<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>This article frames Brexit as the consequence of social and demographic fissures running through the United Kingdom, thereby arguing that Britain’s exit from the European Union is symptomatic of a specifically English rather than British crisis of national identification. It shows how such internal faultlines within the UK’s society intersect with the evocation and employment of various kinds of border imagery and border discourses in the run-up to the Brexit Referendum in 2016. For the main part of the analysis, the article sets out to broaden the by now well-established genre of “BrexLit” (Shaw, Everitt) by focusing on what could be called “Pre-BrexLit,” that is, novels written well before Brexit became a term, let alone political reality. By way of three exemplary texts—Julian Barnes’s <italic>England, England</italic> (1998), Tony Saint’s <italic>Refusal Shoes</italic> (2003), and Rupert Thomson’s <italic>Divided Kingdom</italic> (2005)—the analysis retraces how literary accounts of how to establish, maintain and control borders—both real and metaphorical, mental and physical, external and internal—prefigure some of the divisive issues around which the Brexit struggle would revolve, while at the same time avoiding the necessarily contentious and biased labels attached to post-fact Brexit literature. (WF)</p>
</abstract>

This article frames Brexit as the consequence of social and demographic fissures running through the United Kingdom, thereby arguing that Britain’s exit from the European Union is symptomatic of a specifically English rather than British crisis of national identification. It shows how such internal faultlines within the UK’s society intersect with the evocation and employment of various kinds of border imagery and border discourses in the run-up to the Brexit Referendum in 2016. For the main part of the analysis, the article sets out to broaden the by now well-established genre of “BrexLit” (Shaw, Everitt) by focusing on what could be called “Pre-BrexLit,” that is, novels written well before Brexit became a term, let alone political reality. By way of three exemplary texts—Julian Barnes’s England, England (1998), Tony Saint’s Refusal Shoes (2003), and Rupert Thomson’s Divided Kingdom (2005)—the analysis retraces how literary accounts of how to establish, maintain and control borders—both real and metaphorical, mental and physical, external and internal—prefigure some of the divisive issues around which the Brexit struggle would revolve, while at the same time avoiding the necessarily contentious and biased labels attached to post-fact Brexit literature. (WF)

Open Wounds and Physical Divisions: Pre-Brexit Visions of a Divided Kingdom

Hungarian Journal of English and American Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

{"article-title":"Open Wounds and Physical Divisions: Pre-Brexit Visions of a Divided Kingdom"}

This article frames Brexit as the consequence of social and demographic fissures running through the United Kingdom, thereby arguing that Britain’s exit from...

Open Wounds and Physical Divisions: Pre-Brexit Visions of a Divided Kingdom

Publié en ligne: 25 mai 2024

Pages: 50 - 69

DOI: https://doi.org/10.2478/hjeas/2024/30/1/4

Mots clés
borders, Pre-BrexLit, English national identity, Julian Barnes, Rupert Thomson, Tony Saint

© 2024 Wolfgang Funk, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Open Wounds and Physical Divisions: Pre-Brexit Visions of a Divided Kingdom

Publié en ligne: 25 mai 2024

Pages: 50 - 69

DOI: https://doi.org/10.2478/hjeas/2024/30/1/4

Mots clésborders, Pre-BrexLit, English national identity, Julian Barnes, Rupert Thomson, Tony Saint

© 2024 Wolfgang Funk, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mots clés
borders, Pre-BrexLit, English national identity, Julian Barnes, Rupert Thomson, Tony Saint