Social networks, connections and human interactions |
---|
Connectedness to global system/network (flows of information, data, trade, and creativity) |
Nodes for global transactions (key place in global service industries; central hubs in communications and transportation networks) |
Clash between global flows and local agency (national/local networks) |
Inner-city clustering (density)/suburban and urban ecologies |
Cultural quarters (nexus of networks and urban cultural infrastructure) |
Meso level (urban development and cultural dynamics) |
CCI CREATIVE CITY INDEX RANK (DIFF.) | Brisbane (AUS) | Melbourne (AUS) | Berlin (GER) | Bremen (GER) | Cardiff (UK) | London (UK) |
---|---|---|---|---|---|---|
1. CREATIVE INDUSTRIES | 0 | 0 | 0 | 0 | 0 | 0 |
2. MICROPRODUCTIVITY | 0 | 0 | 0 | 0 | 0 | 0 |
3. ECONOMY OF ATTN. | -1 | 0 | 0 | 1 | 0 | 0 |
4. PARTICIPATION | 0 | 0 | 0 | 0 | 0 | 0 |
5. PUBLIC SUPPORT | -2 | 0 | 0 | 1 | 1 | 0 |
6. HUMAN CAPITAL | 0 | 0 | 0 | 0 | 0 | 0 |
7. GLOBAL INT. | -1 | 0 | 0 | 1 | 0 | 0 |
8. OPENNESS | 0 | 0 | 0 | 0 | 0 | 0 |
Medium | Oral/manuscript | Digital/online |
4. PARTICIPATION & EXPENDITURE | BRI | MEL | BER | BRE | CAR | LON | |
---|---|---|---|---|---|---|---|
Art galleries | 587,005 | 763,627 | – | – | 22,049 | 1,404,819 | |
Libraries | 783,005 | 940,268 | – | – | 2,057,392 | 4,131,820 | |
Archives | 49,019 | 124,857 | – | – | – | 525,868 | |
Museums | 583,616 | 745,072 | – | – | 268,966 | 3,155,208 | |
TOTAL GLAM | 2,002,645 | 2,573,824 | 13,335,000 | 1,354,000 | 2,348,407 | 9,217,715 | |
1.0 | |||||||
Classical music concert | 158,279 | 318,449 | 990,731 | – | 64,790 | 570,942 | |
Theatre | 327,038 | 519,405 | 905,874 | – | 122,760 | 1,878,100 | |
Dance performances | 208,907 | 274,666 | 25,000 | – | 30,690 | 330,546 | |
Musicals and operas | 324,815 | 634,613 | 714,606 | – | 34,100 | 1,765,414 | |
Other performing arts | 555,400 | 796,600 | 252,011 | – | 78,430 | 961,587 | |
TOTAL PERFORMING ARTS | 1,574,439 | 2,543,733 | 2,888,222 | 459,128 | 330,770 | 5,506,589 | |
1.0 | |||||||
Cinema | 1,534,025 | 1,964,166 | 9,522,000 | 178,731 | 27,280 | 39,800,000 | |
1.0 | |||||||
Popular music concert | 637,463 | 904,269 | 1,500,000 | 300,000 | 51,150 | 2,253,720 | |
1.0 | |||||||
AT LEAST ONE CULTURAL EVENT | 1,925,182 | 2,461,255 | 4,000,000 | 800,000 | 296,670 | 5,686,887 | |
1.0 | |||||||
1,663 | 1,663 | 1,991 | 2,673 | 2,035 | 2,187 | ||
1.0 | |||||||
3.98% | 3.98% | 7.40% | 9.45% | 5.90% | 4.70% | ||
1.0 | |||||||
8 . OPENNESS, TOLERANCE & DIVERSITY | BRI | MEL | BER | BRE | CAR | LON | |
---|---|---|---|---|---|---|---|
16.92% | 14.26% | 18.02% | 15.71% | 9.89% | 10.34% | ||
1.0 | |||||||
5.38 | 5.38 | 4.25 | 4.25 | 6.00 | 6.00 | ||
1.0 | |||||||
0.0011 | 0.0011 | 0.0082 | 0.0049 | 0.0030 | 0.0041 | ||
1.0 | |||||||
0.0006 | 0.0006 | 0.0032 | 0.0019 | 0.0251 | 0.0008 | ||
1.0 | |||||||
Share of registered gay partnerships as a proportion of total partnerships of the city | 0.73% | 0.81% | 2.20% | 4.70% | 4.78% | 0.92% | |
0.5 | |||||||
Share of registered gay partnerships as a proportion of total partnerships of the city, relative to national share | 1.09 | 1.22 | 1.47 | 15.60 | 1.72 | 3.07 | |
0.5 | |||||||
Number of people in the population with no religion | 438,322 | 925,547 | 2,088,361 | 240,367 | 57,440 | 1,486,788 | |
0.5 | |||||||
Proportion of the population with no religion | 21.45% | 22.70% | 60.77% | 43.90% | 18.81% | 19.00% | |
0.5 | |||||||
Number of people in the population not born in the country | 600,492 | 1,512,173 | 836,100 | 144,001 | 21,186 | 2,660,568 | |
0.5 | |||||||
Proportion of the population not born in the country | 29.39% | 37.09% | 24.33% | 26.30% | 6.94% | 34.00% | |
0.5 | |||||||
Fragmentation index (1 = diverse, 0 = homogenous) | 0.40 | 0.50 | 0.53 | 0.6 | 0.42 | 0.63 | |
0.5 | |||||||
Shannon's diversity index (higher=more diverse) | 0.74 | 0.99 | 0.89 | 1.19 | 0.79 | 1.31 | |
0.5 | |||||||
Fragmentation index using 10 largest ethnic cohorts (1 = diverse, 0 = homogenous) | 0.50 | 0.60 | 0.25 | 0.23 | 0.1 | 0.55 | |
0.5 | |||||||
Shannon's diversity index using 10 largest ethnic cohorts (higher = more diverse) | 0.75 | 0.90 | 0.43 | 0.41 | 0.3 | 0.71 | |
