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<p>This paper starts from the theoretical support of some central figures in the field of study of Lucian Blaga’s works: Mircea Borcilă and Mircea Scarlat. The first outlook that this essay will focus on the linguist and poetician from Cluj, Mircea Borcilă, with his esteemed article from 1987 (<italic>Contribuţii la elaborarea unei tipologii a textelor poetice</italic>). The other perspective is that of Mircea Scarlat, from <italic>The History of Romanian Poetry</italic> (vol. III). In the articulation of Blaga’s poetics, the exegete finds important the adversative structure as strategies of establishing the poetic tension and polarization of the world newly created. Thus, the purpose of this essay is to emphasize / demonstrate the fact that the poetic finality of the creation of worlds motivates even the linguistic structures, and the poetic meaning is vertebrated by, but also beyond the linguistic “material”. These mechanisms of meaning articulation through and beyond language will be followed in the poems as “Flori de mac” (from the volume <italic>Paşii profetului</italic>), “Paradis în destrămare” (from the volume <italic>Laudă somnului</italic>) and “Isus și Magdalena” from the Lucian Blaga’s unpublished poems .</p>
</abstract>

This paper starts from the theoretical support of some central figures in the field of study of Lucian Blaga’s works: Mircea Borcilă and Mircea Scarlat. The first outlook that this essay will focus on the linguist and poetician from Cluj, Mircea Borcilă, with his esteemed article from 1987 (Contribuţii la elaborarea unei tipologii a textelor poetice). The other perspective is that of Mircea Scarlat, from The History of Romanian Poetry (vol. III). In the articulation of Blaga’s poetics, the exegete finds important the adversative structure as strategies of establishing the poetic tension and polarization of the world newly created. Thus, the purpose of this essay is to emphasize / demonstrate the fact that the poetic finality of the creation of worlds motivates even the linguistic structures, and the poetic meaning is vertebrated by, but also beyond the linguistic “material”. These mechanisms of meaning articulation through and beyond language will be followed in the poems as “Flori de mac” (from the volume Paşii profetului), “Paradis în destrămare” (from the volume Laudă somnului) and “Isus și Magdalena” from the Lucian Blaga’s unpublished poems .

Despre Funcţionalitatea Poetico-Stilistică A Structurii Adversative În Câteva Poeme Ale Lui Lucian Blaga

Lucian Blaga Yearbook

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

This paper starts from the theoretical support of some central figures in the field of study of Lucian Blaga’s works: Mircea Borcilă and Mircea Scarlat. The...

Despre Funcţionalitatea Poetico-Stilistică A Structurii Adversative În Câteva Poeme Ale Lui Lucian Blaga

Publié en ligne: 02 févr. 2022

Pages: 42 - 52

DOI: https://doi.org/10.2478/clb-2021-0005

Mots clés
poetics, adversative structures, articulation of meaning, dialectics, metaphor, polarities

© 2021 Emanuel Lupașcu-Doboș, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Despre Funcţionalitatea Poetico-Stilistică A Structurii Adversative În Câteva Poeme Ale Lui Lucian Blaga

Publié en ligne: 02 févr. 2022

Pages: 42 - 52

DOI: https://doi.org/10.2478/clb-2021-0005

Mots cléspoetics, adversative structures, articulation of meaning, dialectics, metaphor, polarities

© 2021 Emanuel Lupașcu-Doboș, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mots clés
poetics, adversative structures, articulation of meaning, dialectics, metaphor, polarities