Real Bodies in (Un)real Spaces: Space, Movement, and the Installation Sensibility in Lech Majewski’s The Mill and the Cross

Pubblicato online: 06 apr 2016

Pagine: 7 - 27

DOI: https://doi.org/10.1515/ausfm-2015-0013

Parole chiave

expanded cinema, painting, installation, space, spectatorship

© 2016

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.