0.5 | |||||||
Number of people aged 15-24 | 289,714 | 575,947 | 367,706 | 77,414 | 50,261 | 1,050,142 | |
0.5 | |||||||
Proportion of people aged 15-24 | 14.18% | 14.13% | 10.70% | 11.72% | 16.46% | 13.42% | |
0.5 | |||||||
Number of foreign higher education students | 56,971 | 155,233 | 23,952 | 4,731 | 24,030 | 99,360 | |
1.0 | |||||||
0.35 | 0.35 | 0.30 | 0.31 | 0.34 | 0.33 | ||
1.0 | |||||||
91.35% | 90.09% | 70.90% | 70.30% | 62.73% | 64.50% | ||
1.0 | |||||||
0.98 | 0.97 | 1.00 | 0.994 | 96.36% | 0.99 | ||
1.0 | |||||||
8.7 | 8.7 | 7.9 | 7.9 | 7.6 | 7.6 | ||
1.0 | |||||||
6 . HUMAN CAPITAL & RESEARCH | BRI | MEL | BER | BRE | CAR | LON | |
---|---|---|---|---|---|---|---|
0.57% | 0.64% | 2.77% | 2.68% | 1.48% | 2.23% | ||
1.0 | |||||||
56.40% | 57.90% | 63.49% | 60.70% | 51.00% | 56.45% | ||
1.0 | |||||||
26.67% | 23.22% | 19.34% | 14.60% | 32.30% | 28.00% | ||
1.0 | |||||||
124,102 | 301,962 | 147,030 | 31,573 | 50,430 | 433,000 | ||
0.5 | |||||||
6.07% | 7.41% | 4.28% | 5.80% | 14.79% | 5.53% | ||
0.5 | |||||||
4 | 9 | 11 | 8 | 4 | 68 | ||
1.0 | |||||||
1 | 3 | 2 | 0 | 0 | 11 | ||
1.0 | |||||||
0.000082 | 0.000103 | 0.000202 | 0.000099 | 0.000147 | 0.000088 | ||
1.0 | |||||||
Business sector | 2,222 | 3,490 | 1,164 | 196 | 490 | 1,658 | |
Government | 293 | 563 | 1,296 | 328 | 60 | 595 | |
Higher education | 942 | 1,583 | 1,011 | 178 | 544 | 3,386 | |
TOTAL R&D EXPENDITURE | 3,456 | 5,636 | 3,472 | 702 | 1,094 | 5,639 | |
0.5 | |||||||
1,691.51 | 1,382.46 | 1,010.20 | 325.00 | 522.00 | 720.65 | ||
0.5 | |||||||
Empire (court) | Institution (rules) | |
Castle/ palace (politics) | Port/hub/fair/marketplace(commerce) | |
Greatness (past) | Attractant (potential) | |
Size/ power | Inflow/smarts (crucible of ideas) | |
Growth | Non-linear dynamics | |
Sunk capital | Complex of factors (capable, entrepreneurial people) | |
Leadership | Enterprise | |
Monarchical power | Mobile-elite choices | |
Past | Present/future |
CCI CREATIVE CITY INDEX RANK | Brisbane (AUS) | Melbourne (AUS) | Berlin (GER) | Bremen (GER) | Cardiff (UK) | London (UK) |
---|---|---|---|---|---|---|
1. CREATIVE INDUSTRIES | 5 | 2 | 3 | 6 | 4 | 1 |
2. MICROPRODUCTIVITY | 6 | 4 | 2 | 5 | 3 | 1 |
3. ECONOMY OF ATTN. | 4 | 3 | 2 | 5 | 6 | 1 |
4. PARTICIPATION | 6 | 4 | 2 | 3 | 5 | 1 |
5. PUBLIC SUPPORT | 1 | 3 | 5 | 4 | 6 | 2 |
6. HUMAN CAPITAL | 6 | 5 | 2 | 3 | 4 | 1 |
7. GLOBAL INT. | 4 | 2 | 3 | 5 | 6 | 1 |
8. OPENNESS | 5 | 2 | 3 | 4 | 6 | 1 |
CCI CREATIVE CITY INDEX | Avg. | Brisbane (AUS) | Melbourne (AUS) | Berlin (GER) | Bremen (GER) | Cardiff (UK) | London (UK) |
---|---|---|---|---|---|---|---|
1. CREATIVE INDUSTRIES SCALE, SCOPE & EMPLOYMENT | -12.8% | -12.8% | -12.8% | -10.5% | -12.7% | -14.1% | -14.2% |
2. MICROPRODUCTIVITY | -11.1% | -9.5% | -9.8% | -11.1% | -10.1% | -13.8% | -12.3% |
3. ATTRACTIONS & ECONOMY OF ATTENTION | -7.1% | -4.0% | -7.2% | -10.8% | -3.2% | -3.0% | -14.4% |
4. PARTICIPATION & EXPENDITURE | -11.6% | -9.5% | -9.7% | -13.7% | -14.1% | -10.6% | -11.7% |
5. PUBLIC SUPPORT | -18.9% | -25.7% | -18.8% | -15.3% | -20.4% | -19.3% | -13.9% |
6. HUMAN CAPITAL & RESEARCH | -12.7% | -10.7% | -11.5% | -14.8% | -14.1% | -14.1% | -11.1% |
7. GLOBAL INTEGRATION | -9.6% | -10.4% | -12.3% | -9.1% | -7.3% | -7.2% | -11.3% |
8. OPENNESS, TOLERANCE & DIVERSITY | -16.2% | -17.3% | -17.8% | -14.6% | -18.2% | -17.9% | -11.2% |
For ideas to be implemented |
---|
Copyright laws/intellectual property vs. innovation/emergence/sharing |
Suitable arts, culture and |
Ancillary service industries (e.g. media post-production, fashion, tourism) |
Structure of the sector/s (e.g. concentration of TNCs and micro enterprises) |
Interactions between public and private in the sector |
Key educational institutions |
Buildings, transport systems, communications infrastructure and public institutions |
Clash and friction between systems: industry/economy and culture (e.g. in conflicting interests in the sharing of IP) |
Sites for social meeting and mixture as well as friction: connecting culture and economy, diversity, tolerance, civility |
Creative cities are therefore those that cohabitate all four types – industry, economy, culture, and city |
