<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The release of Ilya Khrzhanovsky’s megalomaniacal cinematic project <italic>DAU</italic> coincided with the global Covid-19 pandemic. With festivals postponed and public screenings no longer possible, Khrzhanovsky moved his project online, integrating the unprecedented experience of the global lockdown and quarantine into the cinematic universe of <italic>DAU</italic>. Using the concept of heterotopia devised by French philosopher Michel Foucault, this paper examines the ways in which self-isolation altered the conditions of spatio-temporal engagement with <italic>DAU</italic>. Ultimately, the paper presents an original theoretical model of heterotopic cinema to demonstrate that confinement is precisely what allows Khrzhanovskiy’s artistic method to fully function.</p></abstract>

The release of Ilya Khrzhanovsky’s megalomaniacal cinematic project DAU coincided with the global Covid-19 pandemic. With festivals postponed and public screenings no longer possible, Khrzhanovsky moved his project online, integrating the unprecedented experience of the global lockdown and quarantine into the cinematic universe of DAU. Using the concept of heterotopia devised by French philosopher Michel Foucault, this paper examines the ways in which self-isolation altered the conditions of spatio-temporal engagement with DAU. Ultimately, the paper presents an original theoretical model of heterotopic cinema to demonstrate that confinement is precisely what allows Khrzhanovskiy’s artistic method to fully function.

From Dusk till “DAU”: the Rise of Heterotopic Cinema in the Times of Pandemic

Baltic Screen Media Review

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The release of Ilya Khrzhanovsky’s megalomaniacal cinematic project DAU coincided with the global Covid-19 pandemic. With festivals postponed and public...

From Dusk till “DAU”: the Rise of Heterotopic Cinema in the Times of Pandemic

Publié en ligne: 21 déc. 2020

Pages: 68 - 81

DOI: https://doi.org/10.2478/bsmr-2020-0007

© 2020 Alexandre Zaezjev, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.