Accesso libero

2. Artistic Personality in the Light of Socio - Cultural Integration

   | 04 apr 2016
INFORMAZIONI SU QUESTO ARTICOLO

Cita

1. Bascom, W. (1969). Creativity and Style in African Art. New York: Rinehart and Winston10.1525/9780520324145-011Search in Google Scholar

2. Bateson, G. (1949). Ball: The Value System of a Steady State. New York: Ballentine BooksSearch in Google Scholar

3. Berlyne, D. E. (1966). Curiosity and Exploration. Science, 153(3731)10.1126/science.153.3731.25Search in Google Scholar

4. Davenport, W.H. (1968). Sculpture of the Easter Solomons. Expedition, 10(2)Search in Google Scholar

5. D'Azevedo, W. L. (1958). A Structural Approach to Esthetics: Toward a Definition of Art III Anthropology. American Anthropologist, 60: 702/714, Bloomington: Indiana U. Press10.1525/aa.1958.60.4.02a00070Search in Google Scholar

6. Devereux, G. (1961). Art and Mythology: A General Theory, In KaplanSearch in Google Scholar

7. Dubois, C. (1960). The People of Alor. Cambridge Mass, Harvard University.Search in Google Scholar

8. Freud, S. (1913). The Interpretation of Dreams. New York: Macmillan10.1037/10561-000Search in Google Scholar

9. Freud, S. (1950). Totem and Taboo. New York: NortonSearch in Google Scholar

10. Goodale, J.C. & Koss, J.D. (1971). The Cultural Context of Creativity Among the Tiwi, In OttenSearch in Google Scholar

11. Jung, C.G. (1964). Man and His Symbols. Doubleday, Garden CitySearch in Google Scholar

12. Kardiner, A. & Linton, R. (1939). The Individual and His Society. New York: Columbia University PressSearch in Google Scholar

13. Kavolis, V. (1965). The Value-Orientations Theory of Style. Anthropologica Quarterly, 38(1)10.2307/3316721Search in Google Scholar

14. Kubler, G. (1962). The Shape of Time: Remarks on the History of Things. New Haven: Yale U PressSearch in Google Scholar

15. Mead, M. (1935). Sex and Temperament in Three Primitive Societies, London: RoutledgeSearch in Google Scholar

16. (1940). The Arts in Bali, Yale Review 30: 335-34710.2307/210165Search in Google Scholar

17. (1959). Creativity in Cross-Cultural Perspective, Winter, BostonSearch in Google Scholar

18. Muensterberger, W. (1951). The Roots of Primitive Art. In Wilbur G. B. (ed.) Psychiatry and Culture: Essays in Honor of Geza, Roheim. New York: John WileySearch in Google Scholar

19. Peckham, M. (1965). Man's Rage for Chaos: Biology, Behavior, and the Arts. Philadelphia: Chilton BooksSearch in Google Scholar

20. Rusu, M. (2015a). Principiile morale și expresia lor în artăcontraste și controverse, co-autor Ioana Olaru, conf. dr. Univ. de Arte “G. Enescu”, Iași, în Vol 1, coord. Marinela Rusu, “Etic și estetic”, p. 17-32Search in Google Scholar

21. Rusu, M. (2015b). Arta și modelarea culturală a personalității. In Popa, D.M. & Iftimie, N.M. Alteritate și Identitate, (p. 205-212), Iași: PerformanticaSearch in Google Scholar

22. Rusu, M. (2015c). Experiența estetică – Creativitate, ideal și interpretare, în vol. colectiv, coord. C. Tofan și C. Sârbu, “Artă și Tradiție în Europa”, Ediția a-VI-a, 15 iulie, p. 103-108Search in Google Scholar

23. (2014). Dimensiuni ale dezvoltării conștiinței prin artă, în “Artă și Personalitate”, vol. I, coord. M. Rusu, Ed. Ars Longa, Iași, p. 78-112.Search in Google Scholar

24. Spencer, R. F. and J. Jesse et al. (1977). The Native Americans. New York: Harper and RowSearch in Google Scholar

25. Thompson, R.F. (1969). Àbátàn: A Master Potter of the Egbado Yoruba, Berkeley: California Press10.1525/9780520324145-012Search in Google Scholar

26. Tuzin, D., F. (1980). The Voice of the Tambaran: Truth and Illusion in Ilahita Arapesh Religion. Berkeley: U of California Press10.1525/9780520312678Search in Google Scholar

27. Wallace, A. & Fogelson, R. (1961). Culture and Personality, Biennial Review of Anthropology, 2: 42-78Search in Google Scholar