Population-wide (macro level) creativity |
Creativity and Culture Stocks | Global Cities, Networks and Tech/ ICT Flows | Other Approaches |
---|---|---|
Florida’s Creative Cities Index | The Global Power Cities Index | Oslo Manual |
The Euro- Creativity Index | The Global Cities Index | Creativity Grid |
Czech Creativity Index | Global City Indicators Facility | Landry’s Index |
Sharpie’s Creativity Index | Fundamental Index and Flow | |
Creative Communities Index | The Globalization and World Cities Index | |
The Creative Vitality Index | The Shift Index | |
European Creativity Index | World Knowledge Competitive Index | |
Hong Kong Creativity Index | Information Society Index | |
Cultural Life Index | ||
Composite Index of the Creative Economy | ||
Design, Creativity and Innovation Scoreboard |
Open innovation network (innovation from beyond firms and professionals) |
Number of ‘creative |
Personal (micro level) creativity/microproductivity/market-based and non-market |
Focus now on user productivity (cloud computing, crowd-sourcing, etc.) |
Social media/user-created content |
Measures of emergent production from social networks |
Scaled-up via micro-productive institutions (e.g. YouTube, Google) |
CCI CREATIVE CITY INDEX | Brisbane (AUS) | Melbourne (AUS) | Berlin (GER) | Bremen (GER) | Cardiff (UK) | London (UK) |
---|---|---|---|---|---|---|
1. CREATIVE INDUSTRIES SCALE, SCOPE & EMPLOYMENT | 49.8 | 54.4 | 53.4 | 49.2 | 51.7 | 96.6 |
2. MICROPRODUCTIVITY | 37.0 | 41.8 | 56.3 | 39.2 | 49.2 | 83.6 |
3. ATTRACTIONS & ECONOMY OF ATTENTION | 15.7 | 30.8 | 54.9 | 12.6 | 10.7 | 97.8 |
4. PARTICIPATION & EXPENDITURE | 37.0 | 41.5 | 69.5 | 54.6 | 37.8 | 79.8 |
5. PUBLIC SUPPORT | 100.0 | 80.1 | 77.3 | 79.3 | 68.5 | 94.4 |
6. HUMAN CAPITAL & RESEARCH | 41.8 | 48.9 | 75.2 | 54.8 | 50.2 | 75.6 |
7. GLOBAL INTEGRATION | 40.5 | 52.2 | 46.0 | 28.3 | 25.4 | 76.7 |
8. OPENNESS, TOLERANCE & DIVERSITY | 67.5 | 76.0 | 74.0 | 70.5 | 63.6 | 76.5 |
5. PUBLIC SUPPORT | BRI | MEL | BER | BRE | CAR | LON | |
---|---|---|---|---|---|---|---|
Federal | 82.56 | 82.56 | 16.45 | 16.45 | 144.15 | 144.15 | |
State | 113.80 | 70.13 | 166.68 | 171.43 | 18.18 | 79.63 | |
Local | 40.59 | 37.14 | – | – | – | – | |
Total | 236.95 | 189.83 | 183.13 | 187.88 | 162.33 | 223.78 | |
1.0 | |||||||
3. ATTRACTIONS & ECONOMY OF ATTENTION | BRI | MEL | BER | BRE | CAR | LON | |
---|---|---|---|---|---|---|---|
183 | 751 | 815 | 50 | 105 | 1,428 | ||
1.0 | |||||||
15.40% | 23.00% | 37.20% | 25.10% | 22.40% | 56.00% | ||
0.5 | |||||||
436.00 | 400.10 | 454.42 | 482.23 | 456.00 | 2,024.99 | ||
0.5 | |||||||
124 | 194 | 750 | 87 | 58 | 823 | ||
1.0 | |||||||
57 | 68 | 274 | 8 | 5 | 105 | ||
0.5 | |||||||
55,628 | 69,460 | 54,421 | 10,215 | 6,172 | 129,609 | ||
0.5 | |||||||
47 | 131 | 294 | 13 | 24 | 464 | ||
1.0 | |||||||
16 | 59 | 129 | 27 | 5 | 184 | ||
1.0 | |||||||
92 | 127 | 88 | 22 | 20 | 395 | ||
1.0 | |||||||
64 | 194 | 296 | 14 | 18 | 420 | ||
1.0 | |||||||
9,040 | 13,393 | 13,533 | 12,880 | 11,841 | 16,875 | ||
1.0 | |||||||
0.12 | 0.25 | 0.57 | 0.08 | 0.06 | 1.00 | ||
0.5 | |||||||
0.10 | 0.20 | 0.52 | 0.08 | 0.06 | 1.00 | ||
0.5 | |||||||
0.0001% | 0.0006% | 0.0029% | 0.0001% | 0.0002% | 0.0185% | ||
1.0 | |||||||
Songs | 428 | 1,688 | 8,467 | 1,773 | 673 | 8,603 | |
iPod apps | 130 | 293 | 559 | 113 | 63 | 1,368 | |
iPad apps | 39 | 68 | 178 | 37 | 21 | 393 | |
Books | 3 | 105 | 149 | 15 | 11 | 431 | |
Audiobooks | 0 | 4 | 141 | 11 | 2 | 348 | |
Podcast episodes | 1,593 | 3,848 | 8,004 | 239 | 220 | 8,005 | |
iTunes U episodes | 61 | 530 | 334 | 3 | 6 | 5,507 | |
TOTAL ITEMS | 2,254 | 6,536 | 17,832 | 2,191 | 996 | 24,655 | |
1.0 | |||||||
Films with city in plot | 38 | 203 | 868 | 14 | 39 | 3,428 | |
Films with city as filming location | 295 | 1,470 | 4,428 | 139 | 223 | 9,290 | |
TOTAL ITEMS | 333 | 1,673 | 5,296 | 153 | 262 | 12,718 | |
1.0 | |||||||
Books | 1,793 | 8,704 | 51,403 | 3,959 | 2,575 | 366,994 | |
Kindle editions | 39 | 152 | 628 | 22 | 30 | 2,256 | |
eBooks (HTML & PDF) | 61 | 261 | 475 | 17 | 28 | 1,811 | |
TOTAL ITEMS | 1,893 | 9,117 | 52,506 | 3,998 | 2,633 | 371,061 | |
