<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Tackling existential crevasses, Anuradha Roy’s latest novel, The Earthspinner, invites to pondering and multifaceted analysis in what we see as a plea for building metaphorical bridges in a world where the coordinates were long ago decided, where narrowed/biased following of tradition and religion undermine the coherent discourse of an identity that strives to survive the intrusion of the other. The artist and the act of creation prove once again vulnerable to the other’s inability to understand and accept.</p>
</abstract>

Tackling existential crevasses, Anuradha Roy’s latest novel, The Earthspinner, invites to pondering and multifaceted analysis in what we see as a plea for building metaphorical bridges in a world where the coordinates were long ago decided, where narrowed/biased following of tradition and religion undermine the coherent discourse of an identity that strives to survive the intrusion of the other. The artist and the act of creation prove once again vulnerable to the other’s inability to understand and accept.

Hypostases of the Artist in Anuradha Roy’s <italic>The Earthspinner</italic>

G.E. Palade University of Medicine, Pharmacy, Science, and Technology of Târgu Mureș

Romanian Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Hypostases of the Artist in Anuradha Roy’s 

Tackling existential crevasses, Anuradha Roy’s latest novel, The Earthspinner, invites to pondering and multifaceted analysis in what we see as a plea for...

Hypostases of the Artist in Anuradha Roy’s The Earthspinner

Publié en ligne: 16 déc. 2022

Pages: 114 - 120

DOI: https://doi.org/10.2478/rjes-2022-0014

Mots clés
artist, exile, memory, selfhood, trauma

© 2022 Cristina Nicolae, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Hypostases of the Artist in Anuradha Roy’s The Earthspinner

Publié en ligne: 16 déc. 2022

Pages: 114 - 120

DOI: https://doi.org/10.2478/rjes-2022-0014

Mots clésartist, exile, memory, selfhood, trauma

© 2022 Cristina Nicolae, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
artist, exile, memory, selfhood, trauma