[Abu-Lughod, Lila. 1991. Writing against Culture. In Recapturing Anthropology: Working in the Present, ed. Richard G. Fox, 137–161. Santa Fe: School of American Research Press.]Search in Google Scholar
[Benjamin, Walter. 1968. The Work of Art in the Age of Mechanical Reproduction. In Illuminations, ed. Hannah Arendt, 217–252. New York: Schocken Books.]Search in Google Scholar
[Bloustien, Geraldine. 2012. Play, Affect, and Participatory Video as a Reflexive Research Strategy. In Handbook of Participatory Video, eds. E-J Milne, Claudia Mitchell and Naydene de Lange, 115–130. Lanham: AltaMira Press.]Search in Google Scholar
[Bódy, Gábor. 2006. Privát történelem (II.) [Private history (II)]. In Egybegyűjtött filmművészeti írások I. [Collected Essays I.], ed. Zalán Vince, 215–217. Budapest: Akadémiai Kiadó.]Search in Google Scholar
[Boglár, Lajos. 2004. Még találkozunk! [See You Later!]. Budapest: Nyitott Könyvműhely Kiadó–Szimbiózis Alapítvány.]Search in Google Scholar
[Brecht, Bertolt. 2000a. The Radio as a Communications Apparatus. In Brecht on Film and Radio, ed. Marc Silberman, 41–48. London, New Delhi, New York, Sidney: Bloomsbury.]Search in Google Scholar
[Brecht, Bertolt. 2000b. The Threepenny Lawsuit. A Sociological Experiment. In Brecht on Film and Radio, ed. Marc Silberman, 147–202. London, New Delhi, New York, Sidney: Bloomsbury.]Search in Google Scholar
[Ceci, Laura. 2022. YouTube – Statistics & Facts. Statista, https://www.statista.com/topics/2019/youtube/#dossierKeyfigures. Last accessed: 29. 06. 2022.]Search in Google Scholar
[Chalfen, Richard. 2008. To See What it’s Like to Live Like You: The Popularity of Making Kids Make Pictures. Paper Prepared for Advanced Seminar: Emergent Seeing and Knowing: Mapping Practices of Participatory Visual Methods. Radcliffe Institute for Advanced Study. 13–15 November. https://sites.google.com/a/temple.edu/richard-chalfen-ph-d/participant-visual-media-research. Last accessed 27. 06. 2022.]Search in Google Scholar
[Deleuze, Gilles and Guattari Félix. 1986. Kafka. Toward a Minority Literature. Minneapolis: University of Minnesota Press.]Search in Google Scholar
[Forgách, András. 1999. Zárt kertek pusztulása. Forgács Péter és a film [Decay of Closed Gardens. Peter Forgács and the Film]. Metropolis (Summer). https://metropolis.org.hu/zart-kertek-pusztulasa. Last accessed 15. 12. 2022.]Search in Google Scholar
[Forgács, Péter and Vasák Benedek Balázs. 1999. Határesetek. Forgács Péterrel beszélget Vasák Benedek Balázs [Border-line Cases. Interview with Péter Forgács]. Metropolis (Summer). https://metropolis.org.hu/hataresetek. Last accessed 15. 12. 2022.]Search in Google Scholar
[Freire, Paolo. 2001. Pedagogy of the Oppressed. New York, London: Continuum.]Search in Google Scholar
[Ginsburg, Faye D., Lila Abu-Lughod and Brian Larkin, eds. 2002. Media Worlds: Anthropology on New Terrain. Berkeley, Los Angeles, London: University of California Press. https://monoskop.org/images/9/95/Ginsburg_Abu-Lughod_Larkin_Media_Worlds_Anthropology_on_New_Terrain.pdf. Last accessed 15. 12. 2022.]Search in Google Scholar
[Hénaut, Dorothy Todd and Bonnie Sherr Klein. 2010 [1968]. In the Hands of Citizens: A Video Report. In Challenge for Change: Activist Documentary at the National Film Board of Canada, eds. Thomas Waugh, Michael Brendan Baker, Ezra Winton, 24–33. Montreal, London (Ithaca): McGill-Queen’s University Press.]Search in Google Scholar
