Nostalgia and Creative Urge as Double-Edged Swords in the (Auto)Biographical Writings of Rose Gollup-Cohen

While some Jewish immigrant autobiographies have received broad critical attention, a few important autobiographical endeavours have been underrepresented or almost forgotten. Autobiographies written by Jewish female writers who immigrated to America from Russia, Poland, or Galicia often draw a bifurcated picture of their struggles in callous New York sweatshops, or, on the contrary, they exalt the Jews’ notable success while blending in the American melting pot. Scarce studies, however, have been devoted to the dislocation and uprootedness of female immigrants and to the nostalgic feelings they have experienced during their absorption into American reality. This paper intends to resuscitate the forgotten voice of a Jewish immigrant female writer, Rose Gollup-Cohen. Moreover, using primarily psychoanalytical methodology and a feminist theory, the paper focuses on the nostalgic feelings that immigrants reverted to. Finally, it deals with both the therapeutic and the destructive powers of compulsive writing and shows how the writing process assists an immigrant writer when coping with distress experienced in her new homeland, but, on the other hand, it also demonstrates how compulsive writing may lead to obsessive behaviours, resulting in losing awareness of one’s surroundings, neglecting one’s family, and even to depression and suicide.