[
Allué, Sonia Baelo. “The Aesthetics of Serial Killing: Working Against Ethics in The Silence of the Lambs and American Psycho.” Atlantis 24.2 (2002): 7–24. Print.
]Search in Google Scholar
[
Bewes, Timothy. “What is ‘Philosophical Honesty’ in Postmodern Literature?” New Literary History 31.3 (2000): 421–34. Print.
]Search in Google Scholar
[
Boswell, Marshall. Understanding David Foster Wallace. Columbia: U of South Carolina P, 2020. Print.
]Search in Google Scholar
[
Burn, Stephen J., ed. Conversations with David Foster Wallace. Jackson: UP of Mississippi, 2012. Print
]Search in Google Scholar
[
Clark, Robert C. “A Reverence for Untrendy Human Troubles: David Foster Wallace’s ‘Good People,’ Ernest Hemingway’s ‘Hills Like White Elephants,’ and American Minimalist Narration.” Amerikastudien/American Studies 62.3 (2017): 397–412. Print.
]Search in Google Scholar
[
Cojocaru, Daniel. “Confessions of an American Psycho: James Hogg’s and Bret Easton Ellis’s Anti-Heroes’ Journey from Vulnerability to Violence.” Contagion: Journal of Violence 15/16 (2008): 185–200. Print.
]Search in Google Scholar
[
Crain, Caleb. “Approaching Infinity.” Burn. 121–26. Print.
]Search in Google Scholar
[
Di Mattia, Joanna. “Bret Easton Ellis, David Foster Wallace, and the Ethics of Criticism.” Kill Your Darlings, 3 Dec. 2015. Web. 17 May 2021.
]Search in Google Scholar
[
Ellis, Bret Easton. American Psycho. New York: Vintage Books, 1991. Print.
]Search in Google Scholar
[
Fabre, Claire. “L’ordinaire psycho-poétique de “Girl With Curious Hair” de David Foster Wallace.” [The Psycho-Poetic Ordinariness of David Foster Wallace’s “Girl With Curious Hair.”] Revue française d’études américaines 94 (2002): 106–12. Print.
]Search in Google Scholar
[
Flood, Alison. “Bret Easton Ellis Launches Broadside Against David Foster Wallace.” The Guardian, 6 Sept. 2012. Web. 17 May 2021.
]Search in Google Scholar
[
Freccero, Carla. “Historical Violence, Censorship, and the Serial Killer: The Case of American Psycho.” Diacritics 27.2 (1997): 44–58. Print.
]Search in Google Scholar
[
Giles, Paul. “Sentimental Posthumanism: David Foster Wallace.” Twentieth Century Literature 53.3 (2007): 327–44. Print.
]Search in Google Scholar
[
Goldfarb, Michael. “The Connection: David Foster Wallace.” Conversations with David Foster Wallace. Ed. Stephen J. Burn. Jackson: UP of Mississippi, 2012. 136–51. Print.
]Search in Google Scholar
[
Hicks, Stephen R. C. Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault. Roscoe, IL: Ockham’s Razor Publishing, 2004. Print.
]Search in Google Scholar
[
Howard, Gerald. “I Know Why Bret Easton Ellis Hates David Foster Wallace.” Salon, 7 Sept. 2012. Web. 17 May 2021.
]Search in Google Scholar
[
Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke UP, 1991. Print.
]Search in Google Scholar
[
Kaiser, Wilson. “Humor After Postmodernism: David Foster Wallace and Proximal Irony.” Studies in American Humor 3.28 (2013): 31–44. Print.
]Search in Google Scholar
[
Kennedy, Hugh, and Geoffrey Polk. “Looking for a Garde of Which to Be Avant: An Interview with David Foster Wallace.” Burn. 11–20. Print.
]Search in Google Scholar
[
Kusnir, Jaroslav. “From Descriptive to (Meta)-Metafictional: Form and Meaning in David Foster Wallace’s Short Fiction.” AAA: Arbeiten aus Anglistik und Amerikanistik 32.2 (2007): 319–32. Print.
]Search in Google Scholar
[
Leith, Sam. “‘Come on, Cancel me’: An Interview with Bret Easton Ellis.” Spectator, 9 May 2019. Web. 21 May 2021.
]Search in Google Scholar
[
Lipsky, David. “The Lost Years and Last Days of David Foster Wallace.” Burn. 161–82. Print.
]Search in Google Scholar
[
McCaffery, Larry. “An Expanded Interview with David Foster Wallace.” Burn.21–52. Print.
]Search in Google Scholar
[
McLaughlin, Robert L. “Post-Postmodern Discontent: Contemporary Fiction and the Social World.” Symploke 12.1/2 (2004): 53–68. Print.
]Search in Google Scholar
[
Miller, Laura. “The Salon Interview: David Foster Wallace.” Burn. 58–65. Print.
]Search in Google Scholar
[
Niedlich, Florian. “‘No Time for the Innocent’: Evil, Subversion and Social Criticism in Joel Schumacher’s Falling Down, Bret Easton Ellis’s American Psycho and Oliver Stone’s Natural Born Killers.” AAA: Arbeiten aus Anglistik und Amerikanistik 32.2 (2007): 221–40. Print.
]Search in Google Scholar
[
Paulson, Steve. “To the Best of Our Knowledge: Interview with David Foster Wallace.” Burn. 127–35. Print.
]Search in Google Scholar
[
Rando, David P. “David Foster Wallace and Lovelessness.” Twentieth Century Literature 59.4 (2013): 575–95. Print.
]Search in Google Scholar
[
Saltman, Arthur M. “To See a World in a Grain of Sand: Expanding Literary Minimalism.” Contemporary Literature 31.4 (1990): 423–33. Print.
]Search in Google Scholar
[
Schoene, Berthold. “Serial Masculinity Psychopathology and Oedipal Violence in Bret Easton Ellis’s American Psycho.” Modern Fiction Studies 54.2 (2008): 378–97. Print.
]Search in Google Scholar
[
Thompson, Lucas. “‘Books Are Made out of Books’: David Foster Wallace and Cormac McCarthy.” The Cormac McCarthy Journal 13.1 (2015): 3–26. Print.
]Search in Google Scholar
[
Wallace, David Foster. Girl With Curious Hair. New York: W. W. Norton and Company, 1989. Print.
]Search in Google Scholar
[
Weinreich, Martin. “‘Into the Void’: The Hyperrealism of Simulation in Bret Easton Ellis’s American Psycho.” Amerikastudien/American Studies 49.1 (2004): 65–78. Print.
]Search in Google Scholar