[High, Chris, Namita Singh, Lisa Petheram, and Gusztáv Nemes. 2012. Defining Participatory Video from Practice. In The Handbook of Participatory Video, eds. E-J. Milne, Claudia Mitchell and Naydene de Lange, 35–48. Lanham: AltaMira Press.]Search in Google Scholar
[Kindon, Sara. 2016. Participatory Video as a Feminist Practice of Looking: ‘Take Two!’. Area vol. 48, no. 4: 496–503. https://rgs-ibg.onlinelibrary.wiley.com/doi/abs/10.1111/area.12246. Last accessed 27. 06. 2022.]Search in Google Scholar
[Lemon, Alaina and Vörös, Miklós. 1996. Identitás és reprezentáció. Interjú Daróczi Ágnessel és Bársony Jánossal [Identity and Representation. Interview with Ágnes Daróczi and János Bársony]. Replika 23–24: 261–272. https://www.replika.hu/replika/23-19. Last accessed 23. 12. 2022.]Search in Google Scholar
[Lipkov, Alexander. 1994. India’s Bollywood in Russia. India International Centre Quarterly vol. 21, No. 2–3 (Summer–Monsoon): 185–194, https://www.jstor.org/stable/23003644?seq=1#metadata_info_tab_contents. Last accessed 23. 12. 2022.]Search in Google Scholar
[Low, Bronwen, Chloё Brushwood Rose, Paula M. Salvio and Lena Palacios. 2012. (Re)framing the Scholarship on Participatory Video. From Celebration to Critical Engagement. In The Handbook of Participatory Video, eds. E-J Milne, Claudia Mitchell and Naydene de Lange, 49–64. Lanham: AltaMira Press.]Search in Google Scholar
[MacClancy, Jeremy. 2001. Mass-observation, Surrealism, Social Anthropology: a Present-day Assessment. New Formations no. 44. (Autumn): 90–99. https://www.academia.edu/9835299/Mass_Observation_surrealism_social_anthropology_a_present-day_assessment. Last accessed 15. 12. 2022.]Search in Google Scholar
[Marcus, Laura. 2001. Introduction: The Project of Mass-Observation. New Formations no. 44. (Autumn): 5–20.]Search in Google Scholar
[Miller, Elizabeth and Michelle Smith. 2012. Dissemination and Ownership of Knowledge. In Handbook of Participatory Video, eds. E-J Milne, C. Mitchell and N. De Lange, 331–348. Lanham: AltaMira Press.]Search in Google Scholar
[Mitchell, C., E.J. Milne and N. De Lange. 2012. Introduction. In Handbook of Participatory Video, eds. E-J Milne, C. Mitchell and N. De Lange, 1–18. Lanham: AltaMira Press.]Search in Google Scholar
[Müllner, András. 2020a. A magyarországi részvételi film története és jelenlegi helyzete. Vázlat egy kutatásról a Minor Média/Kultúra Kutatóközpontban [The History and Current Practices of Hungarian Participatory Film Culture, with an Emphasis on the Self-representation of Vulnerable Minority Groups]. Jel-Kép no. 2. http://communicatio.hu/jelkep/2020/2/JelKep_2020_2_Mullner_Andras.pdf. Last accessed 23. 06. 2022.]Search in Google Scholar
[Müllner, András. 2020b. “Megragadni a tinédzserfenoménok stílusát.” [“Grasping the Style of the Teenage Stars”] Minor Média Blog. http://minormedia.hu/mullner-andras-megragadni-a-tinedzserfenomenok-stilusat/. Last accessed 15. 12. 2022.]Search in Google Scholar
[Müllner, András. 2020c. Önmagunk mássága. A Privát történelem mint a Mass Observation mozgalom magyar változata [Otherness of Ourselves. Privat History as the Hungarian Version of Mass Observation]. Médiakutató vol. 21, no. 4 (Spring): 11–23. https://www.mediakutato.hu/cikk/2020_01_tavasz/02_onmagunk_massaga.pdf. Last accessed 23. 12. 2022.]Search in Google Scholar
[Müllner, András. 2022. Bevezető a Replika “Részvételi film” című tematikus blokkjához [Introduction to the “Participatory Film” Thematic Block of the Journal, Replika]. Replika vol. 124: 7–17. https://www.replika.hu/replika/124. Last accessed 28. 12. 2022.]Search in Google Scholar
