<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>This allegorical postcard is organized around two groups of photographs. The first group was the result of a joint collaboration with the Vancouver artist Scott Saunders and produced photographs which have peppered several of my previous texts published by <italic>American, British and Canadian Studies</italic>. The second is a series of photographs taken by Scott Saunders from the window of his apartment in Vancouver in which he documents the street life constantly ebbing and flowing on the sidewalk below. The catalyst for bringing these two groups together was a photograph I took several years ago in Sambro, Nova Scotia (a small fishing village located just outside of the city of Halifax) depicting a forlorn sunken fishing vessel. The term “flotsam” is applied, according to the <italic>Oxford Reference Dictionary</italic>, to “the wreckage of a ship or its cargo floating on or washed up by the sea,” while “jetsam” describes the things or objects deliberately “thrown away, especially from a ship at sea and that float toward land.” Combined, these images of words and devastated human beings are caught in an apparently endless circulation of violence and contingency located at the heart of the urban fabric of a modernity bereft of any horizon of hope, redemption, or rescue.</p>
</abstract>

This allegorical postcard is organized around two groups of photographs. The first group was the result of a joint collaboration with the Vancouver artist Scott Saunders and produced photographs which have peppered several of my previous texts published by American, British and Canadian Studies. The second is a series of photographs taken by Scott Saunders from the window of his apartment in Vancouver in which he documents the street life constantly ebbing and flowing on the sidewalk below. The catalyst for bringing these two groups together was a photograph I took several years ago in Sambro, Nova Scotia (a small fishing village located just outside of the city of Halifax) depicting a forlorn sunken fishing vessel. The term “flotsam” is applied, according to the Oxford Reference Dictionary, to “the wreckage of a ship or its cargo floating on or washed up by the sea,” while “jetsam” describes the things or objects deliberately “thrown away, especially from a ship at sea and that float toward land.” Combined, these images of words and devastated human beings are caught in an apparently endless circulation of violence and contingency located at the heart of the urban fabric of a modernity bereft of any horizon of hope, redemption, or rescue.

Postcards: Flotsam and Jetsam: Art, Allegory, and Shipwreck in the Twenty-First Century (I)

American, British and Canadian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

This allegorical postcard is organized around two groups of photographs. The first group was the result of a joint collaboration with the Vancouver artist...

Postcards: Flotsam and Jetsam: Art, Allegory, and Shipwreck in the Twenty-First Century (I)

Pubblicato online: 01 nov 2022

Pagine: 224 - 251

DOI: https://doi.org/10.2478/abcsj-2022-0012

Parole chiave
shipwreck, flotsam, jetsam, modernity, allegory, ephemerality, epistemology

© 2022 David Brian Howard, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Postcards: Flotsam and Jetsam: Art, Allegory, and Shipwreck in the Twenty-First Century (I)

Pubblicato online: 01 nov 2022

Pagine: 224 - 251

DOI: https://doi.org/10.2478/abcsj-2022-0012

Parole chiaveshipwreck, flotsam, jetsam, modernity, allegory, ephemerality, epistemology

© 2022 David Brian Howard, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Parole chiave
shipwreck, flotsam, jetsam, modernity, allegory, ephemerality, epistemology