PETALS: The Aestheticisation of Death in Sylvia Plath’s “Edge” and in the Illustrations of Adriaan van de Spiegel’s Frucht in Mutter Leibe

Pubblicato online: 26 gen 2024

Pagine: 42 - 57

DOI: https://doi.org/10.2478/abcsj-2023-0006

Parole chiave

Sylvia Plath, “Edge”, “The Munich Mannequins”, “The Oval Portrait” (E. A. Poe), perfection, petals, death, aestheticisation, anatomical illustration, Adriaan van de Spiegel

© 2023 Estella Ciobanu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.