Journal of Phenomenological Philosophy

Phainomenon

<abstract><title style='display:none'>Abstract</title>A close analysis of the specifically cinematographic procedure in Akira Kurosawa’s ‘Dream’ <italic>Crows</italic> reveals it as an articulated and insightful philosophical statement, endowed with general relevance conceming ‘natural’ perception, phenomenological Erlebnis, mechanical image and aesthetic rapture. The antagonism between the Benjarninian lineage of a mechanical irreducibility of the cinematic image to anthropocentric categories, and the Cartesian tradition of a film-philosophy still relying on the equally irreducible structure of the intentional act, be it the one of a deeply embodied and enworlded counsciousness, in accounting for the essential structure of film and spectator (and their relation), i.e., the antagonism between the decentering primacy of the image and the self-centered primacy of perception, cannot be settled through a simple Phenomenological shift from occularcentric, intentional counsciousness to <italic>its</italic> embodyment ‘ in-the-world’ as yet another carrier of intentionality.Still it remains to be explained what is it in the mechanical image that is able to so deeply affect the human flesh, and conversely, to what features in the human bodily experience is its mechanical other, the fascinating image, so successfuly adressing? It should be expected from the anti-Cartesianism of both the early and the late Merleau- Ponty the textual support for an approach to the essential condition of <italic>passivity</italic> in movie watching, that would be convergent with Benjamin. The Chapter ‘Le sentir’, in <italic>Phénoménologie de la perception,</italic> will offer us the proper guide to elucidate what we are already perceiving and conceiving in Kurosawa’s film, where the ex-static phenomenological body of the aesthetical contemplator ‘ enters the frame’ like the Benjaminian surgeon enters the body and like the painter - and <italic>always already</italic> like our deepest levei of ‘sensing’, previously to any act of cousciousness - ‘just looses himself in the scene before him’. The Polichinello secret of cinema watching is nonetheless too evident to be seen, and that is where Phenomenological description and reduction are still required.</abstract>

Abstract

<article-title>The Worldwood of the Cinematic Image</article-title>

{"article-title":"The Worldwood of the Cinematic Image"}

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Phainomenon ist in den folgenden Services indiziert: <ul> <li> Baidu Scholar </li> <li> CNKI Scholar (China National Knowledge Infrastructure) </li> <li> CNPIEC - cnpLINKer </li> <li> Dimensions </li> <li> EBSCO </li> <li> ExLibris </li> <li> Google Scholar </li> <li> J-Gate </li> <li> KESLI-NDSL (Korean National Discovery for Science Leaders) </li> <li> MyScienceWork </li> <li> Naver Academic </li> <li> Naviga (Softweco) </li> <li> ReadCube </li> <li> SCILIT </li> <li> Semantic Scholar </li> <li> TDOne (TDNet) </li> <li> WanFang Data </li> <li> WorldCat (OCLC) </li> <li> X-MOL </li> </ul>

Editor-in-Chief Pedro M. S. Alves, Centro de Filosofia, University of Lisbon, Portugal Managing Editor Emanuele Mariani, Centro de Filosofia, University of Lisbon, Portugal Editorial Advisory Board Marcus Sacrini, University of São Paulo, Brazil Alex de Campos Moura, University of São Paulo, Brazil Guilherme Riscali, Centro de Filosofia, University of Lisbon, Portugal Scientific Board Renaud Barbaras, Université de Paris 1 Panthéon-Sorbonne, France Jocelyn Benoist, Université de Paris 1 Panthéon-Sorbonne, France Angela Alles Bello, Pontificia Università Lateranense, Italy Mafalda de Faria Blanc, Universidade de Lisboa, Portugal Irene Borges-Duarte, Universidade de Évora, Portugal Thiemo Breyer, Universität zu Köln, Germany Jean-François Courtine, Université de Paris-Sorbonne, France Denis Fisette, Université de Québec à Montréal, Canada Luca Guidetti, Università di Bologna, Italy Klaus Held, Bergische Universität Wuppertal, Germany José Manuel Heleno, Universidade Católica Portuguesa, Portugal Burt Hopkins, Université de Lille, France Dieter Lohmar, Universität zu Köln, Germany Zeljko Loparic, Universidade Estadual de Campinas, Brazil Sebastian Luft, Marquette University, USA Claudio Majolino, Université de Lille, France Isabel Matos Dias, Universidade de Lisboa, Portugal Edouard Mehl, Université de Strasbourg, France Carlos A. Morujão, Universidade Católica Portuguesa, Portugal Rosemary Rizo-Patrón de Lerner, Pontificia Universidad Católica del Perú, Perú Javier San Martín, Universidad Nacional de Educación a Distancia, Spain José Manuel Santos, Universidade da Beira Interior, Portugal Denis Seron, Université de Liège, Belgium Agustín Serrano de Haro, Consejo Superior de Investigaciones Científicas, Spain Jairo José da Silva, Universidade Estadual Paulista, Brazil Andrea Staiti, Università di Parma, Italy Roberto J. Walton, Universidad de Buenos Aires, Argentina Nicolas de Warren, Penn State University, USA Antonio Zirión, Universidad Nacional Autónoma de México, México Technical Editors Pedro Natário, Universidade de Lisboa, Portugal Publisher De Gruyter Poland Bogumiła Zuga 32A Str. 01-811 Warsaw, Poland T: +48 22 701 50 15

