<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The endless possibilities of expression that jazz has developed over the last hundreds of years could not only influence the composers, but also the performers who dedicated themselves to the fascinating and complex field of percussion. One of the percussion players who has been influenced by this genre is David Mancini, whose conposition I chose for comparative analysis - <bold><italic>Suite for solo drum and percussion ensemble</italic></bold> in the interpretation of two percussion ensembles Vibraslap and Guiro, whose activity was perpetuated due to enthusiasm and the professionalism of the two mentors of the respective groups, professors Marian Vaida and Bedo Gabor, both perfected within the percussion class of the Conservatory of Music “George Enescu” in Iasi Romania, founded and led for more than half a century by the renowned professor Florian Simion. Two totally different interpretations of David Mancini’s work - <bold><italic>Suite for solo drums and percussion ensemble</italic></bold>, each with a few moments of success, but also with the need to perfect many elements of technique and interpretive design.</p></abstract>

The endless possibilities of expression that jazz has developed over the last hundreds of years could not only influence the composers, but also the performers who dedicated themselves to the fascinating and complex field of percussion. One of the percussion players who has been influenced by this genre is David Mancini, whose conposition I chose for comparative analysis - Suite for solo drum and percussion ensemble in the interpretation of two percussion ensembles Vibraslap and Guiro, whose activity was perpetuated due to enthusiasm and the professionalism of the two mentors of the respective groups, professors Marian Vaida and Bedo Gabor, both perfected within the percussion class of the Conservatory of Music “George Enescu” in Iasi Romania, founded and led for more than half a century by the renowned professor Florian Simion. Two totally different interpretations of David Mancini’s work - Suite for solo drums and percussion ensemble, each with a few moments of success, but also with the need to perfect many elements of technique and interpretive design.

10. Comparative Interpretative Analysis of David Mancini’s Work <italic>Suite for Solo Drumset and Percussion Ensemble</italic>

“George Enescu” National University of Arts from Iaşi

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

10. Comparative Interpretative Analysis of David Mancini’s Work 

The endless possibilities of expression that jazz has developed over the last hundreds of years could not only influence the composers, but also the performers...

10. Comparative Interpretative Analysis of David Mancini’s Work Suite for Solo Drumset and Percussion Ensemble

Publié en ligne: 08 mai 2020

Pages: 81 - 84

DOI: https://doi.org/10.2478/rae-2020-0010

Mots clés
percussion ensemble, jazz, comparative analysis

© 2020 Constantin Stavrat, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

10. Comparative Interpretative Analysis of David Mancini’s Work Suite for Solo Drumset and Percussion Ensemble

Publié en ligne: 08 mai 2020

Pages: 81 - 84

DOI: https://doi.org/10.2478/rae-2020-0010

Mots cléspercussion ensemble, jazz, comparative analysis

© 2020 Constantin Stavrat, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Mots clés
percussion ensemble, jazz, comparative analysis