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This is the Editorial Introduction to the special collection of articles on Open Literacy: Games, Social Responsibility and Social Innovation, which will be published across volumes 11 and 12 of the Journal. The Editorial includes information on the research symposium where these papers were first presented, and biographical details for the contributors.</abstract>

This is the Editorial Introduction to the special collection of articles on Open Literacy: Games, Social Responsibility and Social Innovation, which will be published across volumes 11 and 12 of the Journal. The Editorial includes information on the research symposium where these papers were first presented, and biographical details for the contributors.

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Publication of this special issue of <italic>Cultural Science Journal</italic> is generously supported by <bold>Tencent Research</bold> (China). Editorial work was undertaken by members of the <bold>Centre for Culture and Technology</bold> (CCAT, Curtin University). The special issue is co-edited by <bold>John Hartley</bold> (editor of <italic>Cultural Science Journal</italic>), <bold>Katie Ellis</bold> (Director of CCAT) and <bold>Tama Leaver</bold> (discipline lead of Curtin Internet Studies). In addition to supporting this publication, Tencent provided bursaries, scholarships and travel grants to assist presenters to attend the <bold>research symposium</bold> from which the papers derive.
We are immensely grateful to Tencent Research, especially Director Ms <bold>Xiaobing Wang</bold> and Researcher Ms <bold>Jie Liu</bold>, and to our colleague Dr <bold>Henry Li</bold>, Dean for China at the Curtin International Office and longstanding member of CCAT, who facilitated our relationship with Tencent. We would like to stress that Tencent’s involvement in the project was entirely research-oriented, and that at no point did they intervene in intellectual or editorial matters. It has been a pleasure and privilege to work with them on this important topic.
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<bold>This special issue</bold> derives from a specially convened international research symposium on <bold>‘Open Literacy’</bold>. It brings international and local experts together to report on cutting-edge research, linking games, play, social innovation and social responsibility. Papers consider a counter-narrative to the rhetoric of behavioural harm and social danger, looking at digital media and games as affordances for community-building and the emancipation of knowledge. The papers examine contemporary digital literacy across many different platforms and cultures, as well as offline forms of play and the spaces in which fans and cyborgs, cities and nations, pursue adventures of identity and hazards of chance.
Inevitably, views will differ on the extent to which playing and games, formal and informal, online and off, can be thought of as a form of literacy. Even if it does enhance popular interpretive skills and agility, the question of balance between ‘social responsibility’ (accepting regulation) and ‘social innovation’ (transgressing limits) is often unresolved in practice. This symposium compares the experience of ‘open literacy’ in different countries, and contrasting trends of scholarship across the continents, in the expectation that cross-disciplinary and cross-border communication will offer new insights to both sides.
<bold>Open Literacy</bold> refers to the cultural uses of digital and media literacy:
<list list-type="bullet">
<list-item>to create new groups and meanings, extending knowledge by means of informal entertainment and narrative, dramatic or game formats;</list-item>
<list-item>to experiment with new technologies, extending both play (informal, anthropological, purposeless) and games (elaborate, competitive, high-skill) as part of the innovation system for digital culture;</list-item>
<list-item>to improve the social networks, teamwork, conflict management skills and recognition difference needed in heterogenous public/media environments;</list-item>
<list-item>to advance knowledge and communication by digital means, and to link future-facing digital culture with traditional archives and forms;</list-item>
<list-item>to encourage user-led social innovation in times of uncertainty and change, across demographic borders, at global scale;</list-item>
<list-item>to build new social groups—‘knowledge clubs’ and ‘knowledge commons’—for knowledge innovation.</list-item>
</list>
Open literacy is user-centred and system-wide, ‘bottom-up’ rather than ‘top down’, producing unforeseen network effects that in turn change the rules of the game. Navigating ‘newness’ (not just novelty but transformational change) raises new questions:
<list list-type="bullet">
<list-item>How does Open Literacy intersect with other ‘open’ initiatives: open source; open access; open science; open campus?</list-item>
<list-item>Given that Open Literacy is cultural and informal, not institutional and disciplinary, what should policymakers, educators, arts/literature agencies, sport/exercise bodies and commercial entertainment/leisure providers do to nurture it?</list-item>
<list-item>Responsibility includes corporate and individual:
<list list-type="custom">
<list-item><label>–</label> Corporate: what are the social responsibilities of games developers and publishers? What are they doing right or wrong, according to whose criteria?</list-item>
<list-item><label>–</label> Individual: What are rights and duties of players and gamers themselves; how can parents and young people achieve and maintain social responsibility through play?</list-item>
</list>
</list-item>
<list-item>Responsibility and control:
<list list-type="custom">
<list-item><label>–</label> How do games work in the production of what Michele <a ref-type="bibr" href="#j_csci.132_ref_003">Willson (2019)</a> calls ‘the ideal child’?</list-item>
<list-item><label>–</label> How can games and other online changes be historicised meaningfully, against the background of political, moral, religious, authoritarian crackdowns on games/popular media?</list-item>
</list>
</list-item>
</list>
Open Literacy links the domain of digital popular culture and entertainment, including video and online games, with that of formal knowledge, academic disciplines and education. At a time when there is increasing tension between large-scale, global connectivity on the one hand, and populations marked by division, difference and asymmetries of access on the other, it is more urgent than ever to extend participation in knowledge and social responsibility—science and civics—beyond exclusive institutions and restricted professions. Recent developments in ‘open access’ scholarship, ‘open science’ initiatives and ‘open source’ software offer new ways to update Karl <a ref-type="bibr" href="#j_csci.132_ref_001">Popper’s (1945)</a> vision of ‘the open society’ for the connected age.
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<h2>Figure 1</h2>
<figCaption>Participants in the Open Literacy Research Symposium gather in Fremantle and at Curtin University, September–October 2019.</figCaption>
<img xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="graphic/j_csci.132_fig_001.jpg" src="https://sciendo-parsed.s3.eu-central-1.amazonaws.com/6471a61f215d2f6c89dabe7c/j_csci.132_fig_001.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&amp;X-Amz-Date=20240704T232615Z&amp;X-Amz-SignedHeaders=host&amp;X-Amz-Expires=17999&amp;X-Amz-Credential=AKIA6AP2G7AKP25APDM2%2F20240704%2Feu-central-1%2Fs3%2Faws4_request&amp;X-Amz-Signature=fd1b11641839f179dfebbfceb854d82e82f09be7203404f582399ac1b68c9cdd" class="mw-100"/>
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Focusing on the extension of digital capabilities among a broad global population via smart devices, apps and digital entertainment to smart users, groups and enterprises, we need to explore how opening digital knowledge systems to popular participation may boost innovation and social inclusion and responsibility.
Many media scholars are sceptical of the ‘mass media effects’ tradition of research, inherited from anxiety about earlier forms of popular media, from print to broadcasting (<a ref-type="bibr" href="#j_csci.132_ref_002">Przybylski, 2016</a>). At the same time they are mindful that public debate about this topic still depends on outmoded industrial and individualist theories. We need to go beyond that paradigm, to understand the challenges of digital, online media and the possibilities for renewing knowledge systems and social groups in times of technological change and geopolitical uncertainty. In short, what do entertainment systems and knowledge systems—and their users—have in common?
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Open Literacy: Games, Social Responsibility and Social Innovation: Editorial Introduction to the Special Issue of <italic>Cultural Science Journal</italic>