1.0 | |||||||
1. Culture, Recreation & Tourism |
2. Creative Output & Employment |
3. Cultural Capital & Participation |
4. Venues, Resources & Facilities |
5. Liveability & Amenities |
6. Transportation & Accessibility |
7. Globalisation, Networks & Exchange |
8. Openness, Tolerance & Diversity |
9. Human Capital, Talent & Education |
10. Social Capital, Engagement & Support |
11. Government & Regulations |
12. Business Activity & Economy |
13. Entrepreneurship |
14. Innovation & R&D |
15. Technology & ICT |
16. Environment & Ecology |
Closed expert system of innovation (professionals across firms) |
Size of ‘creative services’ – creative inputs by creative occupations and companies |
Value-added to ‘non-creative’ sectors (e.g. health, government) by creative services – institutional (meso level) creativity |
Measures of employment of specialist creative people (professional designers, producers, performers and writers) |
Citizen demographics and profiles |
---|
Youth quotient |
Consumer/audience sophistication or attentiveness |
Population creativity |
Experimental consumers |
Social dynamics |
Creative class/density |
Human resources, patterns of use, micro-level |
Highly skilled and ambitious people |
Risk-taking, creatively talented, technologically capable, and energetic |
2. MICRO-PRODUCTIVITY | BRI | MEL | BER | BRE | CAR | LON | |
---|---|---|---|---|---|---|---|
Per month | 6,380 | 16,000 | 21,000 | 4,360 | 2,490 | 29,100 | |
Per 1,000 population | 3.12 | 3.92 | 6.05 | 7.96 | 7.30 | 3.72 | |
1.0 | |||||||
Anytime (number of videos currently available for viewing) | 236,000 | 577,000 | 1,150,000 | 147,000 | 111,000 | 1,630,000 | |
Per 1,000 population | 115.51 | 141.52 | 331.52 | 268.48 | 325.46 | 208.30 | |
1.0 | |||||||
Number of artists, songs, albums, and music videos tagged with city name on Myspace Music | 1,837 | 3,260 | 30,368 | 1,966 | 1,856 | 61,538 | |
Number of taggers using city name in tag on Last.fm | 317 | 856 | 4,847 | 262 | 272 | 3,934 | |
Number of pages on Bandcamp with city tagged as location | 60 | 212 | 182 | 6 | 26 | 527 | |
TOTAL | 2,214 | 4,328 | 35,397 | 2,234 | 2,154 | 65,999 | |
PER 1,000 POPULATION | 1.08 | 1.06 | 10.20 | 4.08 | 6.32 | 8.43 | |
1.0 | |||||||
Google Images | 4,630,000 | 4,630,000 | 6,510,000 | 1,370,000 | 10,200,000 | 82,300,000 | |
Flickr | 485,646 | 1,579,129 | 3,373,740 | 144,169 | 297,199 | 9,655,532 | |
Picasa | 225,014 | 274,703 | 324,673 | 163,439 | 161,360 | 390,859 | |
Photobucket | 32,067 | 75,580 | 121,614 | 6,321 | 18,433 | 534,032 | |
TOTAL | 5,372,727 | 6,559,412 | 10,330,027 | 1,683,929 | 10,676,992 | 92,880,423 | |
PER CAPITA | 2.63 | 1.61 | 2.98 | 3.08 | 31.31 | 11.87 | |
1.0 | |||||||
19.1M | 34.8M | 71.7M | 6.9M | 15.0M | 231.0M | ||
Per capita | 9.35 | 8.54 | 20.67 | 12.67 | 43.98 | 29.52 | |
1.0 | |||||||
89.03% | 84.79% | 77.00% | 81.00% | 63.10% | 86.00% | ||
1.0 | |||||||
86.28% | 83.65% | 75.00% | 75.00% | 54.18% | 78.39% | ||
1.0 | |||||||
68.13% | 66.00% | 77.00% | 66.00% | 45.00% | 76.00% | ||
1.0 | |||||||
Number of profiles | 1,165,940 | 1,970,440 | 1,148,660 | 192,900 | 225,040 | 8,299,340 | |
0.5 | |||||||
Number of profiles as a % of total population | 57.06% | 48.33% | 33.43% | 35.20% | 65.99% | 59.51% | |
0.5 | |||||||
Number of profiles that 'like' Pitchfork Media | 320 | 880 | 780 | 40 | 100 | 2,560 | |
0.5 | |||||||
Proportion of profiles that 'like' Pitchfork Media | 0.03% | 0.04% | 0.07% | 0.02% | 0.04% | 0.03% | |
0.5 | |||||||
Number of profiles | 170,336 | 334,798 | 100,647 | 15,907 | 32,250 | 1,257,430 | |
0.5 | |||||||
Number of profiles as a % of total population | 8.34% | 8.21% | 2.93% | 2.91% | 9.46% | 9.02% | |
0.5 | |||||||
Number of profiles filtered by creative industries | 22,767 | 57,176 | 33,777 | 2,450 | 4,578 | 320,117 | |
0.5 | |||||||
Proportion of profiles filtered by creative industries | 13.37% | 17.08% | 33.56% | 15.40% | 14.20% | 25.46% | |
0.5 | |||||||
0.01 | 0.02 | 0.02 | 0.01 | 0.01 | 0.10 | ||
1.0 | |||||||
75 | 100 | 122 | 45 | 6 | 200 | ||
1.0 | |||||||
The creative city attracts creative citizens |
---|
Large-scale events (arts, showcases, tourism, etc.) |
