<abstract xmlns="http://www.w3.org/1999/xhtml"><p>George Enesco was a remarkable composer, conductor, teacher, violinist and pianist. He is one of the few “chosen” ones who lived under the emblem of the idea of BEAUTIFUL in its multiple images: by art, in the name of art and under the sign of art. Being in the circuit of authentic spiritual values, his entire pianistic creation is delicate, subtle, refined and elegant but extremely difficult as an artistic technique and expression; it calls for the intelligence accordingly, a lot of common sense, potential of much spiritual unrest, very much scenic experience, by determining the interpreters to very special refinement and expressive elevation, in addition to a worked touché trained in the art of the pianistic expression.</p></abstract>

George Enesco was a remarkable composer, conductor, teacher, violinist and pianist. He is one of the few “chosen” ones who lived under the emblem of the idea of BEAUTIFUL in its multiple images: by art, in the name of art and under the sign of art. Being in the circuit of authentic spiritual values, his entire pianistic creation is delicate, subtle, refined and elegant but extremely difficult as an artistic technique and expression; it calls for the intelligence accordingly, a lot of common sense, potential of much spiritual unrest, very much scenic experience, by determining the interpreters to very special refinement and expressive elevation, in addition to a worked touché trained in the art of the pianistic expression.

4. The Enescian Pianistic Notes and Commentaries (2<sup>st</sup> part)

“George Enescu” National University of Arts from Iaşi

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

4. The Enescian Pianistic Notes and Commentaries (2 part)

George Enesco was a remarkable composer, conductor, teacher, violinist and pianist. He is one of the few “chosen” ones who lived under the emblem of the idea...

4. The Enescian Pianistic Notes and Commentaries (2^st part)

Publié en ligne: 08 mai 2020

Pages: 21 - 28

DOI: https://doi.org/10.2478/rae-2020-0004

Mots clés
Enesco’s pianistic art, expressivity, instrumental technique

© 2020 Lăcrămioara Naie, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

4. The Enescian Pianistic Notes and Commentaries (2st part)

Publié en ligne: 08 mai 2020

Pages: 21 - 28

DOI: https://doi.org/10.2478/rae-2020-0004

Mots clésEnesco’s pianistic art, expressivity, instrumental technique

© 2020 Lăcrămioara Naie, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

4. The Enescian Pianistic Notes and Commentaries (2^st part)

Mots clés
Enesco’s pianistic art, expressivity, instrumental technique