<abstract xmlns="http://www.w3.org/1999/xhtml"><p>In a world of spectacle in which everything seems to have already been told, the vocal-chamber music recital is found in an identity crisis. The economic, social and cultural context in which it takes place is labile and determines the performers to ask themselves what is their position within the sctructures in which they function/operate. The purpose of the research is to identify and reevaluate links, configurations, structures and elements of a type of an aparently morally obsolet musical performance and marked by the passage of time. The originality of the thesis spans from its interdisciplinary character and from its multifaceted approach of the performative phenomenon.</p></abstract>

In a world of spectacle in which everything seems to have already been told, the vocal-chamber music recital is found in an identity crisis. The economic, social and cultural context in which it takes place is labile and determines the performers to ask themselves what is their position within the sctructures in which they function/operate. The purpose of the research is to identify and reevaluate links, configurations, structures and elements of a type of an aparently morally obsolet musical performance and marked by the passage of time. The originality of the thesis spans from its interdisciplinary character and from its multifaceted approach of the performative phenomenon.

11. The Vocal-Chamber Music Recital – Theoretical and Practical Aspects of an Interdisciplinary Approach

“George Enescu” National University of Arts from Iaşi

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

In a world of spectacle in which everything seems to have already been told, the vocal-chamber music recital is found in an identity crisis. The economic,...

11. The Vocal-Chamber Music Recital – Theoretical and Practical Aspects of an Interdisciplinary Approach

Publié en ligne: 08 mai 2020

Pages: 85 - 92

DOI: https://doi.org/10.2478/rae-2020-0011

Mots clés
Vocal-chamber music recital, performance, interdisciplinary approach

© 2020 Cezara Florentina Petrescu et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

11. The Vocal-Chamber Music Recital – Theoretical and Practical Aspects of an Interdisciplinary Approach

Publié en ligne: 08 mai 2020

Pages: 85 - 92

DOI: https://doi.org/10.2478/rae-2020-0011

Mots clésVocal-chamber music recital, performance, interdisciplinary approach

© 2020 Cezara Florentina Petrescu et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Mots clés
Vocal-chamber music recital, performance, interdisciplinary approach