[
Alperovitz, Gar. Atomic Diplomacy: Hiroshima and Potsdam. Simon and Schuster, 1965.
]Search in Google Scholar
[
Andrews, Nigel. Nigel Andrews on Jaws. Bloomsbury, 1999.
]Search in Google Scholar
[
Armitage, Tim. “Why Quint’s ‘Indianapolis Speech’ in Jaws is the Greatest Movie Monologue Ever.” The Daily Jaws, 27 July 2022, www.thedailyjaws.com/blog/why-quints-indianapolis-speech-in-jaws-is-the-greatest-movie-monologue-ever.
]Search in Google Scholar
[
Blake, Edith. On Location: On Martha’s Vineyard: The Making of the Movie Jaws. Ballantine Books, 1975.
]Search in Google Scholar
[
Bouzereau, Laurent. Spielberg: The First Ten Years. Simon and Schuster, 2023.
]Search in Google Scholar
[
Britton, Andrew. Britton on Film: The Complete Film Criticism of Andrew Britton. Wayne State UP, 2009.
]Search in Google Scholar
[
Chion, Michel. “Wasted Words.” Sound Theory: Sound Practice, edited by Rick Altman, Routledge, 1994, pp.104-112.
]Search in Google Scholar
[
Cook, David. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979. U of California P, 2000.
]Search in Google Scholar
[
Cousins, Norman, and Thomas K. Finletter. “A Beginning for Sanity.” Saturday Review of Literature, no. 29, 1946, pp. 5–9.
]Search in Google Scholar
[
Friedman, Lester. Citizen Spielberg. Chicago: U of Illinois P, 2006.
]Search in Google Scholar
[
Goodman, Amy. “Is Hollywood Still Afraid of the Truth About the Atomic Bomb?: Greg Mitchell on ‘Oppenheimer.’” Democracy Now!, 24 July 2023, www.democracynow.org/2023/7/24/oppenheimer_greg_mitchell.
]Search in Google Scholar
[
Gottlieb, Carl. The Jaws Log. Dell Publishing, 1975.
]Search in Google Scholar
[
Helm, Thomas. Ordeal by Sea: The Tragedy of the USS Indianapolis. Dodd and Mead, 1963.
]Search in Google Scholar
[
Hersey, John. Hiroshima. Knopf, 1946.
]Search in Google Scholar
[
Hoberman, Jim. “Ten Years that Shook the World.” American Film, vol. 10, no. 8, 1985, pp. 34-60.
]Search in Google Scholar
[
Hoberman, Jim.---.“Nashville contra Jaws, or ‘The Imagination of Disaster.’” The Last Great American Picture Show: New Hollywood Cinema in the 1970s, edited by Thomas Elsaesser, Alexander Horwarth, and Noel King, Amsterdam UP, 2004, pp. 195-223.
]Search in Google Scholar
[
Jankiewicz, Patrick. Just When You Thought It Was Safe: A Jaws Companion. BearManor Media, 2009.
]Search in Google Scholar
[
Jaws. Directed by Steven Spielberg, Universal Pictures, 1975.
]Search in Google Scholar
[
Lee, Kevin, B. “091: The Spielberg Face.” Vimeo, 15 Jan. 2017, www.vimeopro.com/kevinblee/intro/video/199572277.
]Search in Google Scholar
[
Leggatt, Matthew. “‘We Delivered the Bomb’: On Jaws, Guilt, and the Atomic Myth.” The Jaws Book: New Perspectives on the Classic Summer Blockbuster, edited by Ian Q. Hunter and Matthew Melia, Bloomsbury Publishing, 2020, pp. 161-173.
]Search in Google Scholar
[
McBride, Joseph. Steven Spielberg: A Biography. Simon and Schuster, 1997.
]Search in Google Scholar
[
Mori, Shigeaki. Secret History of the American Soldiers Killed by the Atomic Bomb. Kojinsha, 2008.
]Search in Google Scholar
[
Nelson, Pete. Left For Dead: A Young Man’s Search for Justice for the USS Indianapolis. Delacorte Press, 2002.
]Search in Google Scholar
[
Newcomb, Richard. Abandon Ship!: The Death of the USS Indianapolis. Indiana UP, 1958.
