<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>STREET ART DETOURS (STREETARTDETOURS.COM) IS A CROWD-SOURCED, LOCATIVE ART PROJECT THAT USES ‘DETOURS’ – CREATIVE STORIES AND EXPERIMENTS – TO FIND IMAGINATIVE WAYS TO EXPERIENCE PUBLIC SPACES. PRIMARILY RELYING UPON STREET ART IN MELBOURNE AS A POINT OF ACCESS, THE PROJECT WAS THE FINAL ASSESSMENT IN A STREET ART SUBJECT TAUGHT AT THE UNIVERSITY OF MELBOURNE. THIS PAPER OUTLINES THE IMPLICATIONS OF THAT PROJECT, AND IT REFERENCES THOSE DETOURS CONTRIBUTED BY STUDENTS TO ARGUE IN FAVOR OF PLAYFUL PARTICIPATION’S ACADEMIC BENEFITS. IDENTIFYING STREET ART’S ENCOUNTER AS A CINEMATIC EVENT THAT IS SIMULTANEOUSLY IMAGINATIVE AND PERSONAL, THE PAPER POSITS AUDIENCE EMPOWERMENT AS CRUCIAL TO THE STUDY OF STREET ART. IT CONCLUDES THAT THE PRACTICE’S SUBJECTIVITY, IN ADDITION TO THE PERFORMATIVE ASPECTS OF ITS EXPERIENCE, NECESSITATES STREET ART’S CREATIVE ENGAGEMENT.</p>
<p>DISCLAIMER: THE AUTHOR OF THIS PAPER INITIATED DEVELOPMENT OF THIS PROJECT, AND IN THE PROCESS OF FINALIZING THE WEBSITE EDITED SOME GRAMMAR AND COPY FOR STUDENTS IN THEIR DETOURS.</p>
</abstract>

STREET ART DETOURS (STREETARTDETOURS.COM) IS A CROWD-SOURCED, LOCATIVE ART PROJECT THAT USES ‘DETOURS’ – CREATIVE STORIES AND EXPERIMENTS – TO FIND IMAGINATIVE WAYS TO EXPERIENCE PUBLIC SPACES. PRIMARILY RELYING UPON STREET ART IN MELBOURNE AS A POINT OF ACCESS, THE PROJECT WAS THE FINAL ASSESSMENT IN A STREET ART SUBJECT TAUGHT AT THE UNIVERSITY OF MELBOURNE. THIS PAPER OUTLINES THE IMPLICATIONS OF THAT PROJECT, AND IT REFERENCES THOSE DETOURS CONTRIBUTED BY STUDENTS TO ARGUE IN FAVOR OF PLAYFUL PARTICIPATION’S ACADEMIC BENEFITS. IDENTIFYING STREET ART’S ENCOUNTER AS A CINEMATIC EVENT THAT IS SIMULTANEOUSLY IMAGINATIVE AND PERSONAL, THE PAPER POSITS AUDIENCE EMPOWERMENT AS CRUCIAL TO THE STUDY OF STREET ART. IT CONCLUDES THAT THE PRACTICE’S SUBJECTIVITY, IN ADDITION TO THE PERFORMATIVE ASPECTS OF ITS EXPERIENCE, NECESSITATES STREET ART’S CREATIVE ENGAGEMENT.
DISCLAIMER: THE AUTHOR OF THIS PAPER INITIATED DEVELOPMENT OF THIS PROJECT, AND IN THE PROCESS OF FINALIZING THE WEBSITE EDITED SOME GRAMMAR AND COPY FOR STUDENTS IN THEIR DETOURS.

Situations of Encounter: Playful Gazes in Street Art Detours

RECENTLY-RETURNED FULBRIGHT POSTGRADUATE SCHOLAR FROM AUSTRALIA WHOSE RESEARCH INTO GRAFFITI AND STREET ART WAS COMPLETED IN AFFILIATION WITH THE UNIVERSITY OF MELBOURNE AND THE RESEARCH UNIT IN PUBLIC CULTURES

Conjunctions

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Situations of Encounter: Playful Gazes in Street Art Detours"}

STREET ART DETOURS (STREETARTDETOURS.COM) IS A CROWD-SOURCED, LOCATIVE ART PROJECT THAT USES ‘DETOURS’ – CREATIVE STORIES AND EXPERIMENTS – TO FIND IMAGINATIVE...

Situations of Encounter: Playful Gazes in Street Art Detours

Publié en ligne: 03 avr. 2021

Pages: 1 - 23

DOI: https://doi.org/10.7146/tjcp.v3i1.23648

Mots clés
STREET ART, DETOUR, ENCOUNTER, PERCEPTION, PSYCHOGEOGRAPHY, RHIZOME

© 2016 Joseph Isaac, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Situations of Encounter: Playful Gazes in Street Art Detours

Publié en ligne: 03 avr. 2021

Pages: 1 - 23

DOI: https://doi.org/10.7146/tjcp.v3i1.23648

Mots clésSTREET ART, DETOUR, ENCOUNTER, PERCEPTION, PSYCHOGEOGRAPHY, RHIZOME

© 2016 Joseph Isaac, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
STREET ART, DETOUR, ENCOUNTER, PERCEPTION, PSYCHOGEOGRAPHY, RHIZOME