<abstract xmlns="http://www.w3.org/1999/xhtml"><p>Moldavian by nature and genius by vocation, maestro George Enescu remained captured in the universal consciousness as an accomplished violinist, composer and as an amazing and inspired musician – pianist which gathered in an admirable synthesis elegance, refinement, impressionist tones, romantic flames, classic – German construction, all these under the aura of a profound Romanian feeling. All the Enescian pianistic artistic creation is under the sign of the stylistic unity, of the maximal concentration of the musical substance that carry all artistic emotions and the accumulations of the modern musical expression. The generous, wide and bidding instrumental register covers the adage of “unity in diversity”.</p></abstract>

Moldavian by nature and genius by vocation, maestro George Enescu remained captured in the universal consciousness as an accomplished violinist, composer and as an amazing and inspired musician – pianist which gathered in an admirable synthesis elegance, refinement, impressionist tones, romantic flames, classic – German construction, all these under the aura of a profound Romanian feeling. All the Enescian pianistic artistic creation is under the sign of the stylistic unity, of the maximal concentration of the musical substance that carry all artistic emotions and the accumulations of the modern musical expression. The generous, wide and bidding instrumental register covers the adage of “unity in diversity”.

The Enescian Pianistic Notes and Commentaries (1<sup>st</sup> part)

“George Enescu” National University of Arts from Iaşi

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

The Enescian Pianistic Notes and Commentaries (1 part)

Moldavian by nature and genius by vocation, maestro George Enescu remained captured in the universal consciousness as an accomplished violinist, composer and...

The Enescian Pianistic Notes and Commentaries (1^st part)

Publié en ligne: 06 avr. 2019

Pages: 47 - 51

DOI: https://doi.org/10.2478/rae-2019-0005

Mots clés
Enescian pianistic, expressivity, instrumental technique

© 2019 Lăcrămioara Naie, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

The Enescian Pianistic Notes and Commentaries (1st part)

Publié en ligne: 06 avr. 2019

Pages: 47 - 51

DOI: https://doi.org/10.2478/rae-2019-0005

Mots clésEnescian pianistic, expressivity, instrumental technique

© 2019 Lăcrămioara Naie, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

The Enescian Pianistic Notes and Commentaries (1^st part)

Mots clés
Enescian pianistic, expressivity, instrumental technique