<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Apart from being a compelling discourse on immigrants, cultural clashes, the East-West conflict, arranged marriages, extramarital affairs and general existential anxiety, Monica Ali's novel <italic>Brick Lane</italic> is also a fascinating excursion into the sensual and meandering world of food and its emotional and cultural implications. Trapped in an arranged marriage devoid of the passion her woman's heart had hoped for, the protagonist Nazneen seeks a substitute type of sensuality first in food, and subsequently in her son Raqib and her lover Karim, all part of an intricate and complex process of cultural self-discovery and self-definition. The present essay focuses on how food plays a central role in Nazneen's life as a young immigrant in London, being her only remaining connection to her homeland and to herself. While constantly telling her hungry heart “do not beat with fear, do not beat with desire” (27), Nazneen eats herself up searching for personal agency and fulfillment in a life which offers her neither. Food appears within this complex equation as a balancing element, a safety net, and an escape mechanism, which allows the protagonist to sustain not only her physical body, but also her famished soul, and to (re)establish her thwarted connection to her national and cultural identity.</p>
</abstract>

Apart from being a compelling discourse on immigrants, cultural clashes, the East-West conflict, arranged marriages, extramarital affairs and general existential anxiety, Monica Ali's novel Brick Lane is also a fascinating excursion into the sensual and meandering world of food and its emotional and cultural implications. Trapped in an arranged marriage devoid of the passion her woman's heart had hoped for, the protagonist Nazneen seeks a substitute type of sensuality first in food, and subsequently in her son Raqib and her lover Karim, all part of an intricate and complex process of cultural self-discovery and self-definition. The present essay focuses on how food plays a central role in Nazneen's life as a young immigrant in London, being her only remaining connection to her homeland and to herself. While constantly telling her hungry heart “do not beat with fear, do not beat with desire” (27), Nazneen eats herself up searching for personal agency and fulfillment in a life which offers her neither. Food appears within this complex equation as a balancing element, a safety net, and an escape mechanism, which allows the protagonist to sustain not only her physical body, but also her famished soul, and to (re)establish her thwarted connection to her national and cultural identity.

The Sensuality of Taste: Intercultural Dialogue and National Identity as Mediated by Food and Food Culture in Monica Ali's <italic>Brick Lane</italic>

East-West Cultural Passage

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The Sensuality of Taste: Intercultural Dialogue and National Identity as Mediated by Food and Food Culture in Monica Ali's 

Apart from being a compelling discourse on immigrants, cultural clashes, the East-West conflict, arranged marriages, extramarital affairs and general...

The Sensuality of Taste: Intercultural Dialogue and National Identity as Mediated by Food and Food Culture in Monica Ali's Brick Lane

Publié en ligne: 21 janv. 2022

Pages: 61 - 70

DOI: https://doi.org/10.2478/ewcp-2021-0004

Mots clés
Monica Ali, national identity, food culture, intercultural dialogue

© 2021 Ana-Blanca Ciocoi-Pop, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The Sensuality of Taste: Intercultural Dialogue and National Identity as Mediated by Food and Food Culture in Monica Ali's Brick Lane

Publié en ligne: 21 janv. 2022

Pages: 61 - 70

DOI: https://doi.org/10.2478/ewcp-2021-0004

Mots clésMonica Ali, national identity, food culture, intercultural dialogue

© 2021 Ana-Blanca Ciocoi-Pop, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
Monica Ali, national identity, food culture, intercultural dialogue