<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The paper focuses on a comprehensive dance collection compiled by two Wrocław/Breslau town musicians (<italic>Stadtpfeifer</italic>), the brothers Bartholomäus and Paul Hess. The anthology, partly preserved at Wrocław University Library, was published in 1555 at the Wrocław printing house of Crispin Scharffenberg and documents the transition of dance repertoire from the courtly realm to the private and public spheres, which was typical of the mid-sixteenth century. The Wrocław collection, scored for wind ensemble, contains 477 four- and five-part dances of German, Polish, French, and Italian provenance. The paper offers some new views on the repertoire from the collection. Particular attention has been given to the so-called Polish dances.</p>
</abstract>

The paper focuses on a comprehensive dance collection compiled by two Wrocław/Breslau town musicians (Stadtpfeifer), the brothers Bartholomäus and Paul Hess. The anthology, partly preserved at Wrocław University Library, was published in 1555 at the Wrocław printing house of Crispin Scharffenberg and documents the transition of dance repertoire from the courtly realm to the private and public spheres, which was typical of the mid-sixteenth century. The Wrocław collection, scored for wind ensemble, contains 477 four- and five-part dances of German, Polish, French, and Italian provenance. The paper offers some new views on the repertoire from the collection. Particular attention has been given to the so-called Polish dances.

‘Besolte Instrumentisten der Königlichen Stadt Breslaw’: The Hess Brothers’ Anthology (1555) and Its European Context<xref ref-type="fn" rid="j_muso-2023-0002_fn_001a"><sup>*</sup></xref>

Musicology Today

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

‘Besolte Instrumentisten der Königlichen Stadt Breslaw’: The Hess Brothers’ Anthology (1555) and Its European Context

The paper focuses on a comprehensive dance collection compiled by two Wrocław/Breslau town musicians (Stadtpfeifer), the brothers Bartholomäus and Paul Hess....

‘Besolte Instrumentisten der Königlichen Stadt Breslaw’: The Hess Brothers’ Anthology (1555) and Its European Context^*

Publié en ligne: 14 avr. 2024

Pages: 4 - 15

DOI: https://doi.org/10.2478/muso-2023-0002

Mots clés
Wrocław/Breslau, instrumental dance, Stadtpfeifer, Hess brothers, Tablature of Joannis de Lublin

© 2023 Ryszard J. Wieczorek, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Example 1.

‘Besolte Instrumentisten der Königlichen Stadt Breslaw’: The Hess Brothers’ Anthology (1555) and Its European Context*

Publié en ligne: 14 avr. 2024

Pages: 4 - 15

DOI: https://doi.org/10.2478/muso-2023-0002

Mots clésWrocław/Breslau, instrumental dance, Stadtpfeifer, Hess brothers, Tablature of Joannis de Lublin

© 2023 Ryszard J. Wieczorek, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Example 1.

‘Besolte Instrumentisten der Königlichen Stadt Breslaw’: The Hess Brothers’ Anthology (1555) and Its European Context^*

Mots clés
Wrocław/Breslau, instrumental dance, Stadtpfeifer, Hess brothers, Tablature of Joannis de Lublin