<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The present paper compares the author’s original proposal called ecorhythmology with contemporary ecophilosophies. After briefly outlining the background and results of more than two decades of research, it examines the seminal theses of Object Oriented Ontology (Graham Harman), Action Network Theory (Bruno Latour) and the concept of <italic>being ecological</italic> (Timothy Morton) from an ecorhythmological perspective. Taking stock of interesting similarities and correspondences, this analysis also raises new questions, to which the author proposes different solutions. The paper presents two critiques of the reductionism of string theory and compares Harman’s theory of metaphor with the concept of art based on gestural resonance. Further investigations connect Latour’s redistribution of agency to the intersubjective relationship between the human and non-human, and relate hybridity to proximity. In the second part of the paper, Morton’s different temporalities are juxtaposed with rhythmic dimensions, and finally, the article makes a difference between the casual, political and ethical approaches to the phenomenon of tuning. The stakes are always learning and relearning what kind of contact making can lead to greater peace in difficult human – non-human coexistence.</p>
</abstract>

The present paper compares the author’s original proposal called ecorhythmology with contemporary ecophilosophies. After briefly outlining the background and results of more than two decades of research, it examines the seminal theses of Object Oriented Ontology (Graham Harman), Action Network Theory (Bruno Latour) and the concept of being ecological (Timothy Morton) from an ecorhythmological perspective. Taking stock of interesting similarities and correspondences, this analysis also raises new questions, to which the author proposes different solutions. The paper presents two critiques of the reductionism of string theory and compares Harman’s theory of metaphor with the concept of art based on gestural resonance. Further investigations connect Latour’s redistribution of agency to the intersubjective relationship between the human and non-human, and relate hybridity to proximity. In the second part of the paper, Morton’s different temporalities are juxtaposed with rhythmic dimensions, and finally, the article makes a difference between the casual, political and ethical approaches to the phenomenon of tuning. The stakes are always learning and relearning what kind of contact making can lead to greater peace in difficult human – non-human coexistence.

Contemporary Ecosophies and Ecorhythmology

Hungarian Studies Yearbook

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Contemporary Ecosophies and Ecorhythmology"}

The present paper compares the author’s original proposal called ecorhythmology with contemporary ecophilosophies. After briefly outlining the background and...

Contemporary Ecosophies and Ecorhythmology

Publié en ligne: 02 nov. 2023

Pages: 13 - 32

DOI: https://doi.org/10.2478/hsy-2023-0002

Mots clés
temporalities, kinetic spaces, tuning, human – non-human coexistence, Graham Harman, Bruno Latour, Timothy Morton

© 2023 István Berszán, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Contemporary Ecosophies and Ecorhythmology

Publié en ligne: 02 nov. 2023

Pages: 13 - 32

DOI: https://doi.org/10.2478/hsy-2023-0002

Mots cléstemporalities, kinetic spaces, tuning, human – non-human coexistence, Graham Harman, Bruno Latour, Timothy Morton

© 2023 István Berszán, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
temporalities, kinetic spaces, tuning, human – non-human coexistence, Graham Harman, Bruno Latour, Timothy Morton