<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>In 2019 artist Layla Khoo created and installed a participatory artwork at Nunnington Hall, a property owned by the National Trust, UK. The artwork, named Change in Attitudes, was a response to the taxidermy collection of hunting trophies displayed on site, all shot and collected by the last owner of the house, Colonel Ronald Fife. The work sought to encourage visitors to consider their thoughts on this difficult part of the collection, both in its historical context and in light of current societal norms, by inviting them to participate with the artwork through choice-making. This case study first analyzes the impact of this work on visitor engagement at the site, both in the participation methods intended by the artist and in the unexpected participation methods employed by the visitors as the installation evolved. The questions raised by this case study are then considered, as well as the research currently under way which seeks to answer them.</p>
</abstract>

In 2019 artist Layla Khoo created and installed a participatory artwork at Nunnington Hall, a property owned by the National Trust, UK. The artwork, named Change in Attitudes, was a response to the taxidermy collection of hunting trophies displayed on site, all shot and collected by the last owner of the house, Colonel Ronald Fife. The work sought to encourage visitors to consider their thoughts on this difficult part of the collection, both in its historical context and in light of current societal norms, by inviting them to participate with the artwork through choice-making. This case study first analyzes the impact of this work on visitor engagement at the site, both in the participation methods intended by the artist and in the unexpected participation methods employed by the visitors as the installation evolved. The questions raised by this case study are then considered, as well as the research currently under way which seeks to answer them.

Participation beyond expectation: Contemporary art installation provokes unexpected responses in an English country house

Conjunctions

This work is licensed under the Creative Commons Attribution-NonCommercial 3.0 Public License.

In 2019 artist Layla Khoo created and installed a participatory artwork at Nunnington Hall, a property owned by the National Trust, UK. The artwork, named...

Participation beyond expectation: Contemporary art installation provokes unexpected responses in an English country house

Publié en ligne: 27 juin 2024

Pages: 1 - 18

DOI: https://doi.org/10.2478/tjcp-2024-0014

Mots clés
Country house, engagement, participatory art, installation art, heritage

© 2024 Layla Khoo., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial 3.0 Public License.

Participation beyond expectation: Contemporary art installation provokes unexpected responses in an English country house

Publié en ligne: 27 juin 2024

Pages: 1 - 18

DOI: https://doi.org/10.2478/tjcp-2024-0014

Mots clésCountry house, engagement, participatory art, installation art, heritage

© 2024 Layla Khoo., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial 3.0 Public License.

Mots clés
Country house, engagement, participatory art, installation art, heritage