<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>While Lenin considered human knowledge to be similar to a mirror-like reflection of the object, Aleksandr Bogdanov emphasized the creative role of the subject in organizing the world. On the basis of some textual evidence, it is possible to describe the epistemologies of the two most influential Russian Marxists at the beginning of the twentieth century using the two metaphors of photography, on the one hand, and cinema, on the other. In particular, while discussing Einstein’s relativity, Bogdanov considers sense organs, memory, and all the apparatus of human knowledge ‘as a certain kind of cinematographic device’. Sergei Eisenstein deems that cinema is ‘an excellent instrument of perception … for the sensation of movement’. Although it is difficult to find compelling proof of exchange and influence, this is an actual ‘tangential point’ between Bogdanov’s and Eisenstein’s ideas on human knowledge.</p></abstract>

While Lenin considered human knowledge to be similar to a mirror-like reflection of the object, Aleksandr Bogdanov emphasized the creative role of the subject in organizing the world. On the basis of some textual evidence, it is possible to describe the epistemologies of the two most influential Russian Marxists at the beginning of the twentieth century using the two metaphors of photography, on the one hand, and cinema, on the other. In particular, while discussing Einstein’s relativity, Bogdanov considers sense organs, memory, and all the apparatus of human knowledge ‘as a certain kind of cinematographic device’. Sergei Eisenstein deems that cinema is ‘an excellent instrument of perception … for the sensation of movement’. Although it is difficult to find compelling proof of exchange and influence, this is an actual ‘tangential point’ between Bogdanov’s and Eisenstein’s ideas on human knowledge.

Knowledge as Film vs. Knowledge as Photo: Alternative Models in Early Soviet Thought

Cultural Science

This work is licensed under the Creative Commons Attribution 4.0 International License.

While Lenin considered human knowledge to be similar to a mirror-like reflection of the object, Aleksandr Bogdanov emphasized the creative role of the subject...

Knowledge as Film vs. Knowledge as Photo: Alternative Models in Early Soviet Thought

Article Category: Research articles

Publié en ligne: 22 déc. 2021

Pages: 211 - 222

DOI: https://doi.org/10.2478/csj-2021-0017

Mots clés
knowledge, reflection, Bogdanov, Lenin, organization, experience

© 2021 Daniela steila, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Knowledge as Film vs. Knowledge as Photo: Alternative Models in Early Soviet Thought

Article Category: Research articles

Publié en ligne: 22 déc. 2021

Pages: 211 - 222

DOI: https://doi.org/10.2478/csj-2021-0017

Mots clésknowledge, reflection, Bogdanov, Lenin, organization, experience

© 2021 Daniela steila, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Mots clés
knowledge, reflection, Bogdanov, Lenin, organization, experience