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<p>This paper aims to meditate the importance of cinematographic image in the development of Merleau-Ponty’s phenomenology of perception. It will also try to underline such a subject in the later works of the French philosopher. Therefore, we will try to base our considerations upon the ideas of body, space, Visible and flesh.</p>
</abstract>

This paper aims to meditate the importance of cinematographic image in the development of Merleau-Ponty’s phenomenology of perception. It will also try to underline such a subject in the later works of the French philosopher. Therefore, we will try to base our considerations upon the ideas of body, space, Visible and flesh.

Percepção e Imagem: o exemplo do Cinema no Contexto da Meditação Fenomenológica de Merleau-Ponty sobre a Experiência Perceptiva

Phainomenon

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

This paper aims to meditate the importance of cinematographic image in the development of Merleau-Ponty’s phenomenology of perception. It will also try to...

Percepção e Imagem: o exemplo do Cinema no Contexto da Meditação Fenomenológica de Merleau-Ponty sobre a Experiência Perceptiva

Publié en ligne: 02 déc. 2021

Pages: 47 - 61

DOI: https://doi.org/10.2478/phainomenon-2005-0003

© 2005 Luís António Umbelino, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.