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Somatic Montage for Immersive Cinema

Clea von Chamier-Waite

Clea von Chamier-Waite

Clea T. Waite Studio, ColoradoUSA / Berlin, Germany
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Chamier-Waite, Clea von
  
22 déc. 2021
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Catégorie d'article: Research articles
Publié en ligne: 22 déc. 2021
Pages: 113 - 128
DOI: https://doi.org/10.2478/csj-2021-0009
Mots clés
© 2021 Clea von Chamier-Waite, published by Sciendo
This work is licensed under the Creative Commons Attribution 4.0 International License.

Figure 1

Three views of the finale triptych scene of Napoléon by Abel Gance, 1927, demonstrating the extra-wide singular shot (top), the composite of three heterogeneous shots on three screens (middle), and the graphical use of colour (bottom).OmniMAX and IMAX used what is known as a ‘15-perf’, or ‘15/70’, a fifteen-sprocket hole, horizontal piece of 70mm film as opposed to the vertical ‘5-perf’, 65mm area of standard large format film, providing three times the image area per frame.
Three views of the finale triptych scene of Napoléon by Abel Gance, 1927, demonstrating the extra-wide singular shot (top), the composite of three heterogeneous shots on three screens (middle), and the graphical use of colour (bottom).OmniMAX and IMAX used what is known as a ‘15-perf’, or ‘15/70’, a fifteen-sprocket hole, horizontal piece of 70mm film as opposed to the vertical ‘5-perf’, 65mm area of standard large format film, providing three times the image area per frame.

Figure 2

Moonwalk (2010) by Clea T. Waite: fulldome projection at the Adler Planetarium. Photo Mark Webb.
Moonwalk (2010) by Clea T. Waite: fulldome projection at the Adler Planetarium. Photo Mark Webb.

Figure 3

Varvara Stepanova, Bud Gotov (Be Ready), 1934. Photographs by Aleksandr Rodchenko.Image retrieved from (Stepanova 1934)
Varvara Stepanova, Bud Gotov (Be Ready), 1934. Photographs by Aleksandr Rodchenko.Image retrieved from (Stepanova 1934)

Figure 4

Stan VanDerBeek, Movie-Drome (1963/2014).VanDerBeek’s Movie-Drome was recently updated for the Civico Planetario ‘Ulrico Hoepli’ Milan in 2014. Image retrieved from VanDerBeek, 1963. Courtesy of Fondazione Nicola Trussardi, Milan and miart 2014, Milan. Photo credit: Marco De Scalzi.
Stan VanDerBeek, Movie-Drome (1963/2014).VanDerBeek’s Movie-Drome was recently updated for the Civico Planetario ‘Ulrico Hoepli’ Milan in 2014. Image retrieved from VanDerBeek, 1963. Courtesy of Fondazione Nicola Trussardi, Milan and miart 2014, Milan. Photo credit: Marco De Scalzi.

Figure 5

Two views of Shirin Neshat’s video installation Turbulent (1998).Images retrieved from: https://publicdelivery.org/shirin-neshat-turbulent/ Courtesy of Shirin Neshat & Gladstone Gallery.
Two views of Shirin Neshat’s video installation Turbulent (1998).Images retrieved from: https://publicdelivery.org/shirin-neshat-turbulent/ Courtesy of Shirin Neshat & Gladstone Gallery.

Figure 6

Still from Moonwalk, a fulldome digital film (© 2010 Clea T. Waite).
Still from Moonwalk, a fulldome digital film (© 2010 Clea T. Waite).
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Études culturelles, Genres et médias dans les études culturelles, Médias numériques et communication, Études culturelles générales, Bibliothéconomie et sciences de l'information, études du livre, Science de l'information
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