Remarques sur le concept de culturème

Les noms propres se traduisent-ils ? Étude d’un corpus multilingue

Adrienne Rich, Integrity

Andrei Venediktovič Fedorov, Bazele teoriei generale a traducerii (probleme lingvistice)

Il problema della traduzione e il “linguaggio dell‟ineffabile” nella Commedia di Dante in rapporto alla traduzione russa del poema

<abstract><title style='display:none'>Abstract</title>Retranslation, intended as the «coexistence de plusieurs traductions, simultanées ou successives, de la même oeuvre (série de traductions)» (Skibińska 2007, 2), is an ancient and rather widespread phenomenon in various linguistic traditions. Drawing on some considerations that arose while studying the ever-growing bibliography on this topic, this article outlines the reasons, the effects and the modalities that distinguish this practice, which is gaining appreciation in many European literatures and cultures, foremost in the Italian one.</abstract>

La ritraduzione nel panorama degli studi traduttologici

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The paper illustrates the Romanian solutions in translating Italian baroque poetry represented by Giambattista Marino and his XVII century followers: redundancy, enumeration, mythological allusions, extravagant <italic>concettos</italic>, syntactic puzzles and the restrictions imposed by the hendecasyllable.
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Translate Italian baroque poetry into Romanian

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The aim of this article is to analyze how French cultural allusions and wordplays in advertising slogans can be transposed into Romanian. Drawing on a series of concepts and theoretical observations concerning the field of advertising translation, we will outline the difficulties, the constraints, and the main strategies involved in this particular kind of translation. Secondly, we would like to analyze some concrete examples of advertising campaigns initiated in France and exported to Romania. Thirdly, we will examine the translation/localization of the advertising slogans into Romanian and we will discuss the solutions found by the translators to overcome the linguistic and the cultural difficulties raised by the translation process.
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The translation of cultural references and wordplays in advertising slogans

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This paper focuses upon the translatorꞌs role as a language mediator in professional communication. During the translation process, terminological knowledge is essential since the information conveyed by a scientific and technical writing is encoded in terms which give access to more elaborate knowledge structures. Additionally, the translator faces situations in which a term is borrowed either from the general language or from a field of knowledge and utilized in another field. Therefore, the main challenges encountered by a translator are: identifying the terms, understanding the termsꞌ meaning, finding the suitable termsꞌ correspondents in the target language.
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The importance of terminological knowledge in specialized translation

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Despite the fact that, as renowned translators such as Anthony Pym (2009) or, in the Slovak cultural context, Katarína Bednárová (2015) have stated, the history of translation cannot be written without considering who those who made the interpretation and understanding of the translated works possible were, the reality is that, in general terms, translators continue to be the great unknowns. For this reason, in this article, we have set out to investigate the figures of those men and women whose work made it possible for Slovak literature to reach a particular Spanish-speaking reading public, that of Cuba, in a specific period of history, that between 1960 and 1989.
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The role of Slovak translators in the dissemination of Slovak literature in Cuba between 1960 and 1989

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The first Hungarian translations of Dante’s masterpiece have been published starting from the mid-19th Century. Among these translations, the most important and successful has been the one by Mihály Babits (published between 1912 and 1922). During the 20th century, several other translations were published, but in anthologies or in an incomplete form. Within this frame and tradition, university professor and translator Ádám Nádasdy (born 1947) published, in 2016, his own Dante translation, in unrhymed iambic pentameter. This paper aims to present the Hungarian translations of <italic>Divina Commedia</italic>, focusing on the characteristics of the latest one, by Ádám Nádasdy.
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About <italic>Divina Commedia</italic>’s Translations in Hungarian. Notes and Observations on Ádám Nádasdy’s Translation, Magvető 2016

“To become a translator takes infinite work” Interview with Sean Cotter

<abstract><title style='display:none'>Abstract</title> The new discipline of translation studies clearly finds itself downstream among humanities and traditional disciplines. Essentially interdisciplinary, this “science” lends those major disciplines a fair amount of its methods and concepts. Within this interdisciplinary concert, history plays a crucial role: history of translation (or history of translations) and history as such. Therefore, a methodological research triangle must integrate the following three components: a) translation studies theory; b) different translation practices that form its object of study and which it is called upon to clarify; c) the poles of the couple theory / practice will be re-situated in the logic of their respective common history. </abstract>

Un triangle traductologique

Epistémologie du nom propre en traduction

La traduction (im)propre du nom propre littéraire

<abstract><title style='display:none'>Abstract</title> In the novel Vengeance du traducteur, Brice Matthieussent focuses on the translator-author relationship and tackles the question from the point of view of the translator’s note. The author is eventually murdered by the translator out of revenge, not only in symbolical terms but also in literal terms. A given aesthetics of translation is thereby conveyed, going through stages of appropriation, digestion, transportation and transgression of text and translation rules, which nonetheless does not necessarily reflect the author’s genuine stand, a famous translator himself. </abstract>

Mineur de fond ou chirurgien esthétique ? Traducteur et traduction dans Vengeance du traducteur de Brice Matthieussent

De Mons à Bergen De l’intraduisibilité des noms propres

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Translationes

The Journal of West University of Timisoara

 The annual translation and translation studies journal Translationes is published by the ISTTRAROM-TRANSLATIONES Studies Center. The journal aims at combining actual translation...

 The annual translation and translation studies journal Translationes is published by the ISTTRAROM-TRANSLATIONES Studies Center. The...

AHEAD OF PRINT

Volume 15 (2023): Issue 1 (December 2023)

Volume 14 (2022): Issue 1 (December 2022)

Volume 12-13 (2021): Issue 1 (December 2021)

Volume 11 (2019): Issue 1 (December 2019)

Volume 10 (2018): Issue 1 (December 2018)

Volume 9 (2017): Issue 1 (June 2017)

Volume 7 (2015): Issue 1 (June 2015) Special issue title: Stages of the History of Translation

Volume 6 (2014): Issue 1 (January 2014) Special issue: The globalization of exchanges, markets, and education. Which strategy for which text type? For which audience?

Volume 5 (2013): Issue 1 (January 2013)

Volume 4 (2012): Issue 1 (January 2012) (Im)pudeur dans la traduction, (Im)pudeur de la traduction

Volume 3 (2011): Issue 1 (January 2011) (In) Traductibilité des noms propres / (In)Traduttibilità dei nomi propri / La (no) traducibilidad de los nombres propios / Die (Un)Übersetzbarkeit der Eigennamen / The (Un)translatability of proper names

Volume 2 (2010): Issue 1 (January 2010) Jeux esthétiques de la traduction Éthique (s), techniques et pratiques traductionnelles / Translation: stakes and esthetic games Ethics, translation techniques and practices / Übersetzen: Implikation und ästhetische Spiele Ethos und Ethik, Technik und Praxis des Übersetzens / La traducción: retos y juegos estéticos Ética y éticas, técnicas y prácticas de traducción / La traduzione: finalità e giochi estetici Etica ed etiche, tecniche e prattiche della traduzione