Nécessite une authentification
The Control Cycle in Film
Circular Coupling from Brain to Culture
The aim of the present study is theoretical. The question set up for examination is whether there is a cognitive model that underpins human sense-making in the context of film experience. The conceptual resources provided by Cognitive grammar (as elaborated by Ronald W. Langacker), the recent developments of the neuroscience of emotions (as advocated by Lawrence Barsalou, Lisa Feldman Barrett, and Giovanna Colombetti), the theory of attention advocated by Michael S. A.
Frontmatter
Contents
Introduction
1. Cognitive Grammar Notions
2. A General Description of the Control Cycle
3. The Enactive Approach of Sense-making
4. The Grounded Approach of Perception and Action
5. The Attention Schema
6. The Predictive Brain
7. The Constructed Emotions
8. The Grounded Simulation: Verbal and Visual Couplings
9. The Descriptive System
10. The E-site
11. The Image Pole and Object Pole
12. The Reference Point and Metonymy
13. The Metaphor
14. Circular Couplings in Cinematographic Constructions
15. The Motion
16. The Narrative Roles
17. The Conceptual Domains of Film Analysis
References
Film index
Terms index
Frontmatter
Contents
Introduction
1. Cognitive Grammar Notions
2. A General Description of the Control Cycle
3. The Enactive Approach of Sense-making
4. The Grounded Approach of Perception and Action
5. The Attention Schema
6. The Predictive Brain
7. The Constructed Emotions
8. The Grounded Simulation: Verbal and Visual Couplings
9. The Descriptive System
10. The E-site
11. The Image Pole and Object Pole
12. The Reference Point and Metonymy
13. The Metaphor
14. Circular Couplings in Cinematographic Constructions
15. The Motion
16. The Narrative Roles
17. The Conceptual Domains of Film Analysis
References
Film index
Terms index