<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The publication of the Irish-language translation of <italic>Dracula</italic> in 1933 by Seán Ó Cuirrín was a landmark moment in the history of Irish-language letters. This article takes as its starting point the idea that language is a central theme in <italic>Dracula.</italic> However, the representation of Transylvania in the translation marked a departure from Bram Stoker’s original. A masterful translation, one of its most salient features is Ó Cuirrín’s complex use of the Irish language, particularly in relation to Eastern European language, character, and landscapes. The article examines Ó Cuirrín’s prose and will explore how his approaches to concrete and abstract elements of the novel affect plot, character, and narration. The first section explores how Dracula is treated by Ó Cuirrín in the Irish translation and how this impacts the Count’s persona and his identity as Transylvanian. Through Ó Cuirrín’s use of idiom, alliteration, and proverb, it will be shown how Dracula’s character is reimagined, creating a more nuanced narrative than the original. The second section shows how Ó Cuirrín translates Jonathan Harker’s point of view in relation to Dracula. It shows that, through the use of figurative language, Ó Cuirrín develops the gothic element to Dracula’s character. The article then examines Ó Cuirrín’s translations of Transylvanian landscapes and soundscapes. It will show how Ó Cuirrín’s translation matched Stoker’s original work to near perfection, but with additional poetic techniques, and how Ó Cuirrín created a soundscape of horror throughout the entirety of the translation.</p></abstract>

The publication of the Irish-language translation of Dracula in 1933 by Seán Ó Cuirrín was a landmark moment in the history of Irish-language letters. This article takes as its starting point the idea that language is a central theme in Dracula. However, the representation of Transylvania in the translation marked a departure from Bram Stoker’s original. A masterful translation, one of its most salient features is Ó Cuirrín’s complex use of the Irish language, particularly in relation to Eastern European language, character, and landscapes. The article examines Ó Cuirrín’s prose and will explore how his approaches to concrete and abstract elements of the novel affect plot, character, and narration. The first section explores how Dracula is treated by Ó Cuirrín in the Irish translation and how this impacts the Count’s persona and his identity as Transylvanian. Through Ó Cuirrín’s use of idiom, alliteration, and proverb, it will be shown how Dracula’s character is reimagined, creating a more nuanced narrative than the original. The second section shows how Ó Cuirrín translates Jonathan Harker’s point of view in relation to Dracula. It shows that, through the use of figurative language, Ó Cuirrín develops the gothic element to Dracula’s character. The article then examines Ó Cuirrín’s translations of Transylvanian landscapes and soundscapes. It will show how Ó Cuirrín’s translation matched Stoker’s original work to near perfection, but with additional poetic techniques, and how Ó Cuirrín created a soundscape of horror throughout the entirety of the translation.

“In a Sea of Wonders:” Eastern Europe and Transylvania in the Irish-Language Translation of <italic>Dracula</italic>

Acta Universitatis Sapientiae, Philologica

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

“In a Sea of Wonders:” Eastern Europe and Transylvania in the Irish-Language Translation of 

The publication of the Irish-language translation of Dracula in 1933 by Seán Ó Cuirrín was a landmark moment in the history of Irish-language letters. This...

“In a Sea of Wonders:” Eastern Europe and Transylvania in the Irish-Language Translation of Dracula

Publié en ligne: 09 nov. 2020

Pages: 70 - 83

DOI: https://doi.org/10.2478/ausp-2020-0006

Mots clés
Seán Ó Cuirrín, Bram Stoker, Dracula, Irish-language translation, an Gúm, gothic, Transylvania

© 2020 Sorcha De Brún, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

“In a Sea of Wonders:” Eastern Europe and Transylvania in the Irish-Language Translation of Dracula

Publié en ligne: 09 nov. 2020

Pages: 70 - 83

DOI: https://doi.org/10.2478/ausp-2020-0006

Mots clésSeán Ó Cuirrín, Bram Stoker, Dracula, Irish-language translation, an Gúm, gothic, Transylvania

© 2020 Sorcha De Brún, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
Seán Ó Cuirrín, Bram Stoker, Dracula, Irish-language translation, an Gúm, gothic, Transylvania