<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>This article analyses the discourse around Shimao Toshio’s concept of Yaponeshia, which addresses Okinawa’s relationship to mainland Japan. This concept, first outlined in Shimao’s essay “Yaponeshia no nekko” (The Roots of Yaponeshia) (1961), provides a whole new perspective from which this relationship can be viewed. To gain an understanding of the discourse which subsequently has evolved among Japanese scholars and critics, journal articles published between 1970 and 2017 will be analysed using Siegfried Jäger’s method of critical discourse analysis. The analysis will show that Shimao’s Yaponeshia idea has been (re-)interpreted by many academics and critics who expanded it with their own theories. The discourse about the “southern islands” (nantō) and the “reversion” of Okinawa to Japan play a major role in how Okinawa, as shown in the Yaponeshia concept, is portrayed: on the one hand, the culture of Okinawa is seen as a previous stage of the culture of mainland Japan; on the other hand, however, the culture of Okinawa is described as being different from that of Japan and as something that has to be protected from being assimilated by the main islands. By addressing different perspectives on Okinawan culture, over the past decades the Yaponeshia concept has slowly developed into a kind of cultural theory that also finds its way into other academic fields.</p>
</abstract>

This article analyses the discourse around Shimao Toshio’s concept of Yaponeshia, which addresses Okinawa’s relationship to mainland Japan. This concept, first outlined in Shimao’s essay “Yaponeshia no nekko” (The Roots of Yaponeshia) (1961), provides a whole new perspective from which this relationship can be viewed. To gain an understanding of the discourse which subsequently has evolved among Japanese scholars and critics, journal articles published between 1970 and 2017 will be analysed using Siegfried Jäger’s method of critical discourse analysis. The analysis will show that Shimao’s Yaponeshia idea has been (re-)interpreted by many academics and critics who expanded it with their own theories. The discourse about the “southern islands” (nantō) and the “reversion” of Okinawa to Japan play a major role in how Okinawa, as shown in the Yaponeshia concept, is portrayed: on the one hand, the culture of Okinawa is seen as a previous stage of the culture of mainland Japan; on the other hand, however, the culture of Okinawa is described as being different from that of Japan and as something that has to be protected from being assimilated by the main islands. By addressing different perspectives on Okinawan culture, over the past decades the Yaponeshia concept has slowly developed into a kind of cultural theory that also finds its way into other academic fields.

Forty-Seven Years of Discourse: An Analysis of Japanese Journal Articles about Shimao Toshio’s Concept of Yaponeshia

Vienna Journal of East Asian Studies

This work is licensed under the Creative Commons Attribution 4.0 International License.

This article analyses the discourse around Shimao Toshio’s concept of Yaponeshia, which addresses Okinawa’s relationship to mainland Japan. This concept, first...

Forty-Seven Years of Discourse: An Analysis of Japanese Journal Articles about Shimao Toshio’s Concept of Yaponeshia

Publié en ligne: 13 août 2021

Pages: 59 - 87

Reçu: 30 nov. 2020

Accepté: 26 avr. 2021

DOI: https://doi.org/10.2478/vjeas-2021-0003

Mots clés
Okinawa, Japan, identity, culture, Yaponeshia, Shimao Toshio

© 2021 Liliane Höppe, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Forty-Seven Years of Discourse: An Analysis of Japanese Journal Articles about Shimao Toshio’s Concept of Yaponeshia

Publié en ligne: 13 août 2021

Pages: 59 - 87

Reçu: 30 nov. 2020

Accepté: 26 avr. 2021

DOI: https://doi.org/10.2478/vjeas-2021-0003

Mots clésOkinawa, Japan, identity, culture, Yaponeshia, Shimao Toshio

© 2021 Liliane Höppe, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Mots clés
Okinawa, Japan, identity, culture, Yaponeshia, Shimao Toshio