Cultural Science

This work is licensed under the Creative Commons Attribution 4.0 International License.

Open Literacy: Games, Social Responsibility and Social Innovation: Editorial Introduction to the Special Issue of 

This is the Editorial Introduction to the special collection of articles on Open Literacy: Games, Social Responsibility and Social Innovation, which will be...

Open Literacy: Games, Social Responsibility and Social Innovation: Editorial Introduction to the Special Issue of Cultural Science Journal

Article Category: Editorial

Publié en ligne: 10 déc. 2019

Pages: 134 - 142

Reçu: 27 nov. 2019

Accepté: 27 nov. 2019

DOI: https://doi.org/10.5334/csci.132

Mots clés
Editorial, Cultural Science, Open Literacy

© 2019 John Hartley, Katie Ellis, Tama Leaver, published by De Gruyter

This work is licensed under the Creative Commons Attribution 4.0 International License.

Open Literacy: Games, Social Responsibility and Social Innovation: Editorial Introduction to the Special Issue of Cultural Science Journal

Article Category: Editorial

Publié en ligne: 10 déc. 2019

Pages: 134 - 142

Reçu: 27 nov. 2019

Accepté: 27 nov. 2019

DOI: https://doi.org/10.5334/csci.132

Mots clésEditorial, Cultural Science, Open Literacy

© 2019 John Hartley, Katie Ellis, Tama Leaver, published by De Gruyter

This work is licensed under the Creative Commons Attribution 4.0 International License.

Mots clés
Editorial, Cultural Science, Open Literacy