“Catastrophically Romantic”: Radical Inversions of Gilbert and Gubar’s Monstrous Angel in Gillian Flynn’s Gone Girl

Pubblicato online: 01 mar 2021

Pagine: 86 - 110

DOI: https://doi.org/10.2478/abcsj-2020-0018

Parole chiave

Sandra Gilbert, Susan Gubar, Gillian Flynn, feminist fiction, contemporary fiction, domestic noir, female violence, gender, performative femininity

© 2020 Ashley E. Christensen, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.