<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>THE MOST COMMON CONCEPT OF SUCCESS IN CULTURAL PROGRAMMES IS COLOURED BY DIEHARD RATIONAL ECONOMIC NARRATIVES. PLANNING AND IMPLEMENTATION PROCESSES, HOWEVER, HAPPEN WITHIN A SET OF INSTITUTIONS THAT GUIDE THE ACTIONS OF AGENTS WITH SOMETIMES CONFLICTING INTERESTS. IN SOME CASES, THE PURPOSE OF THE PROGRAMME COULD BE DEFINING THESE RULES AND ALLOWING ACCESS TO NEW AGENTS. THIS IS THE CASE IN CULTURAL PARTICIPATION PROJECTS THAT ADDRESS COMPLEX SOCIAL AND ECONOMIC DILEMMAS. IN THIS PAPER, WE REFLECT ON OUR EXPERIENCES AS BOTH DESIGNERS AND EVALUATORS OF PANAMA’S 500-YEAR FUND, AN INITIATIVE TO COMMEMORATE THE FOUNDATION OF PANAMA CITY IN 1519. WE EXPLORE HOW THE EXISTING INSTITUTIONS AND AGENTS IN PANAMA CITY’S CULTURAL SECTOR CAME INTO CONTACT WITH PROFESSIONALS DEALING WITH ECONOMIC AND SOCIAL ISSUES, AND COMMUNITY PARTICIPANTS. WE ARGUE THAT THERE WAS A SYMBOLIC IMPLEMENTATION OF THIS FUND. THIS FACILITATED A RESOURCE-INTENSIVE PROCESS TO REDUCE AMBIGUITY ABOUT GOALS AND WAYS OF WORKING.</p>
</abstract>

THE MOST COMMON CONCEPT OF SUCCESS IN CULTURAL PROGRAMMES IS COLOURED BY DIEHARD RATIONAL ECONOMIC NARRATIVES. PLANNING AND IMPLEMENTATION PROCESSES, HOWEVER, HAPPEN WITHIN A SET OF INSTITUTIONS THAT GUIDE THE ACTIONS OF AGENTS WITH SOMETIMES CONFLICTING INTERESTS. IN SOME CASES, THE PURPOSE OF THE PROGRAMME COULD BE DEFINING THESE RULES AND ALLOWING ACCESS TO NEW AGENTS. THIS IS THE CASE IN CULTURAL PARTICIPATION PROJECTS THAT ADDRESS COMPLEX SOCIAL AND ECONOMIC DILEMMAS. IN THIS PAPER, WE REFLECT ON OUR EXPERIENCES AS BOTH DESIGNERS AND EVALUATORS OF PANAMA’S 500-YEAR FUND, AN INITIATIVE TO COMMEMORATE THE FOUNDATION OF PANAMA CITY IN 1519. WE EXPLORE HOW THE EXISTING INSTITUTIONS AND AGENTS IN PANAMA CITY’S CULTURAL SECTOR CAME INTO CONTACT WITH PROFESSIONALS DEALING WITH ECONOMIC AND SOCIAL ISSUES, AND COMMUNITY PARTICIPANTS. WE ARGUE THAT THERE WAS A SYMBOLIC IMPLEMENTATION OF THIS FUND. THIS FACILITATED A RESOURCE-INTENSIVE PROCESS TO REDUCE AMBIGUITY ABOUT GOALS AND WAYS OF WORKING.

Symbolic Implementation of Cultural Participation Programmes

Conjunctions

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The Case of Panama’s 500-Year Fund

THE MOST COMMON CONCEPT OF SUCCESS IN CULTURAL PROGRAMMES IS COLOURED BY DIEHARD RATIONAL ECONOMIC NARRATIVES. PLANNING AND IMPLEMENTATION PROCESSES, HOWEVER,...

Symbolic Implementation of Cultural Participation Programmes

Publié en ligne: 06 avr. 2021

Pages: 1 - 15

DOI: https://doi.org/10.7146/tjcp.v7i2.119233

Mots clés
PANAMA, INSTITUTIONAL FRAMEWORK, CULTURAL PROGRAMMES, COMMUNITY ARTS, PARTICIPATION

© 2021 Claire Nevache et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Symbolic Implementation of Cultural Participation Programmes

Publié en ligne: 06 avr. 2021

Pages: 1 - 15

DOI: https://doi.org/10.7146/tjcp.v7i2.119233

Mots clésPANAMA, INSTITUTIONAL FRAMEWORK, CULTURAL PROGRAMMES, COMMUNITY ARTS, PARTICIPATION

© 2021 Claire Nevache et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
PANAMA, INSTITUTIONAL FRAMEWORK, CULTURAL PROGRAMMES, COMMUNITY ARTS, PARTICIPATION