[Nautiyal, Soledad Muñiz. 2011. Western Balkans Green Agenda: Local Storytelling through Participatory Video Making. In Participatory Learning and Action 63. How Wide are the Ripples? From Local Participation to International Organisational Learning, eds. Hannah Beardon and Kate Newman, 89–96. IIED. http://pubs.iied.org/pdfs/14606IIED.pdf?#page=132. Last accessed 27. 06. 2022.]Search in Google Scholar
[Négyesi Gábor. 1983. Portréfilm Raffay Annáról [Raffay Anna Portrait]. Szentendre: PMKK Filmstúdió. https://www.youtube.com/watch?v=xNZfRgGutSY. Last accessed 21. 12. 2022.]Search in Google Scholar
[Piemontese, Stefano. 2021. Combining Participatory and Audiovisual Methods with Young Roma “Affected by Mobility.” In Visual Methodology in Migration Studies. New Possibilities, Theoretical Implications, and Ethical Questions, eds. Karolina Nikielska-Sekula and Desille Amandine, 177–196. Springer. https://doi.org/10.1007/978-3-030-67608-7. Last accessed 27. 06. 2022.]Search in Google Scholar
[Plush, Tamara. 2012. Fostering Social Change through Participatory Video: A Conceptual Framework. In Handbook of Participatory Video, eds. E-J Milne, Claudia Mitchell and Naydene de Lange, 67–84. Lanham: AltaMira Press.]Search in Google Scholar
[Pócsik, Andrea. 2013. Én, Cséplő György [Me, Cséplő György]. Apertúra Spring. https://www.apertura.hu/2013/tavasz/pocsik-en-cseplo-gyorgy-schiffer-pal-dokumentumfilmjei-es-a-cseplo-gyuri/. Last accessed 21. 12. 2022.]Search in Google Scholar
[Ranciére, Jacques. 2007. The Emancipated Spectator. Artforum, March, https://www.artforum.com/print/200703/the-emancipated-spectator-12847. Last accessed 21. 12. 2022.]Search in Google Scholar
[Rouch, Jean. 2003a. The Camera and Man. In Ciné-Ethnography, ed. Steven Feld, 29–46. Minnesota: University of Minnesota Press.]Search in Google Scholar
[Schensul, Jen and Campbell Dalglish. 2015. A Hard Way Out: Improvisational Film and Youth Participatory Action Research. In Participatory Visual and Digital Research in Action, eds. Aline Gubrium, Krista Harper and Marty Otañez, 115–128. London, New York: Routledge.]Search in Google Scholar
[Shohat, Ella and Robert Stam. 1994. Unthinking Eurocentrism. Multiculturalism and the Media. London: Routledge.]Search in Google Scholar
[Sostar Group. 2010. Rewritable Pictures. https://cargocollective.com/CultureandDevelopment/Rewritable-Pictures-On-the-Way-to-a-Photographic-Roma-Archive. Last accessed: 15. 12. 2022.]Search in Google Scholar
[Trencsényi, Klára and Vlad Naumescu. 2021. Migrant Cine-Eye: Storytelling in Documentary and Participatory Filmmaking. In Visual Methodology in Migration Studies. New Possibilities, Theoretical Implications, and Ethical Questions, eds. Karolina Nikielska-Sekula and Desille Amandine, 117–140. Springer. https://doi.org/10.1007/978-3-030-67608-7. Last accessed 27. 06. 2022.]Search in Google Scholar
[Waite, Louise and Catherine P. Conn. 2012. Participatory Video: A Feminist Way of Seeing? In Handbook of Participatory Video, eds. E-J Milne, Claudia Mitchell and Naydene de Lange, 85–99. Lanham: AltaMira Press.]Search in Google Scholar
[Waugh, Tom. 2012. Foreword. In Handbook of Participatory Video, eds. E-J Milne, Claudia Mitchell and Naydene de Lange, xiii–xv. Lanham: AltaMira Press.]Search in Google Scholar
[Worth, Sol and John Adair. 1972. Through Navajo Eyes: An Exploration of Film Communication and Anthropology. Bloomington: Indiana University Press.]Search in Google Scholar
