À propos de cet article
Publié en ligne: 22 févr. 2013
Pages: 199 - 207
DOI: https://doi.org/10.2478/rjes-2013-0018
Mots clés
This content is open access.
The main concern of a skilled storyteller is not to report a sequence of events, but to tell a ‘tellable’ story and to ward off the question ‘so what?’ coming from the listener. However, what happens when the story has little to recommend it as ‘tellable’? This is the case of Tristram Shandy who uses sexuality as elaborate rhetorical strategy to constantly tease and arouse his narratees’ imagination.