new qualities through it. In my analysis, I focus on two streams of Bolivian decolonial feminism, represented by Mujeres Creando and Mujeres Creando Comunidad movements. First, I describe historical roots of Bolivian decolonial feminism with an emphasis on the influence of anarchist ideas both on the formation of the Bolivian workersʼ movement and on strategies and practices of social and indigenous movements at the turn of the millennium. In the following discussion I analyse the ideologies and strategies of Mujeres Creando and Mujeres Creando Comunidad movements using Cusicanquiʼs model of hybridity. I conclude that both movements construct a subversive network of alternative knowledge and practices, within which seemingly contradictory experiences can coexist harmoniously and create a new, non-dichotomous qualities. According to Cusicanqui, these chʼixi spaces are the source of a new, emerging epistemology based on which a radical vision of decolonised modernity can be formulated.

“We are Indians, Whores and Lesbians, Revolted and Twined Together.” Decolonial Feminism in Bolivia

Ethnologia Actualis

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The aim of the text is to analyse contemporary Bolivian decolonial feminism using Cusicanquiʼs model of cultural hybridity. Cusicanqui formulated the concept...

“We are Indians, Whores and Lesbians, Revolted and Twined Together.” Decolonial Feminism in Bolivia

Pubblicato online: 02 feb 2024

Pagine: 29 - 61

DOI: https://doi.org/10.2478/eas-2022-0010

Parole chiave
Aymara, Anarcho-feminism, chʼixi, Community, Decolonial feminism, feminism, Indian hegemony

© 2022 Jana Jetmarová, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

“We are Indians, Whores and Lesbians, Revolted and Twined Together.” Decolonial Feminism in Bolivia

Pubblicato online: 02 feb 2024

Pagine: 29 - 61

DOI: https://doi.org/10.2478/eas-2022-0010

Parole chiaveAymara, Anarcho-feminism, chʼixi, Community, Decolonial feminism, feminism, Indian hegemony

© 2022 Jana Jetmarová, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Parole chiave
Aymara, Anarcho-feminism, chʼixi, Community, Decolonial feminism, feminism, Indian hegemony