<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The Anthropocene hypothesis brings into play a set of paradoxes and virtually incommensurable spatial and temporal dimensions. Drawing on these debates, the present text will try to analyse experimental artistic productions and actions, particularly in indigenous contexts in Brazil, framing them in a broader discussion on the relations between art, anthropology and ecology. The concept of the Anthropocene will be unfolded into at least three sub-problems that it necessarily raises: the redefinition of the hegemonic concept of nature, the redefinition of the hegemonic concept of humanity, and the redefinition of the dichotomous division between these two concepts.</p>
</abstract>

The Anthropocene hypothesis brings into play a set of paradoxes and virtually incommensurable spatial and temporal dimensions. Drawing on these debates, the present text will try to analyse experimental artistic productions and actions, particularly in indigenous contexts in Brazil, framing them in a broader discussion on the relations between art, anthropology and ecology. The concept of the Anthropocene will be unfolded into at least three sub-problems that it necessarily raises: the redefinition of the hegemonic concept of nature, the redefinition of the hegemonic concept of humanity, and the redefinition of the dichotomous division between these two concepts.

The Anthropocene or the Perennial Mining of Otherness—Inquiry on Artistic and Ethnographical Practice for Climate Emergency

HoST - Journal  of History of Science and Technology

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The Anthropocene hypothesis brings into play a set of paradoxes and virtually incommensurable spatial and temporal dimensions. Drawing on these debates, the...

The Anthropocene or the Perennial Mining of Otherness—Inquiry on Artistic and Ethnographical Practice for Climate Emergency

Publié en ligne: 21 déc. 2022

Pages: 74 - 88

DOI: https://doi.org/10.2478/host-2022-0016

Mots clés
Anthropocene, art, indigenous cinema, Brazil, deanthropologise

© 2022 Rita Natálio, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The Anthropocene or the Perennial Mining of Otherness—Inquiry on Artistic and Ethnographical Practice for Climate Emergency

Publié en ligne: 21 déc. 2022

Pages: 74 - 88

DOI: https://doi.org/10.2478/host-2022-0016

Mots clésAnthropocene, art, indigenous cinema, Brazil, deanthropologise

© 2022 Rita Natálio, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mots clés
Anthropocene, art, indigenous cinema, Brazil, deanthropologise