]Search in Google Scholar
[
Papson, Stephen. “Cross the Fin Line of Terror: Shark Week on the Discovery Channel.” Journal of American Culture, vol. 15, no. 4, 1992, pp. 67-81.
]Search in Google Scholar
[
Quirke, Antonia. Jaws: BFI Modern Classics. British Film Institute/Palgrave Macmillan, 2002.
]Search in Google Scholar
[
Rubey, Dan. “The Jaws in the Mirror.” Jump Cut: A Review of Contemporary Media, no. 10-11, 1976, pp. 20-23.
]Search in Google Scholar
[
Russell, David. “Monster Roundup: Reintegrating the Horror Genre.” Refiguring American Film Genres: Theory and History, edited by Neil Browne, U of California P, 1998, pp. 233-254.
]Search in Google Scholar
[
Schatz, Thomas. “The New Hollywood.” Film Theory Goes to the Movies, edited by James Collins, Hilary Radner, and Ava Collins, Routledge, 1993, pp. 8-36.
]Search in Google Scholar
[
Schulman, Bruce. The Seventies: The Great Shift in American Culture, Society, and Politics. Free Press, 2001.
]Search in Google Scholar
[
Shannon, William. V. “Of Hiroshima and Hope.” The New York Times, 10 Aug. 1975, www.nytimes.com/1975/08/10/archives/of-hiroshima-and-hope.html.
]Search in Google Scholar
[
Simpson, Phillip, L., and Andrew Lieb. “‘Killing People Whenever He Felt Like It’: The Predatory Rogue Shark as Forerunner of the American Cultural Obsession with Serial Killers.” This Shark, Swallow You Whole: Essays on the Cultural Influence of Jaws, edited by Kathy Merlock and Phillip L. Simpson, McFarland, 2023, pp. 139-157.
]Search in Google Scholar
[
Slocum-Schaffer, Stephanie. America in the Seventies. Syracuse UP, 2003.
]Search in Google Scholar
[
Sodei, Rinjiro. “Were We the Enemy? American Hibakusha.” Living with the Bomb: American and Japanese Cultural Conflicts in the Nuclear Age, edited by Laura Heine and Mark Selden, Routledge, 1997, pp. 232-259.
]Search in Google Scholar
[
Stimson, Henry L. “The Decision to Use the Atomic Bomb.” Harper's Magazine, vol. 194, 1947, pp. 97-107.
]Search in Google Scholar
[
Taylor, Matt. Jaws: Memories from Martha’s Vineyard. Titan, 2012.
]Search in Google Scholar
[
“The Secret Sufferers.” Newsweek, vol. 79, no. 15, 1972, pp. 13-14.
]Search in Google Scholar
[
Torry, Robert. “Therapeutic Narrative: The Wild Bunch, Jaws, and Vietnam.” Velvet Light Trap, vol. 31, 1993, pp. 27-38.
]Search in Google Scholar
[
Tudor, Andrew. Monsters and Mad Scientists: A Cultural History of the Horror Movie. Blackwell, 1989.
]Search in Google Scholar
[
Walker, J. Samuel. “The Decision to Use the Atomic Bomb: A Historiographical Update.” Diplomatic History, vol. 14, 1990, pp. 97-114.
]Search in Google Scholar
[
Weintraub, Stanley. The Last Great Victory: The End of World War II, July/August 1945. Dutton, 1995.
]Search in Google Scholar
[
Willson, Robert. “Jaws as Submarine Movie.” Jump Cut: A Review of Contemporary Media, no. 15, 1977, pp. 32-33.
]Search in Google Scholar
[
Wogan, Peter. “What Do the “Jaws” Movie and WWII Have in Common?” Movies, Sports, Rituals: Cultural Analysis by Anthropologist Peter Wogan, https://blockbusteranthropology.blogspot.com/2010/09/what-do-jaws-and-wwii-have-in-common.html. Accessed 11 May 2024.
]Search in Google Scholar
[
Wyatt, Justin. High Concept: Movies and Marketing in Hollywood. Austin: U of Texas P, 1994.
]Search in Google Scholar
[
Yacowar, Maurice. “The Bug in the Rug: Notes on the Disaster Genre.” Film Genre: Theory and Criticism, edited by Barry K. Grant, 3rd ed,. Scarecrow Press, 1977, pp. 90-107.
]Search in Google Scholar
