<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The second Sonata for Piano and Violin, op. 6 by George Enescu marks the beginning of a long road of assimilation and synthesis of the Romanian folklore elements and of the way of expression“in Romanian popular character”, transposed on the characteristics of the universal language. Without knowing the authentic folk art from a scientific point of view, Enescu was deeply influenced, shaping his entire artistic personality. He consciously assimilated popular music by generalizing some essential folkloric principles, which he later organized in a personal vision. The innovative elements of the Enescian musical language are transposed in the free rhythm, the heterophonic construction, the complexity and subtleties of dynamics and agogics, the timbre color, as well as in the synthesis between freedom and rigor in the creative and interpretive act.</p>
</abstract>

The second Sonata for Piano and Violin, op. 6 by George Enescu marks the beginning of a long road of assimilation and synthesis of the Romanian folklore elements and of the way of expression“in Romanian popular character”, transposed on the characteristics of the universal language. Without knowing the authentic folk art from a scientific point of view, Enescu was deeply influenced, shaping his entire artistic personality. He consciously assimilated popular music by generalizing some essential folkloric principles, which he later organized in a personal vision. The innovative elements of the Enescian musical language are transposed in the free rhythm, the heterophonic construction, the complexity and subtleties of dynamics and agogics, the timbre color, as well as in the synthesis between freedom and rigor in the creative and interpretive act.

The Second Sonata for Piano and Violin, Ópus 6 by George Enescu

Lecturer PhD., “George Enescu” National University of Arts from Iași

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

{"article-title":"The Second Sonata for Piano and Violin, Ópus 6 by George Enescu"}

The second Sonata for Piano and Violin, op. 6 by George Enescu marks the beginning of a long road of assimilation and synthesis of the Romanian folklore...

The Second Sonata for Piano and Violin, Ópus 6 by George Enescu

Publié en ligne: 24 juin 2021

Pages: 149 - 156

DOI: https://doi.org/10.2478/rae-2021-0018

Mots clés
Enescu, Sonata, piano, violin, analysis

© 2021 Raluca Dobre Ioniță, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The Second Sonata for Piano and Violin, Ópus 6 by George Enescu

Publié en ligne: 24 juin 2021

Pages: 149 - 156

DOI: https://doi.org/10.2478/rae-2021-0018

Mots clésEnescu, Sonata, piano, violin, analysis

© 2021 Raluca Dobre Ioniță, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mots clés
Enescu, Sonata, piano, violin, analysis