“Michael Cavendish’s” 14 Airs in Tablature to the Lute (1598)

Publié en ligne: 27 févr. 2023

Pages: 35 - 51

DOI: https://doi.org/10.2478/ewcp-2022-0014

Mots clés

Renaissance, William Byrd, modernization, poetry, music, lyrics, borrowing, imitation, succession, propaganda

© 2022 Anna Faktorovich, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.