Mothers, Stepmoms and the Brave New Family. Intercultural Remake and Melodrama: an Analysis of the American Stepmom and its Bollywood Remake
| 04 giu 2014
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Pubblicato online: 04 giu 2014
Pagine: 133 - 147
DOI: https://doi.org/10.2478/ausfm-2014-0008
Parole chiave
© 2014
This article is distributed under the terms of the Creative Commons Attribution Non-Commercial License, which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited.
The Bollywood remake of the American weepie Stepmom (Chris Columbus, 1998) is a fine and rather recent example of the intercultural remake phenomenon, a study topic that is gaining more and more attention. With the aim of suggesting conclusions generally applicable to intercultural remakes, starting from the genre, through characterization, film style and narrative, the present paper examines the remake process in the case of We Are Family (Siddharth Malhotra, 2010) and Stepmom