<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Previous research has shown that Western visual journalism has represented climate change through certain repetitive and stereotypical imagery mainly consisting of catastrophic images of climate change impacts, images depicting technological causes and solutions, and images of politicians and activists. This imagery has proven to be distant, abstract, and ineffective in motivating personal engagement with climate change. In this article, we claim that visual journalism's representations of climate change are rooted in the consensual frameworks of human-centredness and consumption-centredness. Leaning on Jacques Ranciére's notion of “the politics of aesthetics”, we aim to challenge these frameworks. We suggest, with examples from visual arts, four aesthetic practices which could intervene in these frameworks: 1) revealing connectedness, 2) recognising agency, 3) compromising the attractions of consumerism, and 4) illuminating alternatives. We propose that visual representations, renewed through these aesthetic practices, could have an effect on how people connect to climate issues and imagine possibilities for agency in the climate crisis. Implementing these aesthetic practices would entail shifts in the sphere of visual journalism.</p>
</abstract>

Previous research has shown that Western visual journalism has represented climate change through certain repetitive and stereotypical imagery mainly consisting of catastrophic images of climate change impacts, images depicting technological causes and solutions, and images of politicians and activists. This imagery has proven to be distant, abstract, and ineffective in motivating personal engagement with climate change. In this article, we claim that visual journalism's representations of climate change are rooted in the consensual frameworks of human-centredness and consumption-centredness. Leaning on Jacques Ranciére's notion of “the politics of aesthetics”, we aim to challenge these frameworks. We suggest, with examples from visual arts, four aesthetic practices which could intervene in these frameworks: 1) revealing connectedness, 2) recognising agency, 3) compromising the attractions of consumerism, and 4) illuminating alternatives. We propose that visual representations, renewed through these aesthetic practices, could have an effect on how people connect to climate issues and imagine possibilities for agency in the climate crisis. Implementing these aesthetic practices would entail shifts in the sphere of visual journalism.

Aesthetic practices in the climate crisis: Intervening in consensual frameworks of the sensible through images

Faculty of Information Technology and Communication Sciences

Nordic Journal of Media Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Previous research has shown that Western visual journalism has represented climate change through certain repetitive and stereotypical imagery mainly...

Aesthetic practices in the climate crisis: Intervening in consensual frameworks of the sensible through images

Publié en ligne: 06 juil. 2021

Pages: 164 - 183

DOI: https://doi.org/10.2478/njms-2021-0009

Mots clés
aesthetics, aesthetic practices, climate crisis, images, photography

© 2021 Jenni Niemelä-Nyrhinen et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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Aesthetic practices in the climate crisis: Intervening in consensual frameworks of the sensible through images

Publié en ligne: 06 juil. 2021

Pages: 164 - 183

DOI: https://doi.org/10.2478/njms-2021-0009

Mots clésaesthetics, aesthetic practices, climate crisis, images, photography

© 2021 Jenni Niemelä-Nyrhinen et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Figure 1

Figure 2

Figure 3

Figure 4

Mots clés
aesthetics, aesthetic practices, climate crisis, images, photography