[Ahmed, Sara. “A Phenomenology of Whiteness.” Feminist Theory 8.2 (2007): 149-168. Print.10.1177/1464700107078139]Search in Google Scholar
[Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. Cambridge, MA: Harvard UP, 1984. Print.]Search in Google Scholar
[Ciobanu, Estella. “Food for Thought: Of Tables, Art and Women in Virginia Woolf’s To the Lighthouse.” American, British and Canadian Studies 29.1 (2017): 147-168. Print.10.1515/abcsj-2017-0023]Search in Google Scholar
[Constable, Nicole. Maid to Order in Hong Kong: Stories of Migrant Workers. 2nd ed. Ithaca: Cornell UP, 2007. Print.]Search in Google Scholar
[The Cook, the Thief, His Wife and Her Lover. Dir. Peter Greenaway. Perf. Richard Bohringer, Michael Gambon, Helen Mirren. Allarts Cook, Erato Film and Film Inc., 1989. DVD.]Search in Google Scholar
[Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. 1966. London: Routledge, 1984. Print.]Search in Google Scholar
[Grillo, Trina. “Anti-Essentialism and Intersectionality: Tools to Dismantle the Master’s House.” Berkeley Journal of Gender, Law and Justice 10.1 (1995): 16-30. Web. 12. Nov. 2013.]Search in Google Scholar
[Haraway, Donna. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.” Feminist Studies 14.3 (1988): 575-599. Web. 18 May 2006.]Search in Google Scholar
[hooks, bell. Talking Back: Thinking Feminist, Thinking Black. Cambridge, MA: South End P, 1989. Print.]Search in Google Scholar
[hooks, bell. Feminist Theory: From Margin to Center. 2nd ed. Cambridge, MA: South End P, 2000. Print.]Search in Google Scholar
[Husserl, Edmund. Collected Works II: Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy. First Book: General Introduction to a Pure Phenomenology. Trans. F. Kersten. The Hague: Martinus Nijhoff, 1983. Print.]Search in Google Scholar
[Ibrahim, Yasmin. “Food Porn and the Invitation to Gaze: Ephemeral Consumption and the Digital Spectacle.” International Journal of E-Politics 6.3 (2015): 1-12. Web. 19 Oct. 2018.]Search in Google Scholar
[In the Mood for Love. Dir.Wong Kar-Wai. Perf. Maggie Cheung, Tony Chiu-Wai Leung, Ping Lam Siu. Jet Tone Films Ltd., Hong Kong, 2000. DVD.]Search in Google Scholar
[Kerner, Susanne, and Cynthia Chou. “Introduction.” Commensality: From Everyday Food to Feast. Ed. Susanne Kerner, Cynthia Chou, and Morten Warmind. London: Bloomsbury, 2015. 1-10. Print.10.5040/9781474245326]Search in Google Scholar
[McEntee, Joy. “Ladies, Bring a Poisoned Plate: Cinematic Representations of the Vengeful Woman.” Media Information Australia 72.1 (1994): 41-48. Web. 12 June 2014.]Search in Google Scholar
[Ovid. Ovid in Six Volumes. III-IV: Metamorphoses. Trans. Frank Justus Miller. 2 vols. Loeb Classical Library 42, 43. Cambridge, MA: Harvard UP, 1968, 1971. Print.]Search in Google Scholar
[Schüssler Fiorenza, Elisabeth. Introduction. Democratizing Biblical Studies: Toward an Emancipatory Educational Space. Louisville: Westminster John Knox P, 2009. 1-21. Print.]Search in Google Scholar
[Seneca. Seneca in Nine Volumes. Tragedies II: Agamemnon. Thyestes. Hercules Oetaeus. Phoenissae. Octavia. Loeb Classical Library 78. Cambridge, MA: Harvard U P, 1958. Print.]Search in Google Scholar
[Shakespeare, William. Titus Andronicus. Ed. John Dover Wilson. The Cambridge Dover Wilson Shakespeare 35. 1968. Cambridge: Cambridge UP, 2009. Print.10.1017/CBO9780511704413]Search in Google Scholar
[Woolf, Virginia. Collected Novels of Virginia Woolf: Mrs. Dalloway, To the Lighthouse, The Waves. Ed. Stella McNichol. London: Macmillan, 1992. Print10.1007/978-1-349-22364-0]Search in Google Scholar