Phainomenon is an international journal specializing in phenomenology. It was founded in 2000 and has been published since then with the support of the Center of Philosophy of the University of Lisbon, Portugal. Phainomenon seeks to contribute to the development of phenomenological studies worldwide, stimulating original work in all fields of phenomenological research, as well as in the areas where phenomenology crosses paths with other philosophical traditions and scientific domains. Phainomenon also seeks to contribute to a better cognizance and understanding of the phenomenological tradition – both of its authors and its themes – accepting works that advance our comprehension of it. Phainomenon publishes works in English (recommended), Portuguese, Spanish, French, Italian, and German. Contributions are accepted following a double or single-blind peer review process, always with external reviewers. The current publisher of Phainomenon is SCIENDO, which belongs to De Gruyter Verlag, Regularly, the journal has two sections: a general section, where papers are continuously received and published; and a thematic section, preceded by an announcement and a call for papers, sometimes under the responsibility of guest editors. The thematic section usually has a comprehensive theme, intended to encompass other philosophical traditions, as well as other disciplines belonging either to the social and human sciences or to the natural sciences. Moreover, Phainomenon publishes book reviews and bibliographical notes and, though not on a regular basis, translations into Portuguese of fundamental texts belonging to the intellectual patrimony of phenomenology. Phainomenon is published twice a year, in Spring and Fall. All articles, notes, translations, reviews and other content can be accessed and downloaded for free thanks to our open access policy. Phainomenon is financed through Portuguese national funds through FCT - Fundação para a Ciência e a Tecnologia, I.P., in the scope of the project UIDP/00310/2020. Archiving Sciendo archives the contents of this journal in <A href="https://www.portico.org/">Portico</A> - digital long-term preservation service of scholarly books, journals and collections. Plagiarism Policy The editorial board is participating in a growing community of <A href="https://www.crossref.org/services/similarity-check/">Similarity Check System</A>'s users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process.

To submit a paper, visit the Phainomenon submission page: <A href="http://phainomenon-journal.pt/index.php/phainomenon/about/submissions">phainomenon-journal.pt/index.php/phainomenon/about/submissions</A> Open Access License This journal provides immediate open access to its content under the <A href="https://creativecommons.org/licenses/by-nc/4.0/">Creative Commons Attribution-NonCommercial 4.0 International</A>. Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-NC 4.0 license. Open Access Statement The journal is an Open Access journal that allows a free unlimited access to all its contents without any restrictions upon publication to all users.

Phainomenon

The Worldwood of the Cinematic Image

José Manuel Martins
José Manuel Martins

Publié en ligne: 14 Oct 2021

Volume & Edition: Volume 25 (2012) - Edition 1 (October 2012)

Pages: 185 - 202

Détails du journal et du numéro

Phainomenon

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Phainomenon

The Worldwood of the Cinematic Image

José Manuel MartinsJosé Manuel Martins

Publié en ligne: 14 Oct 2021

Volume & Edition: Volume 25 (2012) - Edition 1 (October 2012)

Pages: 185 - 202

Détails du journal et du numéro

Phainomenon

Aperçu PDF

Articles récents

Planifiez votre conférence à distance avec Sciendo

José Manuel Martins
José Manuel Martins