<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The context of the communist regime in the late 1980s Romania was definitely a most peculiar one. During this period of time, translations from other languages were scarce and only the ones which were in accordance with the communist ideology were allowed. It was a time when people had neither many rights nor did they have many choices to make. In the latter part of the 1980s more and more foreign films were smuggled into the country and most of them were obviously American. Such films revealed a new and different world for those who watched them. Consequently, these films needed to be translated and the most well-known voice to have done it was Irina Margareta Nistor's. Her task was both interesting and demanding but also dangerous at the same time given the political context. This essay investigates the manner in which underground film “dubbing”<fn id="j_ewcp-2021-0008_fn_001" symbol="1"><p>The translation technique used, in reality a combination between the techniques of voice-over and simultaneous interpretation, was mistakenly named ‘dubbing.’</p></fn> was done and describes the particularities of the clandestine film “dubbing” by discussing how it was performed and by analysing the translations qualitatively.</p>
</abstract>

The context of the communist regime in the late 1980s Romania was definitely a most peculiar one. During this period of time, translations from other languages were scarce and only the ones which were in accordance with the communist ideology were allowed. It was a time when people had neither many rights nor did they have many choices to make. In the latter part of the 1980s more and more foreign films were smuggled into the country and most of them were obviously American. Such films revealed a new and different world for those who watched them. Consequently, these films needed to be translated and the most well-known voice to have done it was Irina Margareta Nistor's. Her task was both interesting and demanding but also dangerous at the same time given the political context. This essay investigates the manner in which underground film “dubbing”The translation technique used, in reality a combination between the techniques of voice-over and simultaneous interpretation, was mistakenly named ‘dubbing.’ was done and describes the particularities of the clandestine film “dubbing” by discussing how it was performed and by analysing the translations qualitatively.

Underground Film Translations in 1980s Romania: A Gateway to Freedom

East-West Cultural Passage

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Underground Film Translations in 1980s Romania: A Gateway to Freedom"}

The context of the communist regime in the late 1980s Romania was definitely a most peculiar one. During this period of time, translations from other languages...

Underground Film Translations in 1980s Romania: A Gateway to Freedom

Publié en ligne: 21 janv. 2022

Pages: 129 - 144

DOI: https://doi.org/10.2478/ewcp-2021-0008

Mots clés
film translation, dubbing, voice-over, underground translations, omissions, additions, Romanian translation, 1980s Romania

© 2021 Dana Georgiana Ciocan, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Underground Film Translations in 1980s Romania: A Gateway to Freedom

Publié en ligne: 21 janv. 2022

Pages: 129 - 144

DOI: https://doi.org/10.2478/ewcp-2021-0008

Mots clésfilm translation, dubbing, voice-over, underground translations, omissions, additions, Romanian translation, 1980s Romania

© 2021 Dana Georgiana Ciocan, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
film translation, dubbing, voice-over, underground translations, omissions, additions, Romanian translation, 1980s Romania