Cultural tourism; cultural resources, heritage, and symbolic assets |
Drawing power of cities (related to culture/creativity) |
Attraction, retention and leakage of populations and/or other resources |
Self-expression, civic pride and community identification |
Urban amenities (e.g. outdoor dining, walking streets, vibrant night life, river walks) |
Outdoor recreation activities (e.g. urban kayaking, rock climbing and bike trails) |
Historic as well as modern structures, excellent public transportation, diverse residential neighbourhoods, a variety of foot traffic, wide sidewalks, and different types of buildings, open and green spaces, vibrant downtowns and centres of learning |
Infrastructure fostering creativity (e.g. arts and culture, nightlife, music scene, restaurants, artists and designers, innovators, entrepreneurs, affordable spaces, lively neighbourhoods, spirituality, education, density, public spaces and third places) |
Inherited features (e.g. history, climate, natural resources and population) |
Housing affordability (including renters, owners with mortgage, and owners without mortgage) |
Vital network of mixed-use informal spaces and passageways (pockets of social activity and neighbourhood life) |
Edge spaces and adjacent suburban residential zones (many multicultural forms come from these in-between spaces e.g. hip hop) |
Income and wealth inequality and social safety net |
CI-1 Creative clusters | (an industry definition) |
CI-2 Creative services | (an economic definition) |
CI-3 Creative citizens | (a cultural definition) |
CI-4 Creative cities | (a complex definition) |
CITY INDEX CHECKLIST | Culture, Recreation, Tourism | Creative Output, Employment | Cultural Capital, Participation | Venues, Resources, Facilities | Liveability, Amenities | Transport, Accessibility | Globalization, Networks, Exchange | Openness, Tolerance, Diversity | Human Capital, Talent, Education | Social Capital, Engagement, Support | Government, Regulation | Business Activity, Economy | Entrepreneurship | Innovation, R&D | Technology, ICT | Environment, Ecology |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Florida's Creative Cities Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | |||
The Euro Creativity Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | |||
Czech Creativity Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | |||
Sharpie's Creativity Index | □ | □ | □ | □ | □ | □ | ||||||||||
Creative Communities Index | □ | □ | □ | □ | □ | □ | □ | □ | ||||||||
The Creative Vitality Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | ||
European Creativity Index | □ | □ | □ | □ | □ | □ | □ | □ | ||||||||
Hong Kong Creativity Index | □ | □ | □ | □ | □ | |||||||||||
Cultural Life Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | |||||
Composite Index of the Creative Economy | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | |||||
Design, Creativity and Innovation Scoreboard | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ |
Cultural institution (GLAM) GLAM = Galleries, Libraries, Archives, |
Scene, festival, mall, novelty | |
National identity | Global diversity and difference | |
Prestige (“to see the queen”) Museums 24 As in the nursery rhyme: 'Pussy cat, pussy cat, where have you been? I've been to London to see the Queen.'– Traditionally, it's the obvious reason for ordinary folk to visit the capital. |
Social network (media, music, clubs, crowds) | |
Citizenship | Digital literacy |
Coordination between models/levels |
Intermediaries who facilitate interactions between CI’s |
Anchor firms (innovative companies that stimulate the growth of many others e.g. Microsoft helping create the software cluster in Seattle) |
Mediating organizations (institutions for collaboration or mediating, exchange of information) |
Outstanding university research and commercial linkages (conduit for establishing key social networks e.g. internships, visits by industry leaders) |
High-end cultural institutions including galleries, museums and universities |
Commercial or entrepreneurial enterprises including street markets, shopping malls and the HQs of global media companies |
