<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Ernest Hemingway’s <italic>A Moveable Feast</italic> (1964) contains an array of his memories of the time he spent in Paris in the first half of the 1920s. The work provides an ideal vehicle to explore the connection of spatiality to memory and text production along with how imagined geography relates to empirical geography. The essay deploys a theoretical apparatus relying on the works of Martin Heidegger, Henry Lefebvre, Edward Soja, Michel Foucault, Michel de Certeau, Guy Debord, Pierre Nora, and Walter Benjamin in its investigation of a psycho-geography composed by Hemingway. The essay aims to discuss how spatiality can contribute to the construction of personal history and in what way it can promote text production, and it will also explore the impact of space on the psychological and emotional condition of the individual. (AT)</p>
</abstract>

Ernest Hemingway’s A Moveable Feast (1964) contains an array of his memories of the time he spent in Paris in the first half of the 1920s. The work provides an ideal vehicle to explore the connection of spatiality to memory and text production along with how imagined geography relates to empirical geography. The essay deploys a theoretical apparatus relying on the works of Martin Heidegger, Henry Lefebvre, Edward Soja, Michel Foucault, Michel de Certeau, Guy Debord, Pierre Nora, and Walter Benjamin in its investigation of a psycho-geography composed by Hemingway. The essay aims to discuss how spatiality can contribute to the construction of personal history and in what way it can promote text production, and it will also explore the impact of space on the psychological and emotional condition of the individual. (AT)

“There is never any ending to Paris”: Manifestations of Spatiality in Ernest Hemingway’s A Moveable Feast

Hungarian Journal of English and American Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Ernest Hemingway’s A Moveable Feast (1964) contains an array of his memories of the time he spent in Paris in the first half of the 1920s. The work provides an...

“There is never any ending to Paris”: Manifestations of Spatiality in Ernest Hemingway’s A Moveable Feast

Publié en ligne: 25 mai 2024

Pages: 93 - 108

DOI: https://doi.org/10.2478/hjeas/2024/30/1/6

Mots clés
space, heterotopia, lieux de memoire, flaneur, cognitive map, Ernest Hemingway

© 2024 András Tarnóc, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

“There is never any ending to Paris”: Manifestations of Spatiality in Ernest Hemingway’s A Moveable Feast

Publié en ligne: 25 mai 2024

Pages: 93 - 108

DOI: https://doi.org/10.2478/hjeas/2024/30/1/6

Mots clésspace, heterotopia, lieux de memoire, flaneur, cognitive map, Ernest Hemingway

© 2024 András Tarnóc, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mots clés
space, heterotopia, lieux de memoire, flaneur, cognitive map, Ernest Hemingway