<abstract xmlns="http://www.w3.org/1999/xhtml">The present study aims to investigate the contribution that actor Edward G. Robinson brought to the American film industry, beginning with his iconic role as gangster Little Caesar in Mervyn Le Roy’s 1931 production, and continuing with widely-acclaimed parts in classic <italic>film noirs</italic> such as <italic>Double Indemnity, The Woman in the Window</italic> and <italic>Scarlet Street</italic>. Edward G. Robinson was actually a Romanian Jew, born Emmanuel Goldenberg in Bucharest, in 1893, a relatively little known fact nowadays. By examining his biography, filmography and his best-known, most successful films (mentioned above), I show that Edward G. Robinson was one of classical Hollywood’s most influential actors; for instance, traits of his portrayal of Little Caesar (one of the very first American gangster films) can be found in almost all subsequent cinematic gangster figures, from Scarface to Vito Corleone. In the same vein, the doomed <italic>noir</italic> characters he played in Fritz Lang’s <italic>The Woman in the Window</italic> and <italic>Scarlet Street</italic> are still considered by film critics today to be some of the finest, most nuanced examples of <italic>noir</italic> heroes. Therefore, the main body of my article will be dedicated to a more detailed analysis of these films, while the introductory section will trace his biography and discuss some of his better-known films, such as <italic>Confessions of a Nazi Spy</italic> and <italic>Key Largo</italic>. The present study highlights Edward G. Robinson’s merits and impact on the cinema industry, proving that this diminutive Romanian Jew of humble origins was indeed something of a giant during Hollywood’s classical era.</abstract>

A Romanian Jew in Hollywood: Edward G. Robinson

<abstract xmlns="http://www.w3.org/1999/xhtml">The article discusses the recent international interest in contemporary Romanian art and its growth in market share, with a focus on the United States. The theme is followed thorough in numerous museum exhibitions, increased collector following, art fair presence, gallery representation and auction activity initially in Europe and the United States. The phenomenon is discussed both in the context of the larger international movement conducive to the contemporary art price bubble, and in that of the local socio-economic changes. My chief interest lies in the factors leading up to the entry of post 1989 Romanian art in the global arena as a manifestation of market forces in the field. The analysis follows its grass roots local emergence through non-profit institutions, individual artists, small publications, low budget galleries, as well as the lack of contribution (with few notable exceptions) of state institutions, while pointing out the national context of increasing deregulation of social support systems resulting in lack of focus on cultural manifestations. The conclusion is that the recent ascent of contemporary Romanian art (and coincidentally, the award winning contemporary Romanian cinematography) is a fortuitous convergence of various factors, among which, increased international mobility and sharing. At the same time, it is also the result of the evolution of various individual artists that pursued a form of art rooted in Romanian artistic tradition but with a focus on the symbolic figurative. The result is a personal semiotics of raising the mundane to extraordinary levels that reconfigured the anxiety of entering a new system into an unmistakable and lasting visual language.</abstract>

Contemporary Romanian Art in the United States<xref ref-type="bibr" rid="ref1_w2aab3b7b1b1b6b1ab1ab1Aa">1</xref>

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 Publishing House and Owner: Lucian Blaga University of Sibiu, Romania  Founded in 1999 as the journal of the Academic Anglophone Society of Romania, American, British and Canadian Studies is currently published biannually by Lucian Blaga University of Sibiu, under the aegis of the Research Centre for Linguistic, Literary and Cultural Studies at LBUS and the Academic Anglophone Society of Romania. It is an international, peer-reviewed journal that sets out to explore disciplinary developments in Anglophone Studies in the changing environment forged by the intersections of culture, technology and electronic information. Our primary goal is to bring together in productive dialogue scholars conducting advanced research in the theoretical humanities. As well as offering innovative approaches to influential crosscurrents in contemporary thinking, the journal seeks to contribute fresh angles to the academic subject of English and promote shape-changing research across conventional boundaries. By virtue of its dynamic and varied profile and of the intercultural dialogue that it caters for, American, British and Canadian Studies aims to fill a gap in the Romanian academic arena, and function as the first publication to approach Anglophone Studies in a multi-disciplinary perspective. Within the proposed range of diversity, our major scope is to provide close examinations and lucid analyses of the role and future of the academic institutions at the cutting edge of high-tech. With this end in view, we especially invite contributions in the fields of Comparative Literary and Cultural Studies, Postcolonial Theory, Area Studies, Cultural Anthropology, Language and Linguistics, Multimedia and Digital Arts, Translation Studies and related subjects. With its wide subject range, American, British and Canadian Studies aims to become one of the academic community’s premium scholarly resources.  Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process. 

American, British and Canadian Studies

Volume 22 (2014): Issue 1 (August 2014)

A Romanian Jew in Hollywood: Edward G. Robinson

Contemporary Romanian Art in the United States¹

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American, British and Canadian Studies

Volume 22 (2014): Issue 1 (August 2014)

A Romanian Jew in Hollywood: Edward G. Robinson

Contemporary Romanian Art in the United States1

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Contemporary Romanian Art in the United States¹