[Baudrillard, J. 1994. Simulacra and Simulation. Trans. S. F. Glaser. Ann Arbor: University of Michigan Press.10.3998/mpub.9904]Search in Google Scholar
[Brandon, R. 1999. Surreal Lives: The Surrealists 1917-1945. New York: Grove Press.]Search in Google Scholar
[Breton, A. [1924] 2010. First Manifesto of Surrealism -1924. Trans. A. S. Kline. http://uploads.worldlibrary.net/uploads/pdf/20121102214233manifestopdf_pdf.pdf (7 August 2013).]Search in Google Scholar
[Bydžovská, L. 2005. ‘Against the current: The story of the surrealist group of Czechoslovakia’. - Papers of Surrealism, 3, http://www.surrealismcentre.ac.uk/papersofsurrealism/journal3/acrobat_files/lenka.pdf (7 August 2013).]Search in Google Scholar
[Creed, B. 2007. ‘The untamed eye and the dark side of surrealism: Hitchcock, Lynch and Cronenberg’. - G. Harper, R. Stone (eds.), The Unsilvered Screen: Surrealism on Film. London: Wallflower Press, 115-133.]Search in Google Scholar
[Freud, S. 1919. ‘The uncanny’. http://web.mit.edu/allanmc/www/freud1.pdf (7 August 2013).]Search in Google Scholar
[Hames, P. 2008a. ‘The fi lm experiment’. - P. Hames (ed.), Dark Alchemy: The Cinema of Jan Švankmajer. London, New York: Wallfl ower Press, 8-39.]Search in Google Scholar
[Hames, P. 2008b. ‘Interview with Jan Švankmajer’. - P. Hames (ed.), Dark Alchemy: The Cinema of Jan Švankmajer. London, New York: Wallfl ower Press, 104-139.]Search in Google Scholar
[Kangilaski, J. 2013. ‘Kunstnike lootused’. - J. Kangilaski (ed.), Eesti kunsti ajalugu. 1940-1991. I osa. Tallinn: Eesti Kunstiakadeemia, Sihtasutus Kultuurileht, 16-22.]Search in Google Scholar
[King, E. H. 2007. Dalí, Surrealism and Cinema.Harpenden: Kamera Books.]Search in Google Scholar
[Kuenzli, R. E. 1996. ‘Introduction’. - R. E. Kuenzli (ed.), Dada and Surrealist Film. Cambridge, London: The MIT Press, 1-12.]Search in Google Scholar
[Laaniste, M. 2009. ‘Karikatuur ja/või kunst.Valdkondade vahekorrast Eestis Priit Pärna loomingu näitel / Cartoons and/or art: On the relationship of two fields in Estonia, based on Priit Pärn’s creative career’. - Kunstiteaduslikke Uurimusi, 18, 1-2, 111-150.]Search in Google Scholar
[Majmurek, J. 2010. ‘Utopia, dystopia, escape: Surrealism and Polish science fiction / fantasy cinema’. - K. Wielebska, K. Mikurda (eds.), A Story of Sin: Surrealism in Polish Cinema. Krakow, Warsaw: Korporacja Ha!art, 160-185.]Search in Google Scholar
[Moine, R.; Taminiaux, P. 2006. ‘From surrealist cinema to surrealism in cinema: Does a surrealist genre exist in fi lm?’ - Yale French Studies, 109, 98-114.]Search in Google Scholar
[Norris, V. 2007. ‘‘Interior logic’: The appropriation and incorporation of popular surrealism into classical American animation’. - G. Harper, R. Stone (eds.), The Unsilvered Screen: Surrealism on Film. London: Wallflower Press, 72-89.]Search in Google Scholar
[Owen, J. L. 2010. ‘Motion without escape: The bleak surrealism of Czech and Polish animation’. - K. Wielebska, K. Mikurda (eds.), A Story of Sin: Surrealism in Polish Cinema. Krakow, Warsaw: Korporacja Ha!art, 44-59.]Search in Google Scholar
[Owen, J. L. 2011. Avant-Garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties. New York, Oxford: Berghahn Books.]Search in Google Scholar
[Pikkov, Ü. 2010. Animasophy: Theoretical Writings on the Animated Film. Trans. E. Näripea. Tallinn: Estonian Academy of Arts.]Search in Google Scholar
[Pikkov, Ü. 2011. ‘Sürrealismi tee eesti animatsioonifi lmi’. - Teater. Muusika. Kino, 3, 94.]Search in Google Scholar
[Richardson, M. 2006. Surrealism and Cinema. Oxford: Berg.]Search in Google Scholar
[Wells, P. 2002. Animation and America. New Brunswick: Rutgers University Press.]Search in Google Scholar
[Williams, L. 1981. Figures of Desire: A Theory and Analysis of Surrealist Film. Berkeley, Los Angeles, Oxford: University of California Press.]Search in Google Scholar
