<abstract xmlns="http://www.w3.org/1999/xhtml"><p>This paper compares the literary work of the Albanian writer Ismail Kadare in the communist and post-communist periods, pointing out the stylistic traits that have made his work resistant to the communist rule. In a political context which managed to disfigure literature as a tool of the daily interests of politics, Kadare succeeded in protecting language from an Orwellian absolute repression. During the communist period, Kadare broke out not only of the Albanian political isolation but also of the stylistic limits and literary incapability of Socialist Realism. Yet, scholars such as the eminent Balkan historian Noel Malcolm (1997) have condemned Kadare for opportunistic relation with the regime, and this opinion emerged every time the writer was announced as candidate for the Nobel Prize. The paper argues that Kadare’s narrative style characterized by lack of authoritarianism is the best argument which refutes this condemnation. The stylistic features of his prose are analysed through linguistic indicators such as agency, transitivity, passivation, animacy, free direct and indirect discourse, intensifiers, deictics, thematization, and cohesion. This study points out the internal perspectivism in Kadare’s prose written during the communist period and identifies metafiction and inter-subjective focalization in his post-communist novels.</p></abstract>

This paper compares the literary work of the Albanian writer Ismail Kadare in the communist and post-communist periods, pointing out the stylistic traits that have made his work resistant to the communist rule. In a political context which managed to disfigure literature as a tool of the daily interests of politics, Kadare succeeded in protecting language from an Orwellian absolute repression. During the communist period, Kadare broke out not only of the Albanian political isolation but also of the stylistic limits and literary incapability of Socialist Realism. Yet, scholars such as the eminent Balkan historian Noel Malcolm (1997) have condemned Kadare for opportunistic relation with the regime, and this opinion emerged every time the writer was announced as candidate for the Nobel Prize. The paper argues that Kadare’s narrative style characterized by lack of authoritarianism is the best argument which refutes this condemnation. The stylistic features of his prose are analysed through linguistic indicators such as agency, transitivity, passivation, animacy, free direct and indirect discourse, intensifiers, deictics, thematization, and cohesion. This study points out the internal perspectivism in Kadare’s prose written during the communist period and identifies metafiction and inter-subjective focalization in his post-communist novels.

Internal Perspectivism and Empathy in Ismail Kadare’s Novels in the Communist and Post-Communist Period

Department of English Language and Literature

Department of French Language and Literature

Acta Universitatis Sapientiae, Philologica

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

This paper compares the literary work of the Albanian writer Ismail Kadare in the communist and post-communist periods, pointing out the stylistic traits that...

Internal Perspectivism and Empathy in Ismail Kadare’s Novels in the Communist and Post-Communist Period

Publié en ligne: 24 nov. 2020

Pages: 1 - 16

DOI: https://doi.org/10.2478/ausp-2020-0020

Mots clés
Ismail Kadare, interior monologue, inter-subjective focalization, metafiction, mind style

© 2020 Lindita Tahiri et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Internal Perspectivism and Empathy in Ismail Kadare’s Novels in the Communist and Post-Communist Period

Publié en ligne: 24 nov. 2020

Pages: 1 - 16

DOI: https://doi.org/10.2478/ausp-2020-0020

Mots clésIsmail Kadare, interior monologue, inter-subjective focalization, metafiction, mind style

© 2020 Lindita Tahiri et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
Ismail Kadare, interior monologue, inter-subjective focalization, metafiction, mind style