Market attractiveness |
Economic vitality |
Business environment |
Regulations and risks |
Research background |
Readiness for accepting and supporting researchers |
Research achievement |
Trendsetting potential |
Accommodation environment |
Resources for attracting visitors |
Shopping and dining |
Volume of interaction |
Working environment |
Cost of living |
Security and safety |
Life support functions |
Ecology |
Pollution degree |
Natural environment |
Infrastructure of international transportation |
Infrastructure of inner-city transportation |
Creative opportunities, marketplaces, spaces |
---|
Integration of cultural and economic/interaction between productive consumers and creative enterprise/relationship formation |
‘Novelty bundling markets’ (scenes, festivals, competitions, awards, venues allowing integration of culture and economy, productive consumers and creative enterprise) |
Concerts, festivals and other dually-productive/participatory events |
Integrate expert and amateur |
Integrate play and work |
Formal and informal education including social learning |
---|
Number of students/universities/institutions |
Experimentation, learning and adaption (informal, peer-to-peer); |
Emergence of novelty/innovation/discovery |
Input prices (range of price indexes) to education, learning and innovation |
Velocity of ideas, or churn/turnover of new fads, fashions, styles, etc. |
Human capital (e.g. number of university graduates, ranking of local universities, concentration of people with Bachelor’s degrees) |
Creative class (e.g. percentage of workforce defined as the ‘creative class’, 'creative occupations' ISCO-88) |
Researchers (number of people working in R&D-intensive jobs; creative core) |
Innovation (e.g. number of registered patents, patents per capita) |
High-tech innovation (e.g. number of registered high-tech patents, high-tech patents per capita) |
High-tech industry (e.g. Milken Institute’s Tech Pole Index, number of technology-heavy companies, share of workforce employed in high-tech industry) |
Foreign-borns (e.g. percentage of foreign-born population, size of foreign student population, number of international schools) |
Diversity Index (e.g. fragmentation index based on ethnic background of foreign born population 1 – ! pop. share2) |
Gay Index (e.g. fraction of gay people living in a region divided by the fraction of the total (US) population living in the area, tolerance surveys) |
Bohemian Index (e.g. concentration of workforce engaged in artistic or avant-garde – experimental – activities) |
Education | Civic Engagement |
Energy | Culture |
Recreation | Economy |
Fire Emergency | Environment |
Response | Shelter |
Governance | Social Equity |
Health | Subjective |
Social Services | Well-Being |
Solid Waste | Technology And Innovation |
Transportation | |
Urban Planning | |
Waste Water | |
Water |
Closed expert pipeline of innovation (internal to the firm) |
Creative clusters of different industry sectors – advertising, architecture, publishing, software, performing arts, media production, art, design, fashion etc. – that together produce creative works or outputs (e.g. the DCMS list) |
Provider-led or supply-based definition – institutional (meso level) creativity; measures of elaborate production by specialist organizations |
‘Creative outputs’ – i.e. consumer goods based on creative values, including music, writing, design, performance |
Origination/ production | Commodity/ distribution | Consumption/use | |
Author/ producer | Text/ performance | Reader/ audience | |
When | Medieval | Modern | Global |
Where | Church | Public sphere | Private life |
Who (population) | The faithful | The public | DIY citizen |
Who (Intermediary) | Priest | Publisher | Marketing |
Theorist | Bible | Marx | Foucault |
Subjectivity | Soul | Individual (-ism) | Experience |
Power base | Pain of death/hell | War | Administration of life |
Sovereignty | Monarch/divine | Nation state | Self |
Military unit | Knight/crusader | Conscript/ volunteer | Terrorist |
Enemy | Peer/ heretic | Country | Civilian |
State | ‘Hobbesian’ | ‘Machiavellian’ | ‘Kantian’ |
Philosophy | Revelation | Scarcity | Plenty |
Epistemology | Theology | Empiricism | Plebiscite |
Educational reach | Elite | Mass | Universal |
Interpretive form | Exegesis | Criticism | Redaction (editing) |
Creative form | Ritual/liturgy | Realism (science/ journalism/ novel) | Reality (TV) |
Mode of literacy | Hear only | Read only | Read/ write |
Mode of address | To convert | To convince (campaign) | To converse |
Source of control | ‘Him’ – divine control | ‘Them’ – expert control | ‘Me’ – self control |
Broker of choices | No choices | Publisher/provider | Navigator/ aggregator |
Agent of knowledge | Cleric | Reading public/ media audience | ‘Consumer entrepreneur’ |
7 . GLOBAL INTEGRATION | BRI | MEL | BER | BRE | CAR | LON | |
---|---|---|---|---|---|---|---|
27,002 | 31,909 | 218,200 | 35,739 | 9,261 | 375,944 | ||
1.0 | |||||||
4,282,458 | 5,872,602 | 12,860,429 | 124,125 | 1,133,290 | 115,610,443 | ||
1.0 | |||||||
95,351 | 216,869 | 19,678 | 21,563 | 38 | 1,470,504 | ||
1.0 | |||||||
76 | 69 | 171 | 27 | 44 | 176 | ||
1.0 | |||||||
15 | 24 | 12 | 6 | 21 | 27 | ||
1.0 | |||||||
21 | 23 | 22 | 13 | 35 | 32 | ||
1.0 | |||||||
Arrivals | 108,913 | 161,801 | 147,769 | 31,446 | 27,858 | 604,785 | |
Departures | 78,378 | 102,436 | 130,951 | 30,555 | 24,750 | 601,227 | |
NET TOTAL MIGRATION | 30,536 | 59,365 | 16,818 | 891 | 3,108 | 3,558 | |
1.0 | |||||||
From overseas migration | 4.22% | 3.75% | 3.51% | 3.76% | 3.13% | 3.50% | |
From interstate migration | 4.95% | 2.73% | 4.60% | 7.56% | 12.30% | 11.91% | |
FROM TOTAL MIGRATION | 9.17% | 6.48% | 8.11% | 11.32% | 15.42% | 15.41% | |
1.0 | |||||||
50 | 75 | 67 | 8 | 8 | 100 | ||
1.0 | |||||||
17,537 | 29,599 | 23,035 | 6,989 | 4,900 | 63,354 | ||
1.0 | |||||||
Online digital networks |
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Social networks, real or online |
Digital technologies/social networks |
Technologically equipped culture |
Entrepreneurial (or experimental) consumption (signalling, social learning) |
An advanced communications infrastructure on which modern transnational corporations rely, such as fibre optics, Wi-Fi networks, cellular phone services, and other high-speed lines of communications |
Diversity and quality of place |
---|
Competition/contestation |
City density |
Urban metabolism rate (population turnover) |
Places in flux – new socioeconomic and ethnic groups, challenge to an old, established order) |
Culturally diverse populations (multiculturalism, backgrounds, experiences and talents) and tolerance |
Subversion of conventional wisdom |
Clusters of people/visitors/consumers (diversity of clusters) |
Festivals, events, happenings, novelty, places to mingle, scenes, competitions, venues |
The role of ‘place’/localness |
1. CREATIVE INDUSTRIES SCALE, SCOPE & EMPLOYMENT | BRI | MEL | BER | BRE | CAR | LON | |
---|---|---|---|---|---|---|---|
Music & performing arts | 77 | 154 | 574 | 37 | 37 | 1,854 | |
Film, television & radio | 254 | 785 | 483 | 59 | 111 | 3,533 | |
Advertising & marketing | 73 | 154 | 486 | 100 | 27 | 4,518 | |
Software development & interactive content | 865 | 2,298 | 683 | 105 | 36 | 15,292 | |
Writing, publishing & print media | 473 | 1,052 | 914 | 168 | 55 | 5,851 | |
Architecture, design & visual arts | 262 | 616 | 371 | 110 | 47 | 3,070 | |
TOTAL CREATIVE INDUSTRIES | 2,003 | 5,059 | 3,512 | 579 | 313 | 33,981 | |
PER CAPITA | 980.18 | 1,240.88 | 1,012.48 | 1,057.47 | 917.74 | 4,342.45 | |
1.0 | |||||||
Music & performing arts | 1,117 | 2,232 | 5,329 | 180 | 335 | 11,621 | |
Film, television & radio | 496 | 1,528 | 1,263 | 224 | 279 | 6,716 | |
Advertising & marketing | 1,164 | 2,465 | 2,183 | 230 | 419 | 5,584 | |
Software development & interactive content | 3,568 | 9,494 | 2,158 | 224 | 113 | 30,826 | |
Writing, publishing & print media | 389 | 867 | 1,732 | 314 | 64 | 2,905 | |
Architecture, design & visual arts | 4,001 | 9,405 | 4,967 | 628 | 508 | 10,036 | |
TOTAL CREATIVE INDUSTRIES | 10,735 | 25,990 | 17,632 | 1,800 | 1,718 | 67,688 | |
PER 1,000 POPULATION | 5.25 | 6.37 | 5.08 | 3.29 | 5.04 | 8.65 | |
1.0 | |||||||
Fragmentation index (1 = diverse, 0 = homogenous) | 0.72 | 0.71 | 0.82 | 0.80 | 0.79 | 0.73 | |
0.5 | |||||||
Shannon's diversity index (higher = more diverse) | 1.48 | 1.44 | 1.75 | 1.70 | 1.67 | 1.54 | |
0.5 | |||||||
Fragmentation index (1 = diverse, 0 = homogenous) | 0.72 | 0.71 | 0.78 | 0.79 | 0.78 | 0.72 | |
0.5 | |||||||
Shannon's diversity index (higher = more diverse) | 1.47 | 1.45 | 1.65 | 1.68 | 1.62 | 1.51 | |
0.5 | |||||||
Music & performing arts | 2,869 | 7,452 | 11,523 | 746 | 1,122 | 115,380 | |
Film, television & radio | 5,291 | 13,742 | 11,948 | 933 | 2,178 | 75,084 | |
Advertising & marketing | 1,435 | 3,726 | 9,649 | 1,297 | 528 | 112,889 | |
Software development & interactive content | 15,965 | 41,466 | 16,693 | 2,483 | 726 | 284,110 | |
Writing, publishing & print media | 5,831 | 15,144 | 15,902 | 2,253 | 792 | 89,270 | |
Architecture, design & visual arts | 10,266 | 26,664 | 5,300 | 2,289 | 1,254 | 137,150 | |
TOTAL CREATIVE INDUSTRIES | 41,657 | 108,194 | 71,015 | 10,001 | 6,600 | 813,883 | |
PER 1,000 POPULATION | 20.39 | 26.54 | 20.47 | 18.27 | 19.35 | 104.01 | |
1.0 | |||||||
CITY INDEX CHECKLIST | Culture, Recreation, Tourism | Creative Output, Employment | Cultural Capital, Participation | Venues, Resources, Facilities | Liveability, Amenities | Transport, Accessibility | Globalization, Networks, Exchange | Openness, Tolerance, Diversity | Human Capital, Talent, Education | Social Capital, Engagement, Support | Government, Regulation | Business Activity, Economy | Entrepreneurship | Innovation, R&D | Technology, ICT | Environment, Ecology |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
The Global Power Cities Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | ||||||
The Global Cities Index | □ | □ | □ | □ | □ | □ | □ | |||||||||
Global City Indicators Facility | □ | □ | □ | |||||||||||||
Fundamental and Flow Index | □ | □ | □ | □ | □ | □ | □ | |||||||||
The Globalization and World Cities Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | ||
The Shift Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | |||||||
World Knowledge Competitive Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | |||||
Information Society Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | |
Oslo Manual | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ | ||
Creativity Grid | □ | □ | □ | □ | □ | □ | □ | □ | ||||||||
Landry's Index | □ | □ | □ | □ | □ | □ | □ | □ | □ | □ |
SEGMENT AND SECTOR | SUB-SEGMENT | MAJOR ACTIVITIES |
---|---|---|
Music and Performing Arts | Music | Music Composition |
Music Performance | ||
Music Recording | ||
Music Composition Publishing | ||
Performing Arts | Performing Arts General | |
Performing Arts Dance and Ballet | ||
Performing Arts Drama | ||
Performing Arts Venues | ||
Performing Arts Opera | ||
Film, TV and Radio | Radio | Radio Program Production |
Film and TV | Film Production | |
Film Special Effects Post Production | ||
Film Scriptwriting | ||
TV Broadcasting | ||
Film and Video Libraries | ||
Advertising and Marketing | Services | Advertising Services |
Marketing Services | ||
Advertising Media | ||
Software and Interactive Content | Software | Software Development |
Software Product Publishing | ||
Interactive Content | Multimedia Internet Development | |
Interactive and Online Games Development | ||
Interactive Games Publishers | ||
Multimedia Internet Service Providers | ||
Multimedia Internet Content Publishing | ||
Publishing | Publishing | Newspaper Publishing |
Periodicals Publishing | ||
Book Publishing | ||
Composition | Writing | |
Libraries | ||
Architecture, Design and Visual Arts | Design | Architecture |
Graphic Arts and Illustration | ||
Jewellery Design | ||
Fashion Design | ||
Interior Design | ||
Product Design | ||
Marine Architecture | ||
Other Specialised Design | ||
Visual Arts | Museums and Gallaries | |
Visual Arts, Painters, Sculpters | ||
Photography |
For ideas to be generated and propagated |
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Relations among networked agents (producers or consumers) |
Social learning via widespread participation in mediated interaction |
Social contagion dynamics/social network markets ( |
Role of the consumer/integration